Sentences with phrase «flooring installation every time»

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If you are considering hardwood flooring for the first time, you should know the commonly used installation methods.
The display of archival materials includes installation photographs, correspondence, and artist - drawn floor plans exhibited for the first time.
In addition, for the duration of the exhibition, Khan's monumental floor installation, Seven Times, was installed in the museum's Great Court.
Anchored by two sculptural installations in the first floor Atrium and gallery spaces, artworks within Down Time will relocate around The Tetley, be replaced and be added to over the course of the project.
She experiments with knots and loops, as, for example, in the labyrinthine Knot Drawing (1947) and Drawing for a Nylon Rug (1959)-- both of which, in this setting, echo the oversized curls of rusted steel that form The Matter of Time (1994), an immense Richard Serra permanent installation on the lower floor of the museum.
Judy Pfaff (a wall and floor scatter piece that counters Reed's constraint with a kind of dissociative formalism — every time I see a photo of one of Pfaff's forever vanished early installations, I have to catch my breath)
At the time of the artist's birth — just under 50 years ago — his parents were not counted as Australian citizens, hence the defiant text - based installation «not an animal or a plant» in the ground floor gallery which showcases fine charcoal portraits on paper of members of his family who lived under that regime.
Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.
On the first floor, you may walk around Richard Serra's installation The Matter of Time (1994 — 2005) in gallery 104 and explore the unique interactions between the artwork, the viewer, and the space.
Located on the first floor, between the Atrium and Gallery 103A is Jenny Holzer's Installation for Bilbao (1997), and located in Gallery 104 is Richard Serra's installation The Matter of Time (1994 &mInstallation for Bilbao (1997), and located in Gallery 104 is Richard Serra's installation The Matter of Time (1994 &minstallation The Matter of Time (1994 — 2005).
These possibilities included engaging the floor, ceiling and corners of the exhibition space; taking advantage of architectural features such as doorways and moldings; fencing off segments of the exhibition space with «barriers» of light; and, by the time of his 1969 retrospective at the National Gallery of Canada, developing special installations, or «situations,» consisting of specially constructed architectural spaces containing room - filling light.
Artist Sarah Sze works on her installation at Asia Society Museum in New York, where for the first time in nearly a decade the second - floor Park Avenue - facing window has been uncovered.
This exhibition revisits for the first time the large - scale floor installation Pages I and II, which she created almost 40 years ago for her first solo museum show in 1978 at the Detroit Institute of Arts.
Also, for the first time in nearly a decade, Asia Society's large second floor wall of windows facing Park Avenue will be uncovered to reveal one of Sze's installations that lives outdoors.
Occupying the upper gallery is Seven Times, a monumental floor installation that consists of 144 sandblasted cubes made of oil - sealed steel.
In her floor pieces, installations, and prints, the patterns and colors are a site of specific personal and cultural histories ranging from the playful palettes of the Power Puff Girls, the iconic primary spots of Wonder Bread, to the stripes of Gene Davis.On view will be an early «Splat» floor piece from the late 1990s, Blue Haired Nirvana, exhibited for the second time ever.
Another time they created this bizarre installation of a fictional studio shared by Sigmar Polke and Martin Kippenberger in their project space, complete with 1980s West German newspapers and cigarette butts on the floor.
Made specifically for the 4th floor of the Breuer building, has already garnered some hubbub (The New York Times recalls the original installation was often mistaken for an empty floor of the museum).
This site - specific performance and installation consists of projections on Toshiba Vision, the iconic Times Square screens, as well as a conceptual installation on the 33rd floor of 1500 Broadway, functioning as an «echo chamber» for the projections in Times Square.
In the Wharf Road galleries the exhibition comprises three installations - one on each floor - that the artist has conceived as a series of different experiments that explore the construction and measurement of space, mass, time, and volume through the use of materials.
This is also evident in With All My Love For The Tulips, I Pray Forever (2011), a sculptural installation — shown for the first time in the United States — in which oversized flower - potted tulips in fiberglass - reinforced plastic are painted with the same red polka dots as the floor, ceiling, and walls, creating an all - enveloping viewing experience while at the same time diminishing the appearance of depth.
The result of years of research, it assembles for the first time a wealth of rare and never before published documentary material and ephemera, from installation images and reviews, to floor plans and catalog excerpts.
Andrea Callard, The Times Square Show, Installation view: First floor (Poster by Andrea Callard, Paste - ups of rats by Christy Rupp, Air conditioner painted by Kenny Scharf), Times Square, New York 1980, © Andrea Callard.
Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans and critical texts from the time, as well as an expansive account of recent exhibition history by Bruce Altshuler.
Andrea Callard, The Times Square Show, Installation view, Second floor — Money, Love, and Death Room (Poster by Stefan Eins, Paintings over the door by Alex Katz, Posters by Jenny Holzer on the News Room door), Times Square, New York 1980, © Andrea Callard.
The museum website maps out the individual works in a grid, locates them in a floor plan, and even offers time - lapse vids of the installation of many of the drawings... ``
In the Wharf Road galleries, three installations run across the three floors as different experiments into the construction and measurement of space, mass, time, and volume.
Crowds were drawn to David Nolan Gallery's roped - off Barry Le Va installation, a work the artist originally conceived in 1967, and recreated on site at the fair; New York Times fashion photographer Bill Cunningham was spotted snapping the piles of grey felt and rogue aluminum balls that the artist had carefully strewn across the floor.
Images: Chosil Kil, Ducks and Drakes, 2014, latex balloons, helium, hi - float, thread, aluminum, rubber bands, coins, Courtesy of the artists and One and J. Gallery; Chosil Kil, Doubles, 2014, leather, aluminum, wooden frame Courtesy of the artists and One and J. Gallery;; Chosil Kil, Volume II, 2013, performance, Courtesy of the artist; Chosil Kil, Doubles, 2014, leather, thread, wood, copper, Courtesy of the artist and Aoyama Meguro; Chosil Kil, You owe me big time, 2012, concrete floor, acrylics, filler, corks, Installation view, Objectif Exhibitions, 2012, Courtesy of the artist and Galleri Opdahl; Chosil Kil, 49th Attempt, 2012, lambskin leather, thread, sound baffling, Styrofoam peanuts, zip, Courtesy of the artist and Galleri Opdahl
At times embedded into walls, floors, and ceilings, even wrapping around (or through) architectural details, her inventive and playful approach to installation informs the tactile experience of her work.
Possibly the most spectacular and well - known of all Therrien's «rooms,» the installation on the second floor consists of a set of rusted green folding chairs and two tables from 2008, all scaled nearly four times life - size.
Meanwhile, critic and artist Walter Robinson paints a scenario straight out of a pulp fiction novel or TV soap opera with his new painting Randall and The River of Time and Aura Rosenberg takes us to the river's edge with her floor installation Dialectical Porn Rocks, a collection of creek rocks covered with erotic images from old porn magazines.
Their last works are here presented through three main installations: the first one, on the upper floor, is mainly sculptural; the second I saw is based on a visual dialogue between three screens displaying a video; the last one, on the first floor, is a sound installation that introduces the visitor into a fascinating experience beyond times.
Roger Hiorns the 2009 Turner Prize nominated British artist, known for his installation «Seizure» which consisted of an entire flat in a council estate coated in blue copper - oxide crystals, will exhibit his entire body of «Youth» works for the first time as the inaugural exhibition at The Calder, the Hepworth Wakefield's new 600 square metre contemporary art space located in the ground floor of a historic mill next to the main gallery site.
Or when the shattering of a pane of glass on the floor has already occurred and, at one the same time, is about to take place, as in the video installation Die Zukunft des Vergangenen betrachtend, 2015 [Contemplating the future of the past, 2015].
With characteristic elegance and offhand subtlety, Jonas expertly animates three raw warehouse floors into transcendental investigations of time and space with the help of immersive multi-media installations, drawings, and performance objects.
Her exuberant installation Tempo para Respirar (Breathing Time) will fill the spectacular double - height ground floor space overlooking Margate seafront.
At the ground floor of the Gallery, the sound / video installation «More Sweetly Play the Dance» (presented for the first time in 2015 at the Eye Museum, Amsterdam) will receive and surround the public: an animated frieze of life - sized moving images, based on the «procession» theme, will be projected along more than 40 meters.
The exhibition will present, for the first time since its creation in 1986, Spring Snow, a floor installation made of coloured tissue paper, which will occupy the entirety of one room of the gallery.
Mops made of silicone molds of cow's tongues lean against the walls at various corners of the installation (Floor Licker, 2014) furthering speculation that some sort of punishment for crimes has taken place here, much like the cutting out of tongues in ancient times.
A chronological installation of Abramović's work will be included in The Joan and Preston Robert Tisch Gallery on the sixth floor of the Museum, revealing different modes of representing, documenting, and exhibiting her ephemeral, time - based, and media - based works.
While standing gazing down at a floor installation of a configuration of stuffed animals and objects listlessly propped up, the sounds of several video works clashing into one another waft through the air and act like strings tying one work to another despite the discrepancies in their form, content and, the time period in which they were made.
• Demonstrated ability to follow floor plans and directions to install hardwood, vinyl and laminate floors • Demonstrated expertise in planning floor installation process in accordance to set deadlines and budget constraints • Hands - on experience in installing LVT, VCT, carpet and ceramic floors as directed by customers • Complete insight into mixing and applying required compounds to join and adhere foundation materials • Proficient in sweeping, scraping and cleaning base surfaces to correct imperfections in a bid to prepare worksites for flooring work • Adept at cutting coverings and foundation materials according to specifications laid out in blueprints and sketches • Competent at using a variety of hand and power tools by following strict safety measures • Hands - on experience in cutting, trimming and shaping materials so that they align with walls • Demonstrated ability to measure, cut and install skirting along walls or baseboards • Documented success in creating and maintaining effective working relationships with vendors and suppliers in a bid to acquire materials on time • Proven record of efficiently handle repair, remodeling and renovation work on floors, using exceptional insight of repair and maintenance work • Qualified to provide a neat finishing touch to installed floors by performing buffing and polishing duties
KEY ACHIEVEMENTS • Installed vinyl flooring over a large expanse of a commercial building within the record time of weeks, in time for its opening date • Reduced materials transport cost by 67 % by suggesting buying basic materials in bulk from a local vendor • Reined in a massive floor installation project by assisting in project planning and making sound recommendations • Trained 52 apprentices to work as flooring installers over a period of 4 years
• Successfully completed drywalls installation and roof renovation in a triple story building consisting of 12 rooms per floor in less than two months» time.
Managed multiple projects including roofing replacement, flooring installations, and small renovations to ensure on - time, under - budget completion.
We decided to spare ourselves the public humiliation time and hassle of a DIY project and have Lowe's take care of our project from tear out to installation of our new pre-finished Hickory wood floors.
Denver Dustless will take the time to ensure that your hardwood floor installation project is done right the first time!
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