Abrons Arts Center is pleased to present UNDERWROUGHT AN DE RE — a solo project by New York based artist Ryan Foerster in our ground
floor lobby gallery.
Not exact matches
With an award - winning restaurant on the 32nd
floor, an art
gallery in the
lobby, and the opportunity to discover local highlights such as the Temple of the Emerald Buddha, we can create a personalized journey to remember at Sofitel Bangkok Sukhumvit.
Now, «Crossing» and other monumental paintings will be on display in Tower 49's
lobby and 24th
floor galleries.
Inside the
lobby of the building, a grand staircase leads up to a series of three
gallery spaces with concrete
floors and white walls and ceilings.
The exhibition starts dramatically in the
lobby with Jim Lambie's striped
floor, all sharp lines and acute angles, continues into the sixth -
floor lobby where a Donald Judd painted aluminum sculpture dominates, and opens into the special exhibitions
gallery, where you are greeted by a horizontal painting, installed up high, by Marcel Duchamp.
Filling P.S. 1's first
floor main
galleries, the
lobby and the spacious duplex
gallery, this exhibition is on view through October 24.
In addition to the third
floor galleries, the Hammer regularly utilizes its
lobby, courtyard, and downstairs
galleries, creatively employing the architectural framework of the museum in order to invoke the rigor and importance of the exhibitions on view.
The Acock
Gallery is on the second
floor of the Canzani Center, at 60 Cleveland Ave.. It doubles as the entry
lobby to the president's office and the board room.
Featuring the work of local artists, this second
floor gallery is a great space to rent for special events with a unique vantage point at the top of the Grand Staircase overlooking the
lobby.
To honor the recent transfer of the Jane and Arthur Mason collection of wood - turned art from the Gelman Library to GW's Luther W. Brady Art
Gallery we present this exhibit in the cases in the second
floor lobby outside the
Gallery.
It's one thing to encounter a LeWitt wall drawing in a public space like Christie's Rockefeller Center
lobby, the New School's 13th Street
lobby, or the Museum of Modern Art's fourth -
floor Dannheisser
Gallery.
Entering the museum's main
lobby, visitors may either turn into the first -
floor galleries, or walk through an enclosed breezeway to the museum's outdoor sculpture garden, which houses a rotating series of long - term installations and commissions.
The material is found at one side of the entrance and
lobby in a row of columns and the sofit they support, and is left exposed as
flooring on the top level and in the staircase that connects the four
floors of
gallery spaces.
A large horizontal building houses all main spaces, including most of the exhibition
galleries; its ground
floor accommodates the entrance
lobby, the main court, a restaurant, a museum store, and a children's
gallery, all accessible free - of - charge by the visitors.
The view across the
gallery floor at the Whitney, above the spacious entrance
lobby, evokes infinity: visitors can see from one end to the other, and glimpse the city beyond.
Forty - three artists and three collaborative teams will display works in the main
galleries, State Street
Gallery, and New Media
Gallery, as well as the museum's
lobby, second
floor landing, rooftop sculpture garden, and a public hallway.
From the
lobby, one takes an escalator, which feels like burrowing through a tunnel, to the main
galleries on the third
floor, where one emerges in a vast white space.
Additional exhibition space includes a
lobby gallery (accessible free of charge), two
floors for the permanent collection, and a special exhibitions
gallery on the top
floor.
Location:
Floor One,
Lobby Gallery RED IN VIEW unfolds in four movements throughout the Museum; the first is Prelude: a periodic live appearance in the lobby gallery by two Martian moons, Phobos and Deimos, performed by Lydia Okrent and Mariana Va
Gallery RED IN VIEW unfolds in four movements throughout the Museum; the first is Prelude: a periodic live appearance in the
lobby gallery by two Martian moons, Phobos and Deimos, performed by Lydia Okrent and Mariana Va
gallery by two Martian moons, Phobos and Deimos, performed by Lydia Okrent and Mariana Valencia.
We each get one
floor of the Marcel Breuer building and we will share the interstitial spaces offered up by the museum:
lobby gallery, courtyard, theater, etc..
There, the booth of London - based Laura Bartlett
Gallery has been transformed completely into a
lobby of a South American money exchange booth, complete with bright - colored flora, checkered tile
floor, neon - teal walls, and a rickety stand with hand - painted signs advertising tarjetas prepagadas.
Stone
floors, quarried in Spain and finished in Italy, are also installed in the
lobby gallery.