The focus of this subplot is Malvolio, the proud, puritanical steward of the Countess Olivia.
Not exact matches
By
focussing the story on Harry (a leaner and slightly meaner Daniel Radcliffe) and his exploits, Yates dispenses with many
of the novel's
subplots and is able to push the story forward, ominously foreshadowing the dark times to come.
Movie starts out well, with good mistery and situations but unfortunently looses a bit
of his
focus midway with unnecessary
subplots and doesn't have a bagging end as it probably should've.
Part
of the movie
focuses on abuse and the cycles
of violence it can create, but it's treated with the same clunkiness as the supposedly - comic romantic
subplot that sees sidekick characters, played by Whannell and Angus Sampson, hitting on a couple
of much younger women.
If Alfredson and his three - person team
of screenwriters weren't so
focused on a
subplot involving a sleazy engineer (JK Simmons sporting a terrible accent) or flashbacks with a washed - up detective (Val Kilmer in his first theatrical film since MacGruber), we might care more about Harry.
The only two glimmers
of subplots in the narrative are quickly forgotten, and I can't remember the last time I saw a film this unwaveringly
focussed on a single hypothesis.
It wants to initially
focus on Erik and his dream to become a great dancer like his father, but then, out
of nowhere, it presents a completely unrelated
subplot that makes the story a lot less fun.
This is a departure for director Paul Thomas Anderson, known for complex, layered stories with a myriad
of characters and
subplots (Magnolia, Boogie Nights), but he handles the tight
focus on Daniel Plainview beautifully.
«Triple 9» is pulled in so many different directions that it's unable to provide the
focus that each
subplot deserves, and although that prevents the movie from reaching the heights
of Michael Mann's «Heat,» it's still a fairly solid crime thriller thanks to some exhilarating set pieces and an excellent cast.
Surely this is an element
of the overall feeling
of detachment from the movie, and the lack
of narrative
focus drags the front - loaded first act (A
subplot involving the identical, bumbling Inspectors Thompson (Simon Pegg and Nick Frost) and a pickpocket (Toby Jones) only provides some stilted comedy; something is off about the physics
of this animated world).
The story begins to struggle as Valjean takes a backseat to accommodate the rise
of subplots that involve love triangles and a French uprising that takes all the
focus for a good chunk
of time but lacks the emotion pull
of Valjean's tale.
There's a shaky
subplot with a kitchen worker played by Martin Compston and a much better one with Gillian Anderson's wealthy resort guest, but the primary
focus of the picture remains on Simon and his relationship with his sister Louise.
God's Pocket wants to be from the same school
of dark comedy that the likes
of the Coen Brothers or Spike Jonze do so well but Slattery can't pinpoint a
focus on a film that is filled with too many
subplots and bit part players that just don't get enough to do in the picture.
While those characters all get their own
subplots, the main
focus is on how Tyler and Nora get along while planning a dance that involves the best
of both their worlds.
Anderson's script comes across as being a little too busy at times, juggling so many different
subplots that it lacks the
focus of his other films.
Most
of the film plays like your typical fish - out -
of - water story before switching
focus to the romantic
subplot between Alan and Zahara in the final act, but while it's an interesting development that explores the difficulties
of such a relationship in Saudi Arabia, it feels so rushed that Tykwer is unable to give it the attention it deserves.
Chastain's character was one
of the elements that he felt needed to be removed, saying that her
subplot took the
focus away from the central conflict.
An unnecessary and lengthy
subplot involving Billy's relationship with his girlfriend, Natalie (played by Cuban / American model turned actress Natalie Martinez) eats up some
of the time that the film should have
focused on ironing out key plot twists.
There are a lot
of good actors wastes and a lot
of subplots hastily shoved to the side in favor
of putting all the
focus on Depp, who still manages to slather himself in makeup and prosthetics and affectation even as he returns to less Disney - fied fare.
I know Spider - Man 3 has a lot
of characters, multiple
subplots, three villains, and a strange shift in tone smack - dab in the middle, but while some people say that like it's a bad thing, the whole affair is entirely
focused on actually fleshing out Peter Parker (Tobey Maguire), the man behind the red - and - blue — and, in this installment, occasionally black — suit.
Focused on around one theater's production
of Ruddigore, the central mystery was a good one and spawned several
subplots all centered around the various actors, staff and theatre management.
While I usually write complex
subplots, with this novella, I stripped those out to
focus on the central story and theme,» blogged Perkins about the creation
of her novella, Honor Code.
As a developmental editor, I
focus a lot on the storytelling aspect
of writing craft in my posts here: character arcs, plots and
subplots, stakes and motivations, etc..
At some point, our digital love interests, which used to be mainly provided by major developers and relegated to
subplots, became the
focus of mainstream games.
Rather than a classic storytelling structure that reunites side characters and recalls
subplots increasing the scale
of the climax, Lost Odyssey cuts back on the complexity
of the game, and
focuses on family matters and a fifth immortal who betrayed the others.
There's also a
subplot that stretches through each
of the game's episodes to tie them together, but it didn't have the same impact on me compared to previous games in the series, which
focused on a more personal story for Phoenix Wright.