Sentences with phrase «focus photo paintings»

Not exact matches

In the close up photo above, you can see that I wasn't focused on getting a full coverage of the paint, because I was going for more of a vintage feel, and wanted the paint to look like it naturally wore off over time.

Cyril is a self - taught artist, enjoying and focusing on the impressionistic, photo - realism forms of painting.

The painting doesn't actually include an image of Kidman, but focuses on the beauty of the satin fabric in the photo, rendered now by me with oil paint in as faithful a reproduction of it as I can manage.

featuring paintings and sculptures from 1967 to 2012 focusing on the photo - realistic movement.

Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

The show included the monochromatic portraits he was known for — like «Manhattan Memo,» a shadowy depiction of a man in an expletive - laden black T - shirt and paint - smeared jeans, or «Photo Bloke,» of a man outfitted in a soft pink suit — but art - world coverage of the show focused on paintings that seemed to strike a new tone.

Complementing Sandler's text, Burckhardt's photos captured Mitchell in an unguarded, focused, and intimate way, allowing a rare glimpse into her painting process and studio.

His out - of - focus, photo realist painting of Milan's «Domplatz, Mailand,» (cathedral square) sold for $ 37.1 million at Sotheby's.

Departing from previous painting - dense retrospectives of Chicago - based artist Lee Godie's work, Intuit's recent exhibition — though it did include several strong canvases — focused instead on some fifty of the several hundred self - portraits that Godie took in public photo booths during the 1970s and»80s.

Francesca Fuchs Working on a series of paintings of framed paintings, prints, and photos that hang in her house, Francesca Fuchs begins with personal history, focusing on an individual experience, rather than an art historical system of worth.

Where previous monographs have focused on a single genre within the artist's vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half - century of activity, including photo - paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs.

Focusing on three local businesses, two pubs and one Middle Eastern coffee shop, Liu produced one near - lifesize oil on canvas and eight acrylic photo - paintings at each location.

They include: Portrait Photography, a genre that has largely replaced painted portraits; Pictorialism (fl.1885 - 1915) a type of camera art in which the photographer manipulates a regular photo in order to create an «artistic» image; Fashion Photography (1880 - present) a type of photography devoted to the promotion of clothing, shoes, perfume and other branded goods; Documentary Photography (1860 - present), a type of sharp - focus camerawork that captures a moment of reality, so as to present a message about what is happening in the world; and Street Photography (1900 - present), the art of capturing chance interactions of human activity in urban areas.

Owen Drysdale's moody, interior - focused paintings (including a site - specific wall painting) are on view in the front gallery, center of photo; while paintings by the well - established Los Angeles artist Martin Durazo fill the gallery's big back room with vibrant layers of color.

Focusing on core themes in both artists» works, this volume traces Jean's path to becoming a prominent international director, bringing together paintings, drawings, films, costumes, and photos — as well as the ceramics he made before he turned to cinema.

Focusing primarily on solo presentations of artists, as in one artist per space, the show is well - curated with more than one canny juxtaposition (two personal favorites were Leigh Ledare's 16 mm film Vokzal [2016] of the public around three Moscow train stations with John Divola's elegant «Abandoned Paintings» [2007 — 8] photos, which feature recuperated discarded student paintings in derelict domestic settings, and Henry Taylor's big brushy paintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black sPaintings» [2007 — 8] photos, which feature recuperated discarded student paintings in derelict domestic settings, and Henry Taylor's big brushy paintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black spaintings in derelict domestic settings, and Henry Taylor's big brushy paintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black spaintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black subjects).

«Gerhard Richter Painting» glimpses Richter's photo - based pictures, but focuses on recent abstractions.

Between weeks 4 and 5, I'd like to finish all painting at all cost, make sure everything is dry and looking good so that I don't have to worry about that before the reveal, and then I can focus on putting the hardware on, moving the table in and styling everything for photos.