Sentences with phrase «floor sculptures such»

Not exact matches

The King and the Corpse is a room - within - a-room and fills the main gallery to such an extent — from floor - to - ceiling with a walk - able, but not too capacious path around — that it's impossible to get far enough away from the sculpture to gauge its true nature as a structure.

He has curated and produced numerous memorable exhibitions, which included the works of Donald Judd, Anselm Kiefer, Sol LeWitt, John Chamberlain, Jean Michel Basquait, John Baldessari, Roy Litchtenstein, and Andy Warhol and has overcome such logistical hurdles as installing a 12,000 pound indoor Richard Serra sculpture in a second floor Philadelphia space.

The second floor presents mainly white works by artists such as Ad Ryman, Agnes Martin, Kees Goudzwaard, Ann Veronica Janssens and Norio Imai and a series of drawings by Massimo Bartolini, a sculpture by Lucia Bru and a mural drawing by Sol Lewitt.

In keeping with the duality of day and night, the exhibition sprawls across two floors of the museum, with exclusively black works such as the twelve - part mask series MOONRISE (2004), the minimalist X sculpture Lessness (2003) or one of Rondinone's psychologically haunting, ambient sound installations being shown on the basement level.

In the spacious galleries on the ground floor the artist presents carefully staged settings of larger than life - sized sculptures, such as mock - ups of an ancient olive tree or of a fireplace with mantle, as well as large - scale paintings.

British sculptors of the sixties such as David Annesley, Anthony Caro and William Tucker used the potential of sculpture to explore colour more explicitly, using simple geometric shapes placed directly on the floor, as a vehicle to play with the viewer's experience of colour in three - dimensions.

The Botín Foundation's collection is focused primarily on contemporary fine art and comprises paintings, drawings, sculptures and installations by renowned international artists such as Miroslaw Balka, Tacita Dean, Carlos Garaicoa, Mona Hatoum, Joan Jonas, Jannis Kounellis, Julie Mehretu, Antoni Muntadas, Gabriel Orozco, and Juan Uslé, among others; pieces from the collection are usually showcased through thematic temporary exhibitions in the galleries on the upper floor of the west wing.

In announcing the award, the Sculpture Center highlighted how Gates «reactivates forgotten or lost associations inherent in discarded materials,» such as back issues of Ebony and Jet magazines and reconfigured gym floors.

The sequence then moves to the ground floor of the new building, where sculptural works from the 1980s by Peter Fischli and David Weiss, Robert Gober, Charles Ray, Mike Kelley, Jeff Koons, Katharina Fritsch, Franz West, and others will be display, and concludes in the Museum für Gegenwartskunst with a survey of significant positions between the 1990s and the present, featuring sculptures by artists such as Gabriel Orozco, Matthew Barney, Absalon, Damien Hirst, Danh Vo, Monika Sosnowska, and Oscar Tuazon.

Smith has completed several collaborative public art works such as the floor design in the Great Hall of the new Denver Airport; an in - situ sculpture piece in Yerba Buena Park, San Francisco and a mile - long sidewalk history trail in West Seattle and recently, a new terrazzo floor design at the Denver Airport.

For the Los Carpinteros exhibition at Parasol unit, the ground floor galleries are dedicated to large - scale installations and sculptures, such as Tomates, 2013.

His practice is grounded in melancholic portrayals of objects or places from everyday life, through painting, sculpture or installation such as «Space Paintings», in which he paints directly onto the walls, ceilings and floors of a room.

His happenings were performed in fabricated environments created in his studio and galleries and staged around soft props that were early incarnations of the large - scale, sagging sculptures of mundane objects, such as Floor Burger (1962), which the artist later developed.

On September 9, in a tony gallery off Madison Avenue, the floor sculptures of Carl Andre were arranged around work of many of his legendary contemporaries, such as John Chamberlain, Donald Judd, Sol LeWitt, Brice Marden, Robert Ryman and Frank Stella for a posh opening showcasing his work alongside other legendary American artists.

Another important figure in the movement was Carl Andre, who shared a studio space with Stella and whose sculpture was exhibited for the first time in 1964, known for his use of materials such as bricks and metal plates arranged in simple geometric compositions positioned on the floor.

Amorphously shaped, the sculptures combine terracotta with natural materials such as feathers, sheepskin, hay, leaves, and even dried onion skins that dot the floor and walls.

The first floor is dedicated to Gabriel Orozco's new stone sculptures that stand in the modernist tradition of European sculpture such as Hans Arp, Constantin Brancusi, and Barbara Hepworth and at the same time express the engagement with indigenous cultures.

Vicuña utilizes found objects culled from walks along the deltas, beaches, waterways, and streets of the Louisiana coast in her large - scale installations that stretch across the floor of the gallery, such as Balsa Snake Raft to Escape the Flood (2017), and small - scale visual configurations, such as Precarios (2017), made up of 117 found - object sculptures that spread discursively across the walls of the gallery and operate as thoughtful meditations on the uncanny beauty of this natural and artificial sea - detritus.

There will also be work from a range of smaller sculptures, such as casts in different materials and colours from floors, doors, hot water bottles and windows, plus various other objects.

Interiors - spaces inhabited both physically and mentally - still form her main subject matter, but for this show she abstained from the walk - in film installations she's become known for and focused on sculptures: small - scale models of rooms, mostly with the same floor plan though otherwise unalike, and sculptures of furniture, such as beds and armoires.

One half of the second floor will be dedicated to exploring «sculptures that perform», typified by the works of artists such as Jean Tinguely, the «performed sculpture» enacted by artists such as Helen Chadwick, alongside sculptures that invite the viewer to «perform», such as Luis Camnitzer's work Sentences (1966).

Such sculptures link the wall — the «proper» space of art — to the floor, the realm of movement, horizontality, gravity, and physical connection to the human body.

This exhibition includes examples from ongoing bodies of work such as Cosmic Slops, The New Negro Escapist Social and Athletic Club, recent shelf sculptures featuring found objects, early examples of his photographs, and a special commission that will cover a gallery floor.

Skilfully conceived and finished pieces have been offset by carefully sourced accessories, such as the floor lamp, cushions and bowl - type sculptures.