Sentences with phrase «floors of the contemporary art museum»

Not exact matches

1969 «Wrapped Museum of Contemporary Art, Chicago», 10,000 square feet of tarpaulin; «Wrapped Floor and Stairway», 2,800 square feet drop cloths, Museum of Contemporary Art, Chicago; «Wrapped Coast, Little Bay, One Million Square Feet, Sydney, Australia», 90,000 square meters (One million square feet) Erosion Control fabric and 36 miles of ropes; Project for stacked Oil Barrels «Houston Mastaba, Texas», 1,249,000 barrels; Project for «Closed Highway».

The title of this supremely fresh, witty and thought - provoking new film by Swedish writer - director Ruben Östlund («Force Majeure») refers mainly to a new exhibit on display at a museum of contemporary art: a neon - bordered bit of brick flooring of...

Opened in August 2013, Park Hyatt Siem Reap is located on Sivutha Boulevard, a minute walk away from the French Colonial Quarters, the Old Market and Pub streets.Only 7 km from Siem Reap International Airport.It takes 15 minutes by car to reach the UNESCO World Heritage Site of Angkor Wat and.The Angkor National Museum is a 2 - minute tuk - tuk (rickshaw) ride away.Park Hyatt Siem Reap, 5 - star hotel in the centre of downtown Siem Reap.Offering the best in contemporary luxury.Featuring 108 rooms and suites spread over 4 floors provide a warm and pleasant home away from home.Offering views of downtown Siem Reap or the hotel courtyard, each air - conditioned room features Khmer - inspired contemporary art, custom furniture and summery decor.

The museum mainly focuses on contemporary art from the 1940s to today, with a permanent collection on the ground floor and a number of temporary exhibitions on the upper floors.

The building's second floor will go to Contemporary Art Collection of the Americas, while the rest of the Tabacalera will be made available for exhibitions of emerging artists and as a satellite space for the nearby Reina Sofia Museum.

5th floor, Gallery of Contemporary Art Two contemporary art exhibitions dedicated to the topic of home are on view at the KumuContemporary Art Two contemporary art exhibitions dedicated to the topic of home are on view at the Kumu Art MuseArt Two contemporary art exhibitions dedicated to the topic of home are on view at the Kumucontemporary art exhibitions dedicated to the topic of home are on view at the Kumu Art Museart exhibitions dedicated to the topic of home are on view at the Kumu Art MuseArt Museum.

New Photography 2010 Date: Wednesday, September 29th 2010 — Monday, January 10th 2011 Venue: Museum of Modern Art, 11 West 53rd Street Lauded contemporary photographers Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross - Ho, display their wares this fall on the third floor of MoMA.

Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!

Contemporary design's playful side, amply illustrated by the works currently spread throughout three floors of the High Museum of Art, almost inverts the hallowed principles of the Bauhaus.

How did that portrait of Condi Rice by Luc Tuymans slip so quickly from David Zwirner into «Out of Time,» in the museum's second floor for contemporary art?

Curated by artist Michelle Grabner, Anthony Elms, associate curator at the Institute of Contemporary Art in Philadelphia, and Stuart Comer, curator of media and performance art at the Museum of Modern Art, this is the first time in the Biennial's history that each curator has been given their own floArt in Philadelphia, and Stuart Comer, curator of media and performance art at the Museum of Modern Art, this is the first time in the Biennial's history that each curator has been given their own floart at the Museum of Modern Art, this is the first time in the Biennial's history that each curator has been given their own floArt, this is the first time in the Biennial's history that each curator has been given their own floor.

Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).

Just this past year, we welcomed the addition of Ayn Foundation with a captivating series of crosses from the iconic Austrian painter Arnulf Rainer; The International Center of Photography (ICP) at Mana opened its gallery on our 6th floor; we launched the Mana Urban Arts Project with Shepard Fairey's largest mural to date; Mana Wine began offering interactive wine tastings and events; our Chicago location participated in the first Chicago Architecture Biennial with a presentation of Richard Meier's process and vision; during Miami Art Week, our Wynwood location hosted a blockbuster program of exhibitions; and Mana Contemporary was named one of the Top 10 Private Museums in the U.S. by Artnet News.

/ 334 Broome / thru 3/2 Opening 2/7 Sadie Benning; Thomas Kovachevich; Dona Nelson / Callicoon / 124 Forsyth / thru 2/17 Siri Berg / Hionas / 124 Forsyth (new, second location) / thru 2/17 Omar Khayyam / Ping / 131 Eldridge / thru 2/16 Andy Graydon / LMAK / 139 Eldridge / thru 2/10 Benjamin Senior / Fuentes / 55 Delancey / thru 3/1 Opening 2/6 Cal Crawford / Brennan & Griffin / 55 Delancey / thru 2/24 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 2/17 Becky Beasley; Alicja Kwade / Cooley / 107 Norfolk / thru 3/17 Opening 2/10 Erik Wysocan / Gitlen / 122 Norfolk (new location) / thru 2/17 Nevermore / On Stellar Rays / 133 Orchard / thru 3/10 Thomas Bayrle / The Artist's Institute / 163 Eldridge / thru 7/14 Opening 2/10 Tectonic Drift: Amanda Church; Brian Cypher; Stacy Fisher; Gary Petersen; Russell Tyler / Morris / 163 Chrystie / thru 3/16 Opening 2/13 (6 - 9 PM) Casey Ruble / Foley / 97 Allen / thru 2/24 Nathaniel Robinson / Feature / 131 Allen / thru 2/9 Jane Mount / Bekman / 6 Spring / thru 2/17 Opening 2/8 Color or Colour: Ben Eine; Lee Baker; Katrin Fridriks; Michael Bevilacqua / Charles Bank / 196 Bowery / thru 2/17 (extended) The White Album organized by David Fierman & Amie Scally / James / 143B Orchard / thru 2/22 All The Best People / 1:1 / 121 Essex — floor 2 / thru 2/14 SexEd: Chapter 1 curated by Liz Slagus & Norene Leddy / Cuchifritos / 120 Essex (SE corner of market) / thru 3/10 Opening 2/9 (4 - 6:30 PM) Camila Sposati / Eleven Rivington / 11 Rivington / thru 2/10 Environmental Services: Doug Weathersby; Carolyn Salas / Dodge / 15 Rivington / thru 2/17 Narcissister / Envoy / 87 Rivington (second location) / thru 2/10 Takuro Kuwata / Salon 94 / 1 Freeman Alley / thru 2/23 David Kramer; Michael Harrington / Mulherin + Pollard / Freeman Alley — 187 Chrystie / thru 2/24 Metal Coyote curated by Aldo Sanchez / Y / 165 Orchard / thru 2/17 Hooper Turner / Frosch & Portmann / 53 Stanton / thru 3/10 Drew Conrad / Fitzroy / 195 Christie / thru 2/22 (extended) Ishmael Randall Weeks / Eleven Rivington / 195 Chrystie (second location) / thru 2/10 Robin Rhode / Lehmann Maupin / 201 Chrystie / thru 3/9 Nari Ward thru 4/21; NYC 1993 thru 5/26 Opening 2/13 / New Museum / 231 - 235 Bowery Takuro Kuwata / Salon 94 / 243 Bowery / thru 2/25 Fabio Viale; Quadreria Italian Paintings / Sperone Westwater / 257 Bowery / thru 2/23 Lauren Dicioccio; Word: R. Wynne; S. Hyland; K. Fandell; C. Conant; T. Allen / Tomlinson Kong / 270 Bowery / thru 3/29 Vandana Jain / Station Independent / 164 Suffolk / thru 2/10 Snout to Tail: Anna - Sophie Berger; Zak Kitnick; Sean Paul / JTT / 170 A Suffolk / thru 2/17 Dream Out: Joke Schole; Steel Stillman; Sally Webster / Show Room / 170 Suffolk / thru 2/24 Paul Resika / Harvey / 208 Forsyth / thru 2/10 Katrina del Mar / Participant / 253 E Houston / thru 2/17 Kurt Johannessen Opening 2/8; Michael Alan / NOoSPHERE / 251 E Houston / thru 2/24 Melissa Dubbin; Aaron Davidson / Audio Visual Arts / 34 E 1 / thru 2/17 Decopolis / The Proposition / 2 Extra Place (East 1st St. off Bowery) / thru 2/24 Opening 2/6 Joel Holmberg / American Contemporary / 4 E 2 / thru 2/22 Jaimie Warren thru 2/6 Closing talk 8 PM; Herbie Flether thru 2/28 Opening 2/9 / The Hole / 312 Bowery

Iglesias, F.Meisenberg, B.Ruais, K.Thorne, J.VanDyke / Abrons / 466 Grand / thru 12/20 Kaari Upson / Ramiken Crucible / 389 Grand / thru 12/14 Matt Connolly / Essex Flowers / 365 Grand / thru 1/4 Opening 11/21 Keumnin Lee / Shin / 322 Grand / thru 11/30 Ulf Puder; Bettina Blohm / Straus / 299 Grand / thru 12/12 Amy Lien & Enzo Camacho / 47 Canal / 291 Grand — floor 2 (new location) / thru 12/21 Bright Matter: LAb [au]; Numen / For Use; Joanie Lemercier; Nonotak; François Wunschel / Guepin / 83 Orchard / thru 1/11 Opening 11/21 Kiki Kogelnik / Subal / 131 Bowery / thru 12/19 Brad Troemel / Tomorrow / 106 Eldridge / thru 11/30 (extended) The Contract / Essex Street / 114 Eldridge / thru 1/11 Opening 11/21 Reception 11/22 Foster Mickley / Munch / 245 Broome / thru 12/21 Opening 11/21 Robin Kang; Duhirwe Rushemeza / Tabacaru / 250 Broome / thru 12/9 Michelle Lopez / Preston / 301 Broome / thru 12/21 Alexander Tovborg / Beauchene / 327 Broome / thru 12/21 Mary Ann Aitken; John Maggie; Jonathan Rajewski / Hanley / 327 Broome / thru 12/21 Guglielmo Achille Cavellini / Whitebox / 329 Broome / 11/1 thru 11/30 Yui Kugimiya / Marlborough / 331 Broome (third NYC location) / thru 12/21 Opening 11/20 Lily Ludlow / Canada / 333 Broome / thru 12/14 Ulrike Theusner; Paul Brainard / Lodge / 131 Chrystie / thru 12/14 Cristina Vergano / Woodward / 133 Eldridge / thru 12/21 Nayda Collazo - Llorens / LMAK / 139 Eldridge / thru 11/30 James Hoff / Callicoon / 49 Delancey / thru 12/21 Noam Rappaport / Fuentes / 55 Delancey / thru 12/21 XYZ collective / Brennan & Griffin / 55 Delancey / thru 12/21 Jana Winderen & Marc Fornes / Storefront for Art & Architecture / 97 Kenmare @ Centre / thru 11/21 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 12/21 Josh Faught / Cooley / 107 Norfolk / thru 12/21 Joseph Montgomery / Gitlen / 122 Norfolk / thru 12/21 My Big Fat Painting curated by Rick Briggs; Fred Gutzeit / Morris / 163 Chrystie / thru 11/23 (extended) Closing Reception 11/20 (7 - 9 PM) Mark Joshua Epstein / Morris project space / 163 Chrystie / thru 12/20 Opening 11/20 (7 - 9 PM) Addie Wagenknecht / Bitforms / 131 Allen (new location) / thru 12/7 David Mramor / James / 143b Orchard / thru 12/7 Angelo Volpe / Krause / 149 Orchard / thru 12/8 Beatrice Scaccia / Cuchifritos / 120 Essex (SE corner of market) / thru 11/30 Tommy Hartung / On Stellar Rays / 1 Rivington / thru 11/30 Valeska Soares / Eleven Rivington / 11 Rivington / thru 11/23 Bill Traylor / Cuningham / 15 Rivington (new location) / thru 12/6 Micki Pellerano / Envoy / 87 Rivington / thru 11/23 Do the Write Thing: Read Between the Lines / Berst / 95 Rivington / thru 12/20 Guglielmo Achille Cavellini / Lynch Tham / 175 Rivington / thru 12/21 Jessica Rankin / Salon 94 / 1 Freeman Alley / thru 12/21 Red, Yellow and Orange: Ford Crull; Debra Drexler; Peggy Cyphers / Van Der Plas / 156 Orchard / / thru 12/31 AS IF: Abigail Donovan; Troy Richards; Robert Straight; Peter Williams / Novella / 164 Orchard / thru 12/6 Raquel Rabinovich / Y / 165 Orchard / thru 12/23 Opening 11/21 Tai Ogawa / Matsumiya / 153 1/2 Stanton / thru 12/31 Magnolia Laurie / Frosch & Portmann / 53 Stanton / thru 11/23 Forces at Play: S.Crider; B.Gardner; M.Keller; J.Mellon; L.Rablin / Molly Krom / 53c Stanton / thru 11/30 Valeska Soares / Eleven Rivington / 195 Chrystie (second location) / thru 11/23 Sara Goldschmied; Eleonora Chiari / Lorello / 195 Chrystie — floor 6 / 11/19 thru 1/25 Reception 12/11 Kader Attia / Lehmann Maupin / 201 Chrystie / thru 12/13 George Horner thru 12/6, Henry Mandell thru 1/10 / Charles / 196 Bowery Lili Reynaud - Dewar thru 1/25; Chris Ofili thru 2/10; etc. / New Museum / 231 - 235 Bowery Takeshi Murata / Salon 94 / 243 Bowery / thru 12/21 Heinz Mack / Sperone Westwater / 257 Bowery / thru 12/13 Notes on Undoing / Garis & Hahn / 263 Bowery / thru 12/20 Opening 11/20 Charles Dunn / Rucker / 141 Attorney / thru 11/26 Serge Alain Nitegeka / Boesky East / 20 Clinton (new, third NYC location) / thru 12/21 Matthew Fischer / Junior Projects / 139 Norfolk / thru 12/21 Pierre St - Jacques / Station Independent / 164 Suffolk / thru 12/14 Aki Sasamoto / JTT / 170a Suffolk / thru 12/14 (Performances 12/12 @ 6 PM) Sara Greenberger Rafferty / Uffner / 170 Suffolk / thru 12/21 Matt Hoyt / Bureau / 178 Norfolk / thru 12/21 Stuart Shils / Harvey / 208 Forsyth / thru 12/21 Opening 11/19 Arianna Carossa / Rooster / 190 Orchard / thru 1/4 Opening 11/25 Greer Lankon / Participant / 253 E Houston / thru 12/21 Henry Flynt / Audio Visual Arts / 34 E 1st / thru 11/23 (extended) Joel Holmberg / American Contemporary / 4 E 2nd / thru 12/19 Early Man / The Hole / 312 Bowery / thru 12/28

The same year that Rauschenberg began Collection he started to experiment with extending the three - dimensionality of the Combines, incorporating both wall and floor components and even creating fully freestanding works, such as Untitled, in the Panza Collection at the Museum of Contemporary Art, Los Angeles.

Space Invaders, Lehman College, Bronx, NY The rug pulled out from beneath you; you lie on the floor, Seattle University, Seattle, WA Memory of Here, Memory of There, Rutgers University Institute of Women and Art, NJ Anywhere but Here, Pelham Arts Center, Pelham, NY Size Matters, Small Works from the Fine Art Collection, NJ State Museum, Trenton, NJ Through You into Action, Center for Contemporary Art, Bedminister, NJ Arctic Flow, Index Arts Center, Newark, NJ

Donald Judd: Paintings April 5 — June 24, 2018 Public opening: Thursday, April 5, 2018, 7:00 pm Second Floor, Special Exhibition Galleries Institute of Contemporary Art, Miami Donald Judd: Paintings marks the first museum exhibition dedicated to 14 rarely exhibited or published paintings, created from 1959 to 1961, crucial transitional years when the artist was experimenting -LSB-...]

-- 30.09.2012 5th floor, Gallery of Contemporary Art Speed of Darkness and Other Stories is an exhibition that is comprised of works by Finnish, Latvian and Estonian artists, and that has been organised in cooperation between the Turku Museum, Aboa Vetus & Ars Nova, and the Kumu Art Museum.

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

(c. 1916 - 1917) Linoleum cut title page with watercolor & gouache additions from a portfolio of six linoleum cuts June 11 — August 18, 2008 This exhibition, which inaugurates a series of newly opened galleries on the Museum's second floor, surveys the widespread and recurring impulse toward geometric abstraction in modern and contemporary art.

The museum never fully appreciated Juan Gris, and the new galleries nearly submerge Georges Braque more than the Pompidou Center, not to mention an entire floor of contemporary art?

On Friday morning, before unlocking the Broad Art Foundation's first - floor gallery (currently holding an impeccable selection of works by Ed Ruscha), director and chief curator Joanne Heyler gave us a pep talk about LACMA's Broad Contemporary Art Museum.

The Museum's signature survey of contemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversecontemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each overseContemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor.

Recent group exhibitions include; «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2010); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Now Here is also Nowhere: Part 1», Henry Art Gallery, Seattle, Washington, USA (2013 - 2012); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London (2012); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas (2010); «Slash: Paper Under the Knife», Museum of Arts and Design, New York (2010); «Chasing Napoleon», Palais de Tokyo, Paris (2009); «The Shapes of Space», Solomon R. Guggenheim Museum, New York (2007); «Art in America», Now, MOCA Shanghai, Shanghai (2007); «Mapping the Self», Museum of Contemporary Art Chicago (2007); «Into me / Out of me», P.S. 1 Contemporary Art Center, Long Island (2006).

The museum's second and third floors are dedicated to a rotating series of special exhibitions that explore current themes in contemporary art through the work of today's pioneering artists, often presented in dialogue with post-war masters.

At this year's Whitney Biennial, the museum broke new ground by giving three different curators one floor each, where they could organize their own exhibitions of contemporary art without reference or corresponding to the others.

On the heels of an important solo exhibition at Magasin 3 Stockholm Konsthall, Zittel's work currently has a major presence at the Museum of Modern Art, in a room dedicated to the artist in the Contemporary Galleries on the second floor, as well as a commission by the Museum in the window of its 53rd Street entrance.

The Ashmolean Museum is eager to expand on its current commitment to contemporary art, from October 2013 the museum will begin a series of exhibitions of contemporary art in a refurbished gallery on the upper floor and a permanent gallery for contemporary art is included in plans for the next phase of the building progMuseum is eager to expand on its current commitment to contemporary art, from October 2013 the museum will begin a series of exhibitions of contemporary art in a refurbished gallery on the upper floor and a permanent gallery for contemporary art is included in plans for the next phase of the building progmuseum will begin a series of exhibitions of contemporary art in a refurbished gallery on the upper floor and a permanent gallery for contemporary art is included in plans for the next phase of the building programme.

This is why someone needs to devote time, to see artists, artworks, groups, trends, movements and currents, within contemporary art, on the 4th and 5th floors of the museum, involved and stand shoulder to shoulder, in a large collection that has some of the most famous artworks documented in the history of contemporary art worldwide.

This is why someone needs to devote time, to see artists, artworks, groups, trends, movements and currents, within contemporary art, on the 4th and 5th floors of the Museum, in a large collection that has some of the most famous artworks documented in the history of contemporary art worldwide.

Floor Show «sculptures & objects», Anders Tornberg, Lund, Sweden Extravagant: The Economy of Elegance, Tony Shafrazi, New York Parallel Visions: Modern Artists and Outsider Art, Centro de Arte Reina Sofia, Madrid, Spain The Spirit of Drawing, Sperone Westwater, New York 1982 - 83 Ten Years After, Tony Shafrazi, New York Parallel Visions: Modern Artists and Outsider Art, Kunsthalle Basel, Switzerland Jiri Dokoupil Donald Baechler, Galerie Ribbentrop, Eltville, Germany Parallel Visions: Modern Artists and Outsider Art, Setagaya Art Museum, Tokyo, Japan 43rd Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, D.C. New York On Paper, Thaddaeus Ropac, Paris, France New York Painters, Sammlung Goetz, Munich, Germany

New York will get at least five of the initiative's exhibitions: «Golden Kingdoms» and «Painted in Mexico, 1700 — 1790» will come to the Metropolitan Museum of Art; the hotly anticipated «Radical Women» will go to the Brooklyn Museum; «Relational Undercurrents: Contemporary Art of the Caribbean Archipelago» will make its way to the Wallach Art Gallery at Columbia University; and a two - person exhibition by Suzanne Lacy and Pablo Helguera will open at the 8th Floor next month.

At 8:20 p.m., the body artist Chris Burden entered a large gallery of the Museum of Contemporary Art, did not look at his audience of 400 or more, set a clock for midnight, and lay down on the floor beneath a large sheet of plate glass that was angled against the wall.

Located on the 52nd and 53rd floors of the Mori Tower in Roppongi Hills, Mori Art Museum is known for its blockbuster exhibitions, such as: «Takashi Murakami: The 500 Arhats», «The Kaleidoscopic Eye: Thyssen - Bornemisza Art Contemporary Collection'that featured works by Carsten Holler, Olafur Eliasson and Tracey Emin, and «According to What?»

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Of course quality was the first selection criterion to bring these 36 artists from different countries together, but for curator Janice Whittle there was another important reason to select the artists she liked to present: she wanted to give the floor to artists who have not had many chances over the years to show their work because of the limited infrastructure of the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and wenOf course quality was the first selection criterion to bring these 36 artists from different countries together, but for curator Janice Whittle there was another important reason to select the artists she liked to present: she wanted to give the floor to artists who have not had many chances over the years to show their work because of the limited infrastructure of the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and wenof the limited infrastructure of the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and wenof the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and wenof the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and wenof the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and went.

White Christmas, White 8 Galerie Dagmar Aichholzer, Villach, Austria, November 5, 2004 — January 8, 2005 Contemporary Art: Floor to Ceiling, Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, October 31, 2004 — April 24, 2005 North Fork / South Fork: East End Art Now (Part 2), The Parrish Art Museum, Southampton, New York, July 25 — September 12, 2004 (Catalogue) A Celebration of the Guild Hall Academy of the Art, Guild Hall, East Hampton, New York, June 12 — August 1, 2004 An American Odyssey 1945 / 1980, Circulo de Bellas Artes, Madrid, April 13 — May 30, 2004.

Occupying three entire floors of the museum, the collection exhibition explores the use of documentarism in contemporary art.

Her work has been shown at The Bronx Museum of the Arts, NY; Tacoma Art Museum; Tacoma, WA; Disjecta Contemporary Art Center; Portland, OR; On The Ground Floor, Los Angeles; Vulpes Vulpes, London; KARST, Plymouth, UK; and Taiyuan Normal University, Shanxi, China.

The Chicago presentation is coordinated by Joey Orr, Andrew W. Mellon Postdoctoral Curatorial Fellow, and presented in the Griffin Galleries of Contemporary Art on the museum's fourth floor.

Beginning January 14, 2012, the work will be on view on the first floor of the Broad Contemporary Art Museum (BCAM) and run on weekends during the scheduled times below.

The sprawling, high - ceilinged contemporary art gallery on the second floor of the Museum of Modern Art might have been built for Richard Serra, but Robert Gober owns art gallery on the second floor of the Museum of Modern Art might have been built for Richard Serra, but Robert Gober owns Art might have been built for Richard Serra, but Robert Gober owns it.

Althamer has taken part in numerous exhibitions of contemporary art, including: Forget Fear, 7th Berlin Biennial (2012); Paweł Althamer with Urs Fischer, Jacob Kassay & Jakub Julian Ziolkowski, DESTE Foundation (Athens, 2012); Almech, Deutsche Guggenheim (Berlin, 2011); Les Promesses du passé, Centre Pompidou (Paris, 2010); Skin Fruit, New Museum for Contemporary Art (New York, 2010); Pawel Althamer and others, Secession (Vienna, 2009); The Fifth Floor: Ideas Taking Spaces, Tate Liverpool (2008); Skulptur Projekte (Münster 2007); One of Many, Nicola Trussardi Foundation (Milan, 2007); Pawel Althamer, Musée National d'Art Moderne — Centre Pompidou; (Paris, 2006); The Grand Promenade, NMCA (Athens 2006); 4th Berlin Biennial (2006); Pawel & Vincent, Bonnefanten - museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X Kacontemporary art, including: Forget Fear, 7th Berlin Biennial (2012); Paweł Althamer with Urs Fischer, Jacob Kassay & Jakub Julian Ziolkowski, DESTE Foundation (Athens, 2012); Almech, Deutsche Guggenheim (Berlin, 2011); Les Promesses du passé, Centre Pompidou (Paris, 2010); Skin Fruit, New Museum for Contemporary Art (New York, 2010); Pawel Althamer and others, Secession (Vienna, 2009); The Fifth Floor: Ideas Taking Spaces, Tate Liverpool (2008); Skulptur Projekte (Münster 2007); One of Many, Nicola Trussardi Foundation (Milan, 2007); Pawel Althamer, Musée National d'Art Moderne — Centre Pompidou; (Paris, 2006); The Grand Promenade, NMCA (Athens 2006); 4th Berlin Biennial (2006); Pawel & Vincent, Bonnefanten - museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X Kassel (199art, including: Forget Fear, 7th Berlin Biennial (2012); Paweł Althamer with Urs Fischer, Jacob Kassay & Jakub Julian Ziolkowski, DESTE Foundation (Athens, 2012); Almech, Deutsche Guggenheim (Berlin, 2011); Les Promesses du passé, Centre Pompidou (Paris, 2010); Skin Fruit, New Museum for Contemporary Art (New York, 2010); Pawel Althamer and others, Secession (Vienna, 2009); The Fifth Floor: Ideas Taking Spaces, Tate Liverpool (2008); Skulptur Projekte (Münster 2007); One of Many, Nicola Trussardi Foundation (Milan, 2007); Pawel Althamer, Musée National d'Art Moderne — Centre Pompidou; (Paris, 2006); The Grand Promenade, NMCA (Athens 2006); 4th Berlin Biennial (2006); Pawel & Vincent, Bonnefanten - museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X Kassel (Museum for Contemporary Art (New York, 2010); Pawel Althamer and others, Secession (Vienna, 2009); The Fifth Floor: Ideas Taking Spaces, Tate Liverpool (2008); Skulptur Projekte (Münster 2007); One of Many, Nicola Trussardi Foundation (Milan, 2007); Pawel Althamer, Musée National d'Art Moderne — Centre Pompidou; (Paris, 2006); The Grand Promenade, NMCA (Athens 2006); 4th Berlin Biennial (2006); Pawel & Vincent, Bonnefanten - museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X KaContemporary Art (New York, 2010); Pawel Althamer and others, Secession (Vienna, 2009); The Fifth Floor: Ideas Taking Spaces, Tate Liverpool (2008); Skulptur Projekte (Münster 2007); One of Many, Nicola Trussardi Foundation (Milan, 2007); Pawel Althamer, Musée National d'Art Moderne — Centre Pompidou; (Paris, 2006); The Grand Promenade, NMCA (Athens 2006); 4th Berlin Biennial (2006); Pawel & Vincent, Bonnefanten - museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X Kassel (199Art (New York, 2010); Pawel Althamer and others, Secession (Vienna, 2009); The Fifth Floor: Ideas Taking Spaces, Tate Liverpool (2008); Skulptur Projekte (Münster 2007); One of Many, Nicola Trussardi Foundation (Milan, 2007); Pawel Althamer, Musée National d'Art Moderne — Centre Pompidou; (Paris, 2006); The Grand Promenade, NMCA (Athens 2006); 4th Berlin Biennial (2006); Pawel & Vincent, Bonnefanten - museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X Kassel (199Art Moderne — Centre Pompidou; (Paris, 2006); The Grand Promenade, NMCA (Athens 2006); 4th Berlin Biennial (2006); Pawel & Vincent, Bonnefanten - museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X Kassel (museum (Maastricht, 2005); Dreams and Conflicts: The Dictatorship of the Viewer, 50th Biennale of Venice (2003); Pawel Althamer, Kunsthalle Basel (1997); Documenta X Kassel (1997).

Hwang's work is also a part of numerous private and public collections including the Brooklyn Museum, New York; the Des Moines Center for the Arts, Iowa; the Third Floor - Hermès, Singapore; the National Museum of Contemporary Art, Seoul; King County Library, Issaquah, Washington; and the Hammond Museum, North Salem, N.Y..

The two - floor exhibition features painting, photography, and sculpture from twenty - one contemporary Chinese artists, many of whom Guess visited in their studios during recent trips to Beijing and Shanghai with Chinese art expert Barbara Pollack, author of The Wild, Wild East: An American Art Critic's Adventures in China and curator of the upcoming Tampa Museum of Art show «My Generation: Young Chinese Artists.&raqart expert Barbara Pollack, author of The Wild, Wild East: An American Art Critic's Adventures in China and curator of the upcoming Tampa Museum of Art show «My Generation: Young Chinese Artists.&raqArt Critic's Adventures in China and curator of the upcoming Tampa Museum of Art show «My Generation: Young Chinese Artists.&raqArt show «My Generation: Young Chinese Artists.»

That is partly why the Contemporary Arts Center in that city's Warehouse District is devoting all three floors of its galleries to what it says will be the largest solo museum exhibition of Mr. Pendleton's work in the United States.

Currently on view in the Museum of Contemporary Art Chicago «s third floor gallery is Elements of Photography.

The exhibition is presented in the Griffin Galleries of Contemporary Art on the museum's fourth floor.

When Kelley installed his various videos, props and soundtracks for Day is Done in Gagosian Gallery in 2005 and later at the Broad Contemporary Art Museum in L.A., there was plenty of floor space, tableaux assembled with beautiful symmetry, colored lights that followed those age old rules (pair analogous colors when you want harmony, complimentary for contrast and extra energy).