Sentences with phrase «floor sculpture studio»

Visitors see the first - floor sculpture studio, renovated in 1963 by the artist; temporary exhibition on the 2nd floor; and on the 3rd floor, the living and dining space featuring over 200 works from Gross's extensive global art collection, including important American paintings by Marsden Hartley, Willem De Kooning, Milton Avery, Jacob Lawrence and many others, installed by the artist and preserved as he had it during his lifetime.

Not exact matches

Sneak into this first floor working studio featuring Brent Owens's tapestry - inspired wood sculptures, Sarah Bednarek's model shop, Stephen Truax's geometric paintings, and Jess Grable's creepy chandelier made from horseshoe crabs.

Starting out with vast sheets of pure colour in huge trays on his studio floor, his finished works are something between painting and sculpture, a joyous celebration of colour and material.

Taking over one floor of the gallery, she had transformed it into a dramatized version of her own studio, with sloping, angular, plywood platforms that formed a mountainous topography, from which one could peer down onto maquettes of Lee's architectural sculptures sitting atop mirror plinths.

The space, with a rough wooden floor and mass of modelled figures, is suggestive of an artist's studio, but it is filled with sculptures of the body by some of the 20th century's greatest artists.

Among Crampton's most vivid conceptions are Louise Nevelson standing with three of her sculptures, seeming to be part of the one she is standing behind, and looking like a stern, aged priestess in her heavy makeup, turban, and floor - length mink coat;... Alexander Calder, a small, inconsequential figure lost in the incredible, mad mess of wires, ropes, strings, tools, and debris that fills his studio...»

Although enigmatic, these works are less compelling than To - Be-Titled (2008 — 2014), a sculpture by Fitch that could have been assembled from scraps off of Paul McCarthy's studio floor.

In addition to a striking array of drawings, sculpture, and prints, the complex also houses the Toolbox Pilates studio on the second floor.

When on January 28, 2013, I made my first visit to Annette Lemieux's spacious studio in Allston, Massachusetts, I was delighted and excited to see a museum - quality array of over a dozen paintings, sculptures, and photographic prints arranged on the walls, floor, and propped up on a variety of chairs and stools.

The other sculpture replicates a studio floor with nature protruding in the form of a bee and dandelion — an unexpected intervention in the workspace could be a signal from the outside world.

Crowner's studio practice includes ceramics, sculptures, theater curtains, tile floors, and paintings made by sewing together painted and raw panels of canvas.

The sculptures are made of expanding polyurethane foam that Deshayes mixes and pours on his studio floor to create amorphous organic shapes.

A certain material vagueness in pigmented paper pulp thus seems ideal for Stockholder, who has always enjoyed the erasure of distinctions: between gross matter and art, composition and formlessness, narrative and abstraction, sculpture and painting... «Having arrived at the Mill with digital prints of objects she photographed in her years and studio (bright plastic bowls and containers, a drinking bottle, some gaudy cakes that had seen better times) along with real objects (fabric swatches, the floor mat) she proceeded to collage and emboss them in stretches of pigmented paper pulp, working in collaboration with Paul Wong.

When making poured urethane sculptures like «CDCR», Ruby lays down pieces of cardboard to protect the studio floor.

The floor is adorned in large scale sculptures like «Pretzel Bike» by Catharine Ahearn, a humorous take on the prowess of materiality in an artist's studio practice.

Over the next couple of years, he staged a series of memorably class - conscious shows in London: «The Cleaners» Late Summer Party With Comme des Garçons,» at the Serpentine, in which fellow janitors danced with the art world; a show turning a gallery into a yoga studio; an installation at the South London Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?»

Her process involves the use of large quantities of acrylic paint poured onto her studio floor; the paint eventually becomes building blocks to construct layered abstract sculptures called paint - objects.

The two - floor exhibition features painting, photography, and sculpture from twenty - one contemporary Chinese artists, many of whom Guess visited in their studios during recent trips to Beijing and Shanghai with Chinese art expert Barbara Pollack, author of The Wild, Wild East: An American Art Critic's Adventures in China and curator of the upcoming Tampa Museum of Art show «My Generation: Young Chinese Artists.»

Mr. Curry created a disorienting environment for that sculpture and smaller ones by covering the walls, ceiling and floor with hollow - core cardboard panels bearing grainy, black - and - white photographs of what seem to be his own studio walls.

His happenings were performed in fabricated environments created in his studio and galleries and staged around soft props that were early incarnations of the large - scale, sagging sculptures of mundane objects, such as Floor Burger (1962), which the artist later developed.

Another important figure in the movement was Carl Andre, who shared a studio space with Stella and whose sculpture was exhibited for the first time in 1964, known for his use of materials such as bricks and metal plates arranged in simple geometric compositions positioned on the floor.

The technical equipment is displayed in the first gallery as a studio environment and in the fourth - floor Sculpture Terrace opposite the galleries as a sculptural antennae tower.

During The Fifth Floor a studio was built in the gallery and the artist documented school children interpreting Picasso's iconic painting Weeping Woman (1937), currently on display as part of the free exhibition DLA Piper Series: This is Sculpture.

On the floor of the studio, more books - on Leonardo da Vinci, Piero della Francesca, and Francisco de Zurbaran - lie open or in piles alongside computerized sketches for sculptures in coral, rust, and turquoise.

From a second - floor studio in Brooklyn that overlooks the warehouses and scrap yards that skirt the Gowanus Canal, 26 - year - old Dennison assembles sculptures that resemble urban core samples or creatures spawned from detritus.