Sentences with phrase «floor sculpture with»

«It's like he was attempting to show what light would look like if it had some physical mass,» Rooks explains, pointing to a floor sculpture with halved steel cylinders and thin arches playing leapfrog over one another.

Sculptor Larry Bell is best known for his glass cubes mounted on transparent pedestals, but the McNay has an untitled floor sculpture with unfolding triangular shapes.

Not exact matches

Dwell Rimini Floor Lamp — Brass — Global Views Inspired by Italian design from the»60s and»70s, this floor lamp is crafted entirely of brass into a botanical sculpture, with hammered leaves that function as shades and reflect a warm, golden lFloor Lamp — Brass — Global Views Inspired by Italian design from the»60s and»70s, this floor lamp is crafted entirely of brass into a botanical sculpture, with hammered leaves that function as shades and reflect a warm, golden lfloor lamp is crafted entirely of brass into a botanical sculpture, with hammered leaves that function as shades and reflect a warm, golden light.

With its phallic sculptures, arty paintings, concrete floors, hidden closets and multiple windows, the house becomes a character of its own, eagerly anticipating each horrible visitor who stops by for mischief.

Go beyond the ordinary with an EV charger that's a piece of sculpture, a Breitling clock for the dash, or a sliding cargo floor for your SUV.

Once I had settled into my accommodation - two rooms in the attic floor of a terraced house not far from the West End Park - I spent a moderately distracting week strolling around the exhibits: the Fine Art and Sculpture Rooms in the Eastern Palace; the thrilling assault to the senses, both aural and nasal, in the Dynamo Shed; the Queen's Jubilee gifts (dull but, presumably, for those that need it, terribly reassuring); a reproduction of the Bishop's Palace which, upon investigation with the tip of my umbrella, revealed itself to be made entirely of painted canvas; and - my favourite, illicit haunt - Howell's tobacco kiosk with its wondrous international selection of cigarettes: Piccadilly Puffs; Shantung Silks; Dinard Dainties; Tiffy Loos!

GUEST BEDROOMS: - Two king - sized bedrooms housed in stand - alone pavilions - Featuring king four - poster beds, cream coloured walls, wooden floors and soaring roofs - Front terrace lit by colonial - style bell - jar lanterns and furnished with antique daybed leading from glass sliding doors onto the bedroom - Spacious dressing rooms - Wall - mounted LCD satellite TV, DVD player and iPod dock - Air - conditioned and fan - cooled - Air - conditioned ensuite bathroom with sculptured terrazzo bathtub, double washbasins, glass doors leading to alfresco area with outdoor rain shower in a private walled courtyard - Additional single bed can be configured upon request

NoMo Restaurant is a 5,000 - square - foot (464 - square - meter) conservatory with floor - to - ceiling windows, numerous plants, and a hanging sculpture by artist Beth Lipman.

Facilities and Features: - The lavish and spacious master design with floor - to - ceiling glass wall overlooking the garden and swimming pool features a king - size bed, a comfortable sofa, flat - screen TV, air - conditioning, bathroom with freestanding bathtub, dual sinks, an ottoman, and Balinese sculptures flank the mirror and there is shower area.

The ground - floor lobby of the hotel features commissioned pieces of art, including a gold / bronze sculpture, a crescent - shaped sculpture, and a circular art feature with a Quranic verse of welcome inscribed upon it.

Now, a new regime has turned to Hiroshi Sugimoto to fill the ground - floor lobby with a sculpture made of art furniture and a bronze gelato bar.

Starting in February, two sculptural installations by Banks Violette (b. 1973, USA) and two works of sculpture by Oscar Tuazon (b. 1975, USA) will be on view on the museum's ground floor, complemented by an audio installation for which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).

The inaugural exhibition in 1992 took place at Hauser & Wirth's first gallery, located in the first - floor apartment of an Art Deco villa in the heart of Zurich; it united mobiles and gouaches by Alexander Calder with sculptures and paintings by Joan Miró.

An immersive, experiential work of art, LOVE IS CALLING invites visitors to enter a mirrored room with tentacle - like soft sculptures hanging from the ceiling and positioned on the floor.

The exhibition begins on the fifth floor, entitled America Takes Command: 1950s into the 1960s, with Abstract Expressionism, Fluxus, Junk Sculpture, Collage and Assemblage, Anti-Art, Beat Culture, Proto - Pop, and even some figurative painting.

Here one does best to defer an encounter with de Maria's central floor sculpture until later, so that it serves first as a point of orientation for other, repeated discoveries, rather than a deadening mall.

Filled with some two dozen wire - woven openwork sculptures by Ruth Asawa, the big second - floor gallery at David Zwirner's West 20th Street space in Chelsea looks like a basketry forest, or a subaqueous garden, or a cloud of microbial life.

In the mid-20th Century shared unreality that was «Caroland» it was somehow viable, with intentions that were quite probably on the right side of honest, to make a sculpture — in this case, Stainless Piece C, 1974/5 — that sat flat on the floor and rose up no more than a couple of inches, so you looked down upon it like a relief laid horizontally (I made a few like this myself); and to make it out of a few scattered (or were they artfully composed?)

Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.

The King and the Corpse is a room - within - a-room and fills the main gallery to such an extent — from floor - to - ceiling with a walk - able, but not too capacious path around — that it's impossible to get far enough away from the sculpture to gauge its true nature as a structure.

The show includes rust paintings made via controlled oxidation alongside works on paper, his Lapis edition coupled with his rebar drawings, and several floor sculptures.

The show proper opens with Genzken's «Ellipsoids» and «Hyperbolos» from 1976 - 82, an assortment of lacquered wood sculptures (some upright but most made to lie on the floor) begun while Genzken was still a student at the Düsseldorf Academy.

Starting out with vast sheets of pure colour in huge trays on his studio floor, his finished works are something between painting and sculpture, a joyous celebration of colour and material.

At one point as I tried to get more information about a floor sculpture that resampled broken glass, and a set of blue paintings with some subtle white abstract elements on them, the gallery director couldn't even tell me about the work.

Taking over one floor of the gallery, she had transformed it into a dramatized version of her own studio, with sloping, angular, plywood platforms that formed a mountainous topography, from which one could peer down onto maquettes of Lee's architectural sculptures sitting atop mirror plinths.

On the second floor, near the library space, a gorgeously delicate Carol Bove sculpture suspended with seashells occupies the center of the landing, a vibrant blue Guillermo Kuitca viewable through the thin gold structure of the piece.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

His invariable ability to disrupt what is considered «art» is blindingly clear from the show, removing art from the vertical wall and placing it on the floor, turning painting into sculpture, and experimenting with incorporating cutting - edge technology (for the time) into his work.

(Top) In the living room, dominated by a black steel sculpture by Brian Wall and Manuel Neri's marble 1989 Odalisque 1 on the floor, are a Louise Nevelson — esque bookshelf and steel pivot door to the kitchen that Francis Mill designed with Chris French.

The exhibition starts dramatically in the lobby with Jim Lambie's striped floor, all sharp lines and acute angles, continues into the sixth - floor lobby where a Donald Judd painted aluminum sculpture dominates, and opens into the special exhibitions gallery, where you are greeted by a horizontal painting, installed up high, by Marcel Duchamp.

They are coupled with a Carl Andre floor sculpture, a link that makes little sense except that both form grids.

The dark floor of the pretty, neoclassical gallery is covered with over 7,000 white squares, with the sculptures inside various tiled blocks.

Longo's most recent confrontation with the contentious nature of the American flag as symbol of both nationalism and protest is a 17 - foot high black wax surfaced sculpture that appears to collapse into or fall through the gallery's floor.

Whether a painting, sculpture or a modified plastic chair moving across the floor, they are outward looking, self - conscious additions that playfully interrupt their context and the viewer with a proposition.

The space, with a rough wooden floor and mass of modelled figures, is suggestive of an artist's studio, but it is filled with sculptures of the body by some of the 20th century's greatest artists.

It starts for real, however, with sculpture and a video in the ungainly fifth - floor rotunda, and it ends with his busiest paintings yet.

This development can be seen in the floor sculptures Figure with Nganga (1984) and Untitled (1983 - 84), which show an affinity to works she made in the landscapes of places like Cuba, Iowa, and Mexico.

Among Crampton's most vivid conceptions are Louise Nevelson standing with three of her sculptures, seeming to be part of the one she is standing behind, and looking like a stern, aged priestess in her heavy makeup, turban, and floor - length mink coat;... Alexander Calder, a small, inconsequential figure lost in the incredible, mad mess of wires, ropes, strings, tools, and debris that fills his studio...»

A grove of David Smith sculptures on the eighth floor terrace is phenomenal (like a little visit to Storm King) and just inside the windows in the Abstract Expressionist galleries, the most powerful rooms in the museum, a Barnett Newman and Willem De Kooning are close enough to sunlight to pulse with color.

A breakthrough in her practice at this time was combining imported sand and soil — from different locations significant to her including Cuba, the Nile in Egypt, and the Red Sea — with different binding materials to create indoor floor sculptures that carried the energy of these places.

Diverse as ever, McLean's select exhibition contains two mixed media works; presented on the ground floor of the gallery, the Untitled paintings are comprised of dense, black organic shapes that veer to the abstraction on neutral backgrounds, adorned with daubs of coloured paper that on some sides have been hastily cut and others impatiently ripped, a nod to the rebellious humour of McLean who's body of oeuvre comprises witty sculptures made of rubbish and even his own body.

For the gallery's debut Jan. 31, the only other artist to share the space with LeWitt is Tara Donovan, whose 2009 «Untitled (Toothpicks)» will be on view among two LeWitt floor sculptures, one LeWitt hanging sculpture and a LeWitt mural.

Also clever: the curators decision to include Letha Wilson's floor sculpture, which is a flat piece of steel with a corner curled up, as if it were paper.

Reeder also pokes fun at minimalist and conceptual artists with abstract, crumpled forms rendered in aluminum that dot the floor of the gallery — evocative of John Chamberlain or Frank Gehry's sculptures — entitled Bad Ideas.

In the corner of the gallery that Hammons personally arranged sits an untitled 2004 sculpture of a rock with a fantastically fresh fade fashioned from coiled hair swept up off a barbershop floor.

The other sculpture replicates a studio floor with nature protruding in the form of a bee and dandelion — an unexpected intervention in the workspace could be a signal from the outside world.

From the center gallery we look into the far gallery, with views of work my me — the blue diamond — and two more sculptures, including a floor piece, by Bottwin

The first three ground - floor rooms trace Rodin's beginnings as a sculptor, from an early portrait of his pinch - faced father Jean - Baptiste Rodin (1860)-- the first sculpture he kept — to a terracotta bust of a Young Girl with Flowers on her Hat (1870), a vision as pretty as a Fragonard from his period in Belgium as an ornamental sculptor.

Anderson's work indicatively occupies the low floor, making giants of the viewer; her sculptures (like stage sets viewed from the «gods») combine arcane folk narratives, playful characterizations and linear structures sourced from video and arcade games, combined with reflections of contemporary urban malaise.

On September 6, 2014, we will open with three floors of the building dedicated to painting, sculpture, and video.