Sentences with phrase «fluorescent lighting works»

Perhaps it can, but I know for a fact that fluorescent lighting works quite well.

On permanent view are nine fluorescent light works by Flavin, made between 1963 and 1981.

Ikon is to present a major exhibition of fluorescent light works by Dan Flavin (1933 - 1996), one of the most important post-war American artists.

Ikon presents a major exhibition of fluorescent light works by Dan Flavin (1933 — 1996), one of the most important post-war American artists.

After creating a series of wall - mounted fluorescent light works in 1966 — each one also tethered to the surrounding architecture via an electrical plug — Corse «freed the light from the wall» by hanging her lone 1967 light work from the ceiling in the centre of the exhibition space.

Not exact matches

It flickers in your fluorescent and LED lights in your home, it is emitted from your digital television screen, you're exposing your eyes to it every time you check Facebook on your phone, and it's bombarding your eyes all day at work while you stare at your computer.

For the current study, working in the CU Cancer Center Advanced Light Microscopy Core, co-authors Dominik Stitch, PhD, and Radu Moldovan, PhD, implemented a new technique known intravital multiphoton in vivo microscopy that enabled the team to watch fluorescent - tagged liposomes in real - time after injection.

While light - sheet microscopy is an old idea — scientists at ZEISS Microscopy and collaborators first came up with it in 1903 — only in this century has the convergence of fluorescent labels that work to process image volumes combined to make light - sheet mainstream.

The researchers noted that while their current work is focused on fluorescent applications, FlatScope could also be used for bright - field, dark - field and reflected - light microscopy.

Its energy - using devices — computers, fluorescent lights, printers, and (of course) the fridge and coffeemaker — allow us to do our work.

Imaging techniques that rely on light — such as taking pictures of cells tagged with a «reporter gene» that codes for green fluorescent protein — only work in tissue samples removed from the body.

In her graduate work in Michael Lin's lab at Stanford, Xin Zhou greatly expanded that list by using photoswitchable fluorescent proteins to create enzymes that can be turned on and off with light.

My thyroid, though much better off than working under fluorescent lights, was still screaming at me to slow down — which I began to do.

One of the benefits of currently working from home as a freelancer is the freedom to grocery shop, run errands, and visit fancy bakeries on weekdays when most people are tucked away, squirreled away, fluorescent - lamp - lit - glowing away in their offices.

It's a work of art — with shimmering glass tanks, schools of fluorescent fish and water that reflects the light like diamonds.

When wearing it to work, I sometimes feel that I am exposing too much skin under an unflattering fluorescent light, so I temporarily cover my shoulders by pulling the straps up or wearing a light blazer.

We get our first look at Andrew from the far end of a long, dark campus corridor: a lone figure working out on a drum kit late at night in a fluorescent - lit practice room.

Abraham, a hero of mine for his work on «Mad Men», nonetheless achieves some lucidly beautiful shots: Denis and Beth examining each other by the fluorescent light of a quick - stop beer cooler, or talking by the banks of a silvery lake at dawn.

Working once more with their preferred cinematographer Sean Price Williams, the film is ingeniously lit in black light, strobes, mercury vapors, fluorescent greens, and whatever available light allows.

«I once worked with a student who could actually hear the fluorescent lights, and it stressed him out enough to be both irritable and antisocial, so his schooling suffered,» she said.

Have you ever been at work, perhaps sitting in a cubicle under a fluorescent light, and wondered if the coworker sitting across from you was altogether mentally stable?

Working 8 - 5 with a tucked in shirt under fluorescent lights has a way of decaying my resolve.

In today's hustle - bustle world, unlike our great grandparents, we work inside, under artificial and fluorescent lighting - where most show dogs spend a great part of their time!

From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold, fluorescent lamp that hangs on a diagonal on the wall — a work which marks the artist's first use of fluorescent light alone, until his death in 1996, Flavin produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations of light and color.

In early work by Dan Flavin, the fluorescent bulbs tilt casually, barely disturbing the wall, while their light fills the room — a far cry from the mind - boggling LED art of Jessica Bronson.

Comprised of three sets of three works (one set in red and yellow fluorescent light; the second in red and blue; and the third in red and green), each set is composed of a cumulative system of vertical lamps.

Using light as a conceptual manifestation of the physicality of paint itself, works such as Three Fluorescent Tubes (fluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculpturaFluorescent Tubes (fluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculpturafluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculpturafluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculptural impulses.

One's initial impression of Yunhee Min's new work, an intervention of poured paint and fluorescent light onto two long, normally transparent vitrines installed in the lobby of the Equitable Life Building — an iconic if somewhat long - in - the - tooth skyscraper in Koreatown — depended a great deal on how (or when) one first came across it.

The back room has more overtly sculptural or conceptual work, including wall text by Lawrence Weiner, a circular wall incision by William Anastasi, a white square of fluorescent light by Dan Flavin, and a still frailer square of black yarn by Fred Sandback.

And the title for Flavin's sculpture was infinitely more complex than the work itself, a simple arrangement of red fluorescent lighting tubes: A Corner Monument for Those Who Have Been Killed in Ambush (for the Jewish Museum)(to P.K. who reminded me of death)(1966).

On view at the Swiss Institute and titled «Less Light Warm Words,» the series of work was created to exhaust the precise amount of power running through the space's electrical lighting grid; Lewitt's copper heaters, laying on the floor with chords running to the ceiling, replace the Swiss Institute's fluorescent lights.

It used to be crammed with decades of unsold paintings, but now that she can finally afford storage space, the only work present on a recent visit was her new series of fluorescent black - light paintings of testicle - headed Donald Trumps and vagina - faced Hillary Clintons, which are now on view at the Drawing Center in downtown Manhattan.

For a public work in a different medium altogether, he designed the color patterns of the «Solar Wall,» a set of tubes filled with dyed water and backlit by fluorescent lights, at the Muscarelle Museum of Art at the College of William and Mary in Williamsburg, Virginia.

The 2012 Whitney Biennial participant has prepared an intriguing site - specific work by removing all fluorescent lights from the ceiling of the main gallery and redirected all electricity into custom - designed flexible copper heating circuits thereby reorganizing the transfer of energy within the building's existing electrical infrastructure.

Often associated in the 70's with kinetic and concrete art, his work has also a strong affinity with Dada, Kurt Schwitters and Marcel Duchamp, working with found objects, tables, chairs, crates, tools, jugs, suitcases, lampshades, wine glasses (filled with wine, red as it happens) and electric light, which through the conductors of fluorescents and bulbs is a ready - made in itself.

Works on paper most often have the texture of spray paint and a horizon line, much as drawings collected by Dan Flavin connect his fluorescent tubes to Hudson River light.

A permanent installation of nine works in fluorescent light by Dan Flavin.

Whilst Flavin's later works incorporate colour, the pieces on show display his early fascination with pure white fluorescent light.

Downstairs at Grey Gallery, Interior # 2 by Tom Wesselmann is an installation (an unheard term at the time) or a sculpture in relief, of an urban kitchen, with a working clock (set at the right time), a fluorescent light, a bottle of soda, an operating fan, and a window painted to have a view of buildings outside.

Tacked onto a small gallery with a handful of paintings by Heade, John Singer Sargent and Dove, whose Sea and Moon II is hauntingly ravishing, the corridor is mostly devoted to neon and fluorescent sculptures by Dale Chihuly and Dan Flavin, respectively; theatrically lit works by Larry Bell and Robert Irwin, both loans from the Norton Simon Museum; and light works by Jim Campbell and Turrell, who lent Sloan Red (1968), a walk - in light installation.

Perhaps the most inventive work was produced by the so - called Light and Space group, whose members, including James Turrell, John McCracken, Larry Bell, Craig Kauffman and Robert Irwin, embraced unconventional materials such as plastic and fluorescent lights.

ON PERMANENT VIEW is an installation by Dan Flavin (1933 - 1996) of nine works in fluorescent light made between 1963 and 1981.

Printed on fluorescent plexiglass and back - lit by LED frames, they represent several years of Lund's research into the factors that make a work successful.

Fluorescent light, Plexiglas, and electronic equipment have been materials Harrow incorporated in his work as well as concepts from disciplines well outside the craft tradition.

A major retrospective exhibition of Bruce Nauman's work in neon and fluorescent light is on view at the Museum of...

Dan Flavin, the nominal three (to William of Ockham), 1963 Daylight fluorescent light November 5 — December 19, 2009 David Zwirner presents Dan Flavin: Series and Progressions, the first exhibition of the artist's work at the gallery since having announced its representation of the Estate of Dan Flavin.

Robert Irwin, Untitled, 1971 Synthetic fabric, wood, fluorescent lights, floodlights 96 x 564 inches Collection Walker Art Center August 6, 2009 — November 21, 2010 Throughout his long career, Robert Irwin has pondered whether we ever have an absolutely pure or direct moment in front of a work of art.

Produced by exposing sheets of photographic paper to the colour temperature of fluorescent light, the resulting series of monochromatic works look at the implication of light to the given environment.

February 1 — October 4, 2008 The focus of this exhibition is the experience of Dan Flavin's work — sculptural installations composed of mass - produced light fixtures and fluorescent tubes — within the architecture and shifting natural light of the Pulitzer building.

This important and unique work (though Flavin had planned it in an edition of 3, only one of the edition was ever produced) was shown most notably in «Dan Flavin: installations in fluorescent lights 1972 - 1975,» a one - person exhibition at the Fort Worth Art Museum (later renamed Modern Art Museum Fort Worth) in 1975 and has not been shown publicly since 1999, the date of a Judd / Flavin exhibition at the Menil Collection.