Sentences with phrase «fluorescent black light»

Find urine stains with a fluorescent black light, available at hardware and pet supply stores.

Within 24 hours of receiving fluorescein, a cat's urine will appear bright green when viewed with a fluorescent black light, which you can buy at a pet store.

Polyresin coral casts, fluorescent black lights, plywood, door frames, mirror.

Not exact matches

An ugly office — cramped cubicles; fluorescent lights; lots of gray, black, and beige — does more than curb your enthusiasm.

Working once more with their preferred cinematographer Sean Price Williams, the film is ingeniously lit in black light, strobes, mercury vapors, fluorescent greens, and whatever available light allows.

I watched a few YouTube videos and movies on Netflix, all of which looked good in a suitably dark room — you don't need pitch black, but even a weak overhead fluorescent light will start to wash out the picture here.

The back room has more overtly sculptural or conceptual work, including wall text by Lawrence Weiner, a circular wall incision by William Anastasi, a white square of fluorescent light by Dan Flavin, and a still frailer square of black yarn by Fred Sandback.

Sonnier covers them with green or orange fluorescent powder and illuminates them with black light.

It used to be crammed with decades of unsold paintings, but now that she can finally afford storage space, the only work present on a recent visit was her new series of fluorescent black - light paintings of testicle - headed Donald Trumps and vagina - faced Hillary Clintons, which are now on view at the Drawing Center in downtown Manhattan.

The centerpiece of the exhibition is Light Me Black, a large sculpture made of bright white fluorescent tubes.

Her latest paintings are characterized by an optical mix of different colors such as fluorescent grey in combination with black, fluorescent red, and light fluorescent green.

Humphries's lightbox paintings are made with fluorescent paint on translucent fabric, set within a lightbox, and lit with a black light — sneering X-ray abstractions.

And on the second floor, eight fluorescent light sculptures by Irwin surround black scrim.

But this show at Mary Boone has a different context: Everything is a combination of fluorescent as well as black light, so it brings out the fluorescent and the oil paint.

An upstairs gallery is lit only by black lights, under which spills and dribbles of fluorescent paint glow neon blue, pink, and green.

A circular door opens up to a surreal environment impregnating caged and boxed body parts surrounding a garden of outsized poppy flower plants that radiate fluorescent colors when lit by the black lights within the room.

All the panels are lovingly detailed: the first two as gradients of black and grey while, in the third, the fluorescent light illuminates the fingers from behind with a fuzzy glow.

Spazio Elastico is composed of a darkened cube - shaped space, in which a grid of moving fluorescent elastic strings lit by black light reveals the basic stereometry of its geometric form.

The year 1949 marked a turning point in Fontana's career; he concurrently created the Holes (Buchi), his first series of paintings in which he punctured the canvas, and his first spatial environment, a combination of shapeless sculptures, fluorescent paintings, and black lights to be viewed in a dark room.

She uses black - light - sensitive threads, resulting in a dramatic fluorescent palette.

The gallery space is painted a near black for the occasion, and illuminated only in parts by two light boxes and a single fluorescent light.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iblack 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Wood, steel, wax, plaster, fluorescent lights, paint, black foil, expanding foam, and tape; 2 galleries, 153 × 245 1/2 × 209 inches and 153 × 228 1/2 × 165 inches.

The year 1949 marked a turning point in Fontana's career; he concurrently created his first series of paintings in which he punctured the canvas with buchi (holes), and his first spatial environment, a combination of shapeless sculptures, fluorescent paintings, and black lights to be viewed in a dark room.

MONICA BONVICINI Light Me Black 2009 144 fluorescent lights, white metal fixtures, steel structure, electrical cables, two breakers and steel chains 63 by 216 1/2 by 55 in.

Around the same time, he created his first environmental work, Ambienti spaziale a luce nero (Spatial Environment in Black Light), which consisted of a small black room in which several large, fossil - like forms made from papier maché hovered overhead, their fluorescent painted surfaces picked out by black lBlack Light), which consisted of a small black room in which several large, fossil - like forms made from papier maché hovered overhead, their fluorescent painted surfaces picked out by black lLight), which consisted of a small black room in which several large, fossil - like forms made from papier maché hovered overhead, their fluorescent painted surfaces picked out by black lblack room in which several large, fossil - like forms made from papier maché hovered overhead, their fluorescent painted surfaces picked out by black lblack lightlight.

Grapes vines, Styrofoam, plaster, plywood; plastics: Polycarbonate and acrylic; steel: rod, wire and cable; lights: fluorescent light, black light, and EL light; dyes and pigment

Corse has been effecting her magic since the 1960s, when she started out making shaped white or black canvases but also worked in fluorescent light, hiding their generators in the wall, so each piece seemed to hover weightlessly in space.

«Chariot (The Day After the End of Days),» 2005 - 06 (Polish hay cart, scrap wood, T111 plywood, fluorescent lights with colored lenses, bronze, 20 state flags, wool, scorched wood, buttons, abalone shell, mother of pearl, Powell Peralta skateboard, bucket, purple resin, Black panther 10 point program and Stanton's Declaration of Independence) by Matthew Day Jackson.