Sentences with phrase «floor sculpture in»

Created entirely from materials found in nature, this exhibition will feature Milkstone, 1987 — 2001, a hand polished slab of marble with a shallow indentation onto which a fresh layer of milk is poured; and Rice House, 2002, a four - foot long marble floor sculpture in the shape of a house surrounded by mounds of white rice.

See also our coverage of Richard Long's show at Haunch of Venison Berlin in 2008, where he presented a floor sculpture in local stone, a mud wall work, and driftwood works and prints.

Not exact matches

Wall Color: Benjamin Moore Hazy Skies Dark Planked Wall Color: Cravy by Kwal Paint Area Rug Coffee Table Sofa (in Rain) Leather Chairs Art Ledge Faux Fiddle Leaf Fig Tree Basket Fur Pillows Dark Blue Velvet Pillow Tree Cut Print Art Art Light Tripod End Table White Table Lamp Arc Floor Lamp Bamboo Blinds Curtain Rod White Grommet Curtains Coffee Table Tray Black Star Sculpture Striped Throw Blanket Faux Pencil Succulent

Once I had settled into my accommodation - two rooms in the attic floor of a terraced house not far from the West End Park - I spent a moderately distracting week strolling around the exhibits: the Fine Art and Sculpture Rooms in the Eastern Palace; the thrilling assault to the senses, both aural and nasal, in the Dynamo Shed; the Queen's Jubilee gifts (dull but, presumably, for those that need it, terribly reassuring); a reproduction of the Bishop's Palace which, upon investigation with the tip of my umbrella, revealed itself to be made entirely of painted canvas; and - my favourite, illicit haunt - Howell's tobacco kiosk with its wondrous international selection of cigarettes: Piccadilly Puffs; Shantung Silks; Dinard Dainties; Tiffy Loos!

In the living room, cool white walls, a pared - down fireplace, stone floors and low - profile white sofas are enlivened by playful sculpture, large - scale paintings and French doors opening to the cliffs outside.

The tiled floor, white walls, and shadow box shelves offset the glass works of art that range in size from paperweights and jewelry to larger sculptures.

GUEST BEDROOMS: - Two king - sized bedrooms housed in stand - alone pavilions - Featuring king four - poster beds, cream coloured walls, wooden floors and soaring roofs - Front terrace lit by colonial - style bell - jar lanterns and furnished with antique daybed leading from glass sliding doors onto the bedroom - Spacious dressing rooms - Wall - mounted LCD satellite TV, DVD player and iPod dock - Air - conditioned and fan - cooled - Air - conditioned ensuite bathroom with sculptured terrazzo bathtub, double washbasins, glass doors leading to alfresco area with outdoor rain shower in a private walled courtyard - Additional single bed can be configured upon request

A stunning metal sculpture wraps around Villa Issi's top floor, providing practical shade and a delightful play of light in two of the villa's four bedrooms...

A stunning metal sculpture wraps around Villa Issis top floor, providing practical shade and a delightful play of light in two of the villas four bedrooms.

The dozens of eye - popping paintings and massive sculptures executed by Frank Stella, beginning in 1958, that fill the Whitney Museum's capacious fifth floor and outdoor terrace are going to envelop you.

In 1965, Carl Andre challenged preconceived notions of sculpture by placing work flat on the floor in his first public exhibition, Shape and StructurIn 1965, Carl Andre challenged preconceived notions of sculpture by placing work flat on the floor in his first public exhibition, Shape and Structurin his first public exhibition, Shape and Structure.

Starting in February, two sculptural installations by Banks Violette (b. 1973, USA) and two works of sculpture by Oscar Tuazon (b. 1975, USA) will be on view on the museum's ground floor, complemented by an audio installation for which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).

The inaugural exhibition in 1992 took place at Hauser & Wirth's first gallery, located in the first - floor apartment of an Art Deco villa in the heart of Zurich; it united mobiles and gouaches by Alexander Calder with sculptures and paintings by Joan Miró.

I wanted to organize a show that celebrated the artworks that exist in this more problematic zone of «wall works;» challenging and painterly pieces that, if on the floor, might be called a sculpture, but ultimately resist the pressure to be paintings.

Like Oldenburg and van Bruggen, Tara Donovan transforms the ordinary through scale and repetition in her floor sculpture Colony (2004).

Filled with some two dozen wire - woven openwork sculptures by Ruth Asawa, the big second - floor gallery at David Zwirner's West 20th Street space in Chelsea looks like a basketry forest, or a subaqueous garden, or a cloud of microbial life.

In the mid-20th Century shared unreality that was «Caroland» it was somehow viable, with intentions that were quite probably on the right side of honest, to make a sculpture — in this case, Stainless Piece C, 1974/5 — that sat flat on the floor and rose up no more than a couple of inches, so you looked down upon it like a relief laid horizontally (I made a few like this myself); and to make it out of a few scattered (or were they artfully composedIn the mid-20th Century shared unreality that was «Caroland» it was somehow viable, with intentions that were quite probably on the right side of honest, to make a sculpture — in this case, Stainless Piece C, 1974/5 — that sat flat on the floor and rose up no more than a couple of inches, so you looked down upon it like a relief laid horizontally (I made a few like this myself); and to make it out of a few scattered (or were they artfully composedin this case, Stainless Piece C, 1974/5 — that sat flat on the floor and rose up no more than a couple of inches, so you looked down upon it like a relief laid horizontally (I made a few like this myself); and to make it out of a few scattered (or were they artfully composed?)

Carl Andre's revolutionary floor - based sculptures will be on view at New York's Mnuchin Gallery in September

Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.

Grounded features a dynamic selection of floor - based sculpture by seminal figures in modern and contemporary art.

New York — Pace Gallery announces Grounded, an exhibition featuring a dynamic selection of floor - based sculpture by seminal figures in modern and contemporary art.

In celebration of International Sculpture Day on Sunday, April 24, 2016, Mana will open a new group exhibition of sculpture in the 5th floor gallery, Wake the Town and Tell the PeoplIn celebration of International Sculpture Day on Sunday, April 24, 2016, Mana will open a new group exhibition of sculpture in the 5th floor gallery, Wake the Town and Tell thSculpture Day on Sunday, April 24, 2016, Mana will open a new group exhibition of sculpture in the 5th floor gallery, Wake the Town and Tell thsculpture in the 5th floor gallery, Wake the Town and Tell the Peoplin the 5th floor gallery, Wake the Town and Tell the People.

Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!

The sculpture is carefully arranged to emphasise and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor, encouraging the viewer to be conscious of the space

Taking place in P.S. 1's second floor Main Gallery, the show will include film, video, sculpture, and installation by ten artists.

EXHIBITION Mark Bradford @ Hirshhorn Museum, Washington, D.C. (November 2017): Los Angeles - based artist Mark Bradford will take full advantage of the unique cylindrical structure of the Hirshhorn Museum and Sculpture Garden in Washington, D.C., installing a suite of site - specific paintings on the second floor of the Smithsonian museum where the work will occupy the entire circumference of the curved galleries.

The fourth floor of the exhibition will feature a number of large - scale works by Bayrle, including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic sculptures made of repurposed automobile parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).

A small hole in the lowest part of the sculpture allows the salt to escape and slowly pile up on the floor during the course of the exhibition.

There are other things to see in Building 6: the assemblage works of Lonnie Holley; Dawn DeDeaux; and their great predecessor, Robert Rauschenberg; and a strange and enormous marble sculpture by Louise Bourgeois for which the floors had to be reinforced.

Bask, a dyed pine floor sculpture of 1976, is a long, slender form that billows in the middle.

Known for his finger - crocheted environments that grace gallery spaces and architectural interiors, Neto presents new sculptures and wall - mounted works in an expansive installation that will veil the gallery's two - floor space.

Starting out with vast sheets of pure colour in huge trays on his studio floor, his finished works are something between painting and sculpture, a joyous celebration of colour and material.

A vigorous black - and - white Franz Kline glimpsed through the recesses of a Mark di Suvero sculpture in the center of the floor is a lesson in gesture as well as curatorial choice.

Returning to the central, almost figural form in the work, its contraposto exposing a skeletal armature that reminded me not only of the macabre Giacometti floor sculpture often called The Rape but of the large grisaille anti-war statement Picasso painted in June and July of 1945, The Charnel House.

In addition to a series of intimate, candy - colored wall relief sculptures from the»70s, a full floor is dedicated to a new commission: a grouping of vibrant structures that appear to elegantly float across the space.

Elements of the sculpture spread out on the floor are reflected in the glass that protects the photographs.

In the sixth floor atrium, below, a Donald Judd sculpture dominates.

One visitor drew our attention to the spheres that were nestled in the sculpture's interior, while another noted how the shadows the work cast on the gallery floor extended its sense of movement.

To, thankfully, some of the very interesting explorations in collage, 3 - D printed art, like Ashley Zelinskie's reverse abstractions (see the photograph of her table - top sculpture below) and paintings that extended from the vertical walls into the horizontal planes of the floor.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

Highlights of the installation include the diptych slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor sculpture constructed of many antique prosthetic legs; and a work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).

Scharf's animated show for Cartoon Network — screening on the second floor, his bronze sculptures in the third - floor Founders» Gallery, and the transformation of the PMCA garage into the

(Top) In the living room, dominated by a black steel sculpture by Brian Wall and Manuel Neri's marble 1989 Odalisque 1 on the floor, are a Louise Nevelson — esque bookshelf and steel pivot door to the kitchen that Francis Mill designed with Chris French.

Highlights in the Galleries sector included a wall installation of works on paper by Sol Lewitt (b. 1928, d. 2007) and floor sculptures by Carl Andre (b. 1935) at Paula Cooper Gallery, a solo presentation by Ugo Rondinone (b. 1964) at Galerie Eva Presenhuber and Ellsworth Kelly's (b. 1923, d. 2015) «Sumac» at Lévy Gorvy.

The exhibition starts dramatically in the lobby with Jim Lambie's striped floor, all sharp lines and acute angles, continues into the sixth - floor lobby where a Donald Judd painted aluminum sculpture dominates, and opens into the special exhibitions gallery, where you are greeted by a horizontal painting, installed up high, by Marcel Duchamp.

Set in Duke of York square and split over the 3 floors, Saatchi Gallery is a spacious, modern exhibition space showcasing art and sculpture from young, contemporary artists.

On view in ICA's First Floor Space from February 12 through August 17, 2014, the exhibition features sculpture, photography, and video.

The first three galleries on the first floor feature the museum's collection of Old Master paintings and sculpture, which is particularly strong in canvases from the Italian Baroque.

Featuring 52 artists / artist collectives in total, the exhibition will occupy the whole first floor of the museum and present work ranging from painting, sculpture, installation to video and animation.

It starts for real, however, with sculpture and a video in the ungainly fifth - floor rotunda, and it ends with his busiest paintings yet.