Sentences with phrase «floor sculpture created»

Not exact matches

Video presentation of lesson observation Early Years Foundation Stage: Children create floor sculptures

The base consists of concrete pieces that create an essential link between the sculpture, the floor and the stairs.

Inside, the Si boasts deeply sculptured performance seats, a 60/40 split folding rear seat (which can be folded down completely to create a flat cargo floor), dramatic black - on - white gauges, a silver central control pod, and a thick three - spoke steering wheel.

A breakthrough in her practice at this time was combining imported sand and soil — from different locations significant to her including Cuba, the Nile in Egypt, and the Red Sea — with different binding materials to create indoor floor sculptures that carried the energy of these places.

You have created a myriad of different modes of display for your ceramic sculptures — traditional plinths of different shapes and sizes, floor - based displays and purpose - built tables, each of them responding to their architectural surroundings and producing a different texture and atmosphere to the exhibition.

In the second floor's center room, the Oh's sculpture occupies the entire expanse creating a total environment that requires constant looking and moving on the part of the viewer.

The non-hierarchical treatment of color in Donald Judd's Menziken wall sculpture (Untitled, 1988) stems from Mondrian's experimental attempts to balance primaries according to scale, while Carl Andre's shimmering floor sculptures (Copper Sum Five, 2006 and Fifth Aluminum Cardinal, 1978) remove the hierarchy of display, creating infinite points of view.

For the exhibition, Argote has created a new series of monochromatic sculptures that echo formal qualities found in architectural floor plans and domestic structures used for folding laundry.

For No borders in a wok that can't be crossed, Marten has created a group of works which interweave the diversity of her work in terms of media — from sculptures to wall pieces and floor works — in a comprehensive installation including many new works created specifically for the CCS Bard exhibition.

Giant sculptures of tulips, a pumpkin, dogs and a doll are located in the gallery's canal - side garden and ground floor exhibition space, along with new paintings, creating a surreal inside - out...

Roman Gysin, in the Monte Vista Projects / Å + project space created a minute, yet expansive floor sculpture of tiny pointed cylindrical shapes, above which a thin rope sculpture is suspended.

Giant sculptures of tulips, a pumpkin, dogs and a doll are located in the gallery's canal - side garden and ground floor exhibition space, along with new paintings, creating a surreal inside - out landscape of nature and artifice.

In an interview with Andrew Solomon in Artforum, she describes working on one of her red net paintings: «in New York I was painting the nets and then I noticed that it spread to the floor and the curtains and to the window so I went to catch the red net and I examined it without noticing at first that my hands were also covered by the red nets and that was the turning point and I began creating sculpture so that I could put the patterns on everything».

Canadian sound artist crys cole focuses on the delicacy of minimal sonic environments, presenting a sound sculpture, entitled filling a space with salt (in two parts), that is created and located within the gallery floor's vents.

The sculptures are made of expanding polyurethane foam that Deshayes mixes and pours on his studio floor to create amorphous organic shapes.

The artist made this specifically for this space at the Whitney — she wanted to create a sculpture that would pour from the ceiling, hit the floor, and seem like it was alive.

Pioneering fiber artist Sheila Hicks blurs the boundary between painting and sculpture with her vibrant woven and textile works, which she creates in many shapes and sizes, from wall mountings that mimic the format of painting to suspended pieces that hang from ceiling to floor like textured columns.

In «Heaven or Las Vegas,» Navarro has created a series of neon light wall sculptures based on the floor plans of 12 of the world's best known skyscrapers, including the Jumeirah Emirates Towers in Dubai, Lotte World Tower in Busan, and the Twin Towers in New York.

He created ten - acres full of large - scale sculpture on the desert floor, constructed entirely from junked materials.

These sculptures, which Chiappa said were partly inspired by Jean Arp's aleatory «dropped paintings» (the holes in the cheese, for instance, were created by unpredictable chemical reactions), lined the walls at Kate Werble's booth, while another metal sculpture by the artist suggesting a basketball without the orange parts sat on the floor.

Installed on Level 1 of Le Corbusier's 1963 Carpenter Center and intervening in the Busch - Reisinger Museum's room 1510 on the first floor of the Harvard Art Museums, the exhibition Shahryar Nashat: Skins and Stand - ins features a combination of video, sculpture, architectural interventions, and commissions that create a cohesive environment where the sensibilities and physicality of spectators become formally implicated in the artist's inquiries.

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

As usual, the drain that I ended up creating was a synthesis of all these various possibilities... This was also the first time that I created a sculpture that pierced through that floor» (R. Gober, quoted in T. Vischer, (ed.)

In Coin Drop invited guests will be invited to drop 25,000 brand new pennies onto the gallery's floor during the 3 hours leading up to the opening reception, thereby creating a readymade sculpture.

Others work in sculpture, often fashioning their works from materials that belie the pedestrian nature of the subject - Ai Weiwei's jar of hundreds of sunflower seeds, made from hand - painted cast porcelain, or the work of Yoshihiro Suda, who creates weeds that «grow» from the gallery floor, carved by hand from magnolia wood.

Overton's Untitled (chairs with lights) reconfigures mordant institutional design to create what is ostensibly a badass floor lamp / sculpture.

The walls and the floor of the gallery are covered with dazzling patterns that create the stage for the painted sculptures that stand, lean and hang throughout the space.

She cast the organic shapes large - scale in milky acrylic to create two translucent, radiant sculptures — a 15 - foot - long, wall - mounted horizontal piece titled Slug and a 13 - foot - tall floor - to - ceiling piece titled Egg, each lit from within and host to a lush universe of plant life.

Stretching imagination and the definition of sculpture and installation itself, Salcedo created a subterranean crack in the floor that stretches 584 feet across the entire length of the Hall.

Part of a network of art sites on island developed by Japanese businessman and art collector Soichiro Fukutake, the museum features polished concrete chambers housing the work of three artists: a selection of Claude Monet's water lily paintings (the skylight and glistening mosaic floor creates a shrine - like experience); an installation by Walter de Maria that consists of a central, polished granite sphere sitting on a staircase with surrounding gilded wall sculptures; and three James Turrell light works.

Originally created for Fondation Cartier pour l'art Contemporain, Paris in 1995, «The Diamond Floor» (1995) is a sculptural incarnation of «Five Points Make a Man», a conceptual motif that appears in many of the artist's drawings, sculptures and performances.

Mr. Curry created a disorienting environment for that sculpture and smaller ones by covering the walls, ceiling and floor with hollow - core cardboard panels bearing grainy, black - and - white photographs of what seem to be his own studio walls.

While these sculptures would have made a fine show on their own — and in a way, their significance is overshadowed — Lobo has used the bottles of Nexcite to create a new floor in the gallery.

The exhibition features Forms from the Gold Field, a sculpture created by Roni Horn (1980 - 82) that is composed of two pounds of pure gold compressed into a rectangular mat and exhibited directly on the museum floor, and Untitled (Golden)(1995), a beaded curtain by Gonzalez - Torres which hangs in a doorway that the viewer must pass.

On the first floor, viewers interact with a space defined by miniature, crystalline, iceberg - like perfume bottle sculptures that Long and his team of designers created by graphically organizing and merging sets of random data.

A two - part exhibition that featured the presentation of «Five Points Make A Man», a daily performance with water drops, from 29 February through 8 March; and currently on view, «The Diamond Floor», a sculpture created in 1995 and originally shown at the Cartier Foundation, through 12 April.

Following in the footsteps of institutions like the Hammer Museum, The Phillips Collection, and the Hirshhorn Museum & Sculpture Garden, The Columbus Museum has commissioned the artist to create a site - specific wall drawing tailored to the architecture of the main floor's colonnade.

For her first major show in Miami, Friedman created four brightly hued sheets of rubber — which she made by pouring 1,000 pounds of material onto the Locust Projects» floor — along with metal sculpture and an accompanying performance piece by artist Silas Reiner.

Barlow's sculptures have tended to be modified for, or inspired by, each venue: the high ceilings of the BALTIC Center for Contemporary Art in Newcastle provided an opportunity to create a very tall anthropomorphic object while here in the lobby of One Canada Square, a corporate office building, she has used a lurid pink and yellow colour scheme as a response to the floor - to - wall pinkie - brown marble hall.

His happenings were performed in fabricated environments created in his studio and galleries and staged around soft props that were early incarnations of the large - scale, sagging sculptures of mundane objects, such as Floor Burger (1962), which the artist later developed.

David Scanavino has created a site - specific floor installation and new large - scale wall relief for his exhibition titled Imperial Texture at the Aldrich Contemporary Art Museum in Ridgefield CT, transforming the South Gallery into both an experiential sculpture and an engaging platform for interactivity.

In 1959, he worked with Ralph Rumney and Robyn Denny on Place at the ICA, in which canvases were positioned on the floor to create a labyrinthine environment; he was included in the Situation group show in 1960 at the RBA Galleries, which celebrated the impact of American painting on the British; and he featured in the enormous Painting and Sculpture of a Decade 54 - 64 at the Tate in 1964.

With À la Lumière des Deux Mondes (At the Light of Both Worlds, 2005), a site - specific work created for the Louvre's glass pyramid — the first time a contemporary artist had exhibited in the institution — Tunga used one of the building's columns as a pivot on which various symbolically charged objects were balanced: gold and black skulls and a giant walking stick intertwined with braided hair on one side; a chain of skulls caught in a dark net falling towards a floor littered with golden and black reproductions of heads from the Louvre's classical sculptures on the other.

She uses indigenous straw - weaving techniques to create biomorphic sculptures that sprawl across the gallery floor.

New galleries have been created specifically for showing Tate Britain's extensive and virtually unknown collection of works on paper, and floors have been strengthened so that there is far more sculpture on view than ever before, including a spectacular permanent gallery devoted to the work of Henry Moore.

Also created using film is a large floor sculpture made from a print of the movie Alien.

A selection of nearly 100 works, including paintings, sculptures and drawings, will occupy the second floor and one gallery on the first floor, with particular emphasis on the most important thematic series created by the artist over the course of his career.

Overton's Untitled (Chairs With Lights) reconfigures mordant institutional design to create what is ostensibly a badass floor lamp / sculpture.

All three floors of the gallery were placed with sculptures, lined with moss and bushes, creating the fantastic world of the artist's imagination.

Interwoven Histories @ October gallery An inventive group show of African artists with sand across the floor and the use of empty petrol cans to create some visually arresting installations and sculpture.