Sentences with phrase «floor piece of steel»

Not exact matches

When it's finished, an engineer will be able to walk right over to the manufacturing floor and see a rocket engine milled from a piece of stainless steel or a fuel tank formed from giant sheets of aluminum.

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Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.

After peering through the ground floor's front and side windows, I went inside to look closely at Judd's «Untitled» floor piece with iron pipe, five stainless - steel - and Plexiglas boxes affixed to a the main wall, and Carl Andre's stacked piece of eight bricks, «Manifest Destiny.»

Also clever: the curators decision to include Letha Wilson's floor sculpture, which is a flat piece of steel with a corner curled up, as if it were paper.

These consist of crushed metal (sourced from new industrial steel tubing, the cutting - room floor parts of previous works, or found scrap metal) with surfaces that are either left as - is — in the case of the raw, rusted found pieces — or painted with light - absorbing, velvety car paint.

Adriano Costa sure does with Straight from the House of Trophies, like a Carl Andre floor piece but with gold place mats instead of steel tiles.

Viewers familiar with Anthony Caro's groundbreaking painted steel sculptures from the early 1960s, which discarded with the traditional pedestal and seemed to spread out horizontally along the floor, may have been surprised to see a series of tightly arranged table pieces from his Arena series of the 1990s at Álvaro Alcázar Gallery.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Yet his work actually encompasses such diverse items as a black - and - white painting based on flickering light on the Seine, gridded paintings with squares of color arranged by chance, weathered steel panels, floor pieces, multi-panel paintings, contour drawings of leaves and collages on postcards.

His large, floor - based works make use of a variety of materials, from wood to rope, though he is best known for his monumental rusted steel pieces.

Indeed, the LACMA exhibition of Dwan's multiple endeavors encapsulates a sizable chunk of the contemporary cultural landscape, sweeping along artists of so many persuasions and highlighting pieces of the art puzzle that they helped to define — from the austere minimal work of Sol LeWitt, Agnes Martin, and Fred Sandback, to Carl Andre's sixty - four - piece floor grid fabricated from hot rolled steel and an aloof diptych by the painter Jo Baer.

Two floor - bound steel sculptures - note their structures» connection with the watercolors» - and a constellation of small wall pieces in lead antimony flesh out Bandau's part of the show.

The squares of lead and steel that compose Serra's pieces, fixed in place by gravity, respond directly to floor works by Carl Andre, such as «Copper Zinc Plain» (1969), also on the fifth floor.

Nowhere was the mysterious affinity more in evidence than on the gallery's second floor rotunda, where a super-refined Donald Judd wall piece, Untitled (Bernstein 78 - 70), 1978, was hung above a rough Andre floor work, 32 - Part Reciprocal Invention (1971), composed of lengths of steel rods used to make reinforced concrete.

The signature floor pieces on display are rendered in copper, zinc, aluminum, slate, magnesium, lead, and steel, illustrating Andre's nuanced explorations of the physical properties of his material.

Being that the loft framing was steel, the catwalk railing had steel elements, and we had trimmed out the doors on the first floor with steel, this material seemed like the obvious choice to construct this final piece of the puzzle.