Sentences with phrase «focus on contemporary painting»

The exhibition will focus on contemporary painting by a selected group from Jamaica Street Artists.

They focus on contemporary painting, sculpture and new digital photography with an international program.

Brintz Gallery was founded in Palm Beach in 2014 for the exhibition and promotion of established, mid-career, and emerging artists with a primary focus on contemporary painting and sculpture.

Founded in 2013 Peter von Kant curates and programmes new artists, alongside contemporary art by established international artists, with a particular focus on contemporary painting.

The Gallery focuses on contemporary paintings, archival pigment prints and sculpture in a myriad of media and styles.

Magic Beans was established in 2016 and focuses on contemporary painting, drawing, and sculpture from international emerging and established artists, such as Seungmo Park and the artist duo Abetz & Drescher.

Not exact matches

I am dedicated to exploring traditional and contemporary methods, hence my recent focus on fused, enamelled and painted glass.

Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.

United States About Blog Dena Tollefson is an American artist whose bold contemporary floral, still life & landscape oil paintings focus on joyful use of color, texture and movement.

The Park Hotels» strong focus on design and art means that locally crafted artifacts, contemporary paintings, sculptures, and other design elements are central to the hotels» identities.

I am dedicated to exploring traditional and contemporary methods, hence my recent focus on fused, enamelled and painted glass.

United States About Blog Dena Tollefson is an American artist whose bold contemporary floral, still life & landscape oil paintings focus on joyful use of color, texture and movement.

Fishman is currently the subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.

Unlike Corse, whose paintings capture the serene glow of light, Ward's works focus on the emotions embedded in contemporary everyday objects, particularly those found on city streets.

In 2017, the Museum of Contemporary Art in Los Angeles presented Kerry James Marshall: Mastry, the first major museum survey of the artist's work, specially focusing on his paintings from the past thirty - five years.

For the paintings in her show at Locks Gallery, the first show in Philadelphia since her retrospective show at the Institute of Contemporary Art, the focus is on Philadelphia subjects and stories.

My primary focus as of late has been on textured impasto paintings and contemporary landscape paintings such as: tree paintings, modern minimalist art, nightscape paintings, contemporary landscape paintings, storm paintings, modern abstract art, impressionist art and mid century modern art.

Unlike his contemporaries, such as Mark Rothko and Barnett Newman whose art expressed an urge to transcendence, Kline was focused on pure abstract forms and gesture itself, deprived of any symbolic character or «painting experience».

The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and painting.

ArtsATL: You often talk about the «immediate present» in your work, especially with the environmental paintings, which makes me think of action painting in the 1950s and the contemporary idea of focusing on the «present moment» as a stress - reducing mental exercise.

Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.

ONE OF THE MOST ANTICIPATED museum exhibitions of the season, a major survey of Kerry James Marshall «s work, primarily focused on his painting over the past 35 years, is opening at the Museum of Contemporary Art Chicago, on April 23.

Our gallery's focus is on contemporary painting, sculpture, and photography by established artists.

The gallery was established 2005 by Martin Asbæk (b. 1975) and focuses on contemporary Scandinavian as well as international art by well - established and up - coming artists who work in a wide range of media; painting, drawing, sculpture, photography, video, embroidery.

Its principal focus is on the representation of contemporary artists whose diverse practices include painting, drawing, sculpture, video, and photography.

Focusing on works from the 1980s and a period of color - saturated paintings, this is a sequel to both the 2003 retrospective at the Institute of Contemporary Art and Locks Gallery's last Andrade exhibition in 2004.

Susan Eley Fine Art focuses on contemporary art by emerging and mid-career artists, who work in a range of media, from paint to photography to sculpture and print.

Pratt Institute's M.F.A. Painting and Drawing Curriculum offers students a broad but rigorous studio practice, highlighting students» individual development and focusing on an understanding of the significant concerns that constitute contemporary art today.

Since 2005 the gallery opened a new space to represent and exhibit solely international established artists as well as emerging talents, to advise and and build local and international private and corporate art collections, focusing on contemporary photography, painting and sculpture.

Her contemporary Jean Shin, is a good comparison in this hybrid of sculpture and painting, where the focus on palette and arrangement of color acts to define itself as painting.

His body of work focuses primarily on painting, portraiture, and documenting contemporary tattoo culture.

My paintings focus on the inspiring beauty of Marin County and I paint in the style of contemporary realism in oil.

Established in 1999 and curated by American art dealer H Earnest Lee, H Gallery offers an exciting and diverse range of contemporary art exhibitions covering the photography, painting and sculpture, with the main focus on cutting edge art coming from Asia.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

Installation view of works by Simon Ingram June 2 — July 29, 2007 Curated by Tina Barton, Four Times Painting at the Adam Art Gallery, Wellington, New Zealand, focuses on the work of four contemporary New Zealand artists, who each critically engage with the history and practice of pPainting at the Adam Art Gallery, Wellington, New Zealand, focuses on the work of four contemporary New Zealand artists, who each critically engage with the history and practice of paintingpainting.

Tiffany Bozic and Alfred Steiner, also skillfully create work that combines painted elements from our world, to create new surreal compositions: Bozic focusing on the natural world, while Steiner draws our attention to contemporary culture.

Since its founding in 1982, the gallery has focused on furthering the understanding of abstract painting from a contemporary point of view.

Artforum focused its review on paintings that are on view at The Institute of Contemporary Art, Boston, through April 7.

The display of many series focussing on one subject from different periods in a major contemporary artist's career gives the audience a chance to see how his painting has evolved over time, including his technique, materials, and even his conception of the theme of portraiture.

With a particular focus on painting, this exhibition brings together seminal works that provide an overview of the artistic, socio - economic and political concerns of artists in Germany, during a time period when these artists were reconciling with the trauma of war, finding a national identity, struggling for freedom of expression and constantly pushing the limits of modern and contemporary art.

Panel I: Contemporary Abstraction This first panel of the one - day symposium will focus on the resurgence of abstraction in the last several years, particularly in painting.

Her outstanding and distinct focus on making calm and contemplative images position her oeuvre as a fine example of contemporary easel painting.

Focusing its energies on the mounting of exhibitions onsite and off - space, and on the publishing of artist books, La Salle de Bains is working towards new exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height, on vividly patterned wallpaper.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

February 21, 2010 — January 9, 2011 The second in a series of Tower exhibitions focusing on contemporary art and its roots offers a rare look at the black - on - black paintings that Rothko made in 1964 in connection with his work on a chapel for the Menil Collection in Houston.

This publication, originally conceived as an ongoing curatorial dialogue, features six exhibitions on abstract painting, focusing on the legacies and contemporary manifestations of the genre.

David Richard Contemporary is pleased to present Elusive Transparencies, a retrospective exhibition of paintings by Julian Stanczak focused exclusively on his illusory «see - through» abstractions, which have been at the core of his art - making practice for the past five decades.

What surprises many curators is that while many of her 20th - century contemporaries in South Asia were making brightly colored, figurative paintings, Mohamedi was intensely focused on abstract, monochrome line drawings rendered in combinations of ink, graphite, gouache, and / or watercolor.

Fake fireplaces in fake rooms, captivating abstract geometry and a cubist take on silent film are among the paintings on show at this fascinating and focused exhibition of contemporary British painting.

Rodney McMillian: The Black Show, on view at the Institute of Contemporary Art at the University of Pennsylvania (February 3 — August 14, 2016), brings together a tightly focused selection of new and recent paintings, sculptures, and videos that deal with blackness as subject, form, process, emotion, and politics.