Sentences with phrase «focused on characters as»

«Dunkirk» wasn't a film that was as focused on characters as it was setting and atmosphere.

«If you're talking about somebody's willingness to do or try something, you're now focusing on their character as a person, as opposed to their preferences,» she says.

Instead, I shall be focusing on its character as a story.»

Rather than coming off as an empty paean to the fans, though, the filmmakers» desire to focus on the characters as real people even in the midst of pitched battle keeps even the shallowest viewer of the series engaged in what could have easily been just mindless action set pieces and explosions.

Instead the film focuses on the characters as they weave in and out of the spotlight, all for the betterment of their team.

So we really try to focus on the character as well as academics.»

Not exact matches

Choosing to photograph on the street as her way of studying the fashion world, Jeng focuses her time in NYC — and the city is as much a character as the stylish subjects on her blog «The NYC Streets.»

The Infinity 3.0 team ran into similar challenges with Star Wars, according to one source, juggling priorities to make levels and characters for Star Wars Rebels, a popular animated series even as the game's developers wanted to focus more on the movies, particularly the then - upcoming Star Wars: The Force Awakens.

Groups of young friends who go to see some of the more death - focused horror films in vogue of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex of the set - piece disaster horror movie as orchestrated by MacGyver.

This procedure has been very effective in helping us shape our church character and build our ethos and hone our practises as well as curtail our expenses to focus on and meet only the requirements of these eight basic building blocks.

Third, I will treat in detail the Hartshornian stance regarding abortion, a stance with which I agree, both to illustrate the aforementioned connection between moderation in metaphysics and moderation in ethics as well as to combat the charge that virtue ethics, because it focuses more on the character of agents than on their acts, is incapable of treating the really difficult issues in applied ethics.

It need not trouble us that the man going on a journey is represented as a hard man driving a shrewd bargain for his own gain, for the parable does not focus on the character of God or of Christ.

The 2010 campaign was also highly personalized, although not in the usual sense of focusing mainly on the President's character attributes, as was the case in the Clinton «impeachment» mid-term election of 1998.

This list is limited to those that focus mainly on Jesus» life story as told in the Gospels; thus, it does not include films about characters who are only peripherally connected to Jesus, such as Ben - Hur (1925, 1959).

That's because, too often, we focus on the Proverbs 31 Woman's roles as a way of reducing womanhood to marriage, motherhood, and domesticity, when really, this passage is about character that transcends both gender and circumstance.

«It is interesting that so much of the artwork on this theme, Wilde's play and the opera that followed [which was based on the Wilde play], have focused on Salome as the interesting character,» he says.

At the same time, modern attempts to construct a view of Jesus that omits any emphasis on the death, focusing instead on a message or practice Jesus taught without reference to his own fate — which are implausible as history and often lack distinctive Christian character.

So too, whereas the legal model was focused on belief and therefore didn't involve our character transformation as a central consideration, the covenant model is all about character, for its anchored in faith, and as I've said, covenantal faith is about our willingness to trust another and to live in a trustworthy way in relation to another.

While I don't know if he will die first, I am guessing that he will die in Episode VIII as the trilogy begins to focus more on the main characters and less on the First Order.

Your job as a fiction writer is to focus on your characters, and to ignore — to the extent you can — the rest of the bullshit...

In tummy time mode, the Kick & Play Piano Gym helps infants practice keeping their heads up as they... MORE focus on the brightly - colored characters on the mat.

If you find your child's teacher is the one focusing too much on grades and academics, try asking questions that address the parts of your child that can't be measured by test scores and homework, such as character and friendships.

The debate focused less on the comptroller's duties, and more on character bashing (though their barbs still weren't as nasty or personal as the Post's average «Love Gov» cover).

Nor will the Conservatives like attention being focused on all the cheques written out to them by bankers and hedgies, characters who right now are about as popular as paedophiles.

Here, the focus is on reconstructing what might have happened at a vacated home, with notes left behind by the characters as clues.

For one thing, it largely ignores the stars of the genome, the genes, and instead focuses on a dizzying cast of background characters known as

To determine the feeding relation between Typton and its host Tedania, as a partial aspect of their overall symbiotic relationship, we focused on morphological adaptations and phenotypic characters of fire - sponge shrimps that may be related to their feeding ecology, and examined their stomach contents.

We could all do well by re-aligning our priorities along with Bullock, by focusing on what really defines us (our intellect, compassion, character and hard work) as opposed to trying to fit a mold formed by others.

X-Men: Apocalypse is a part of a new series of films that began with X-Men: First Class, and a large chunk of First Class focused on Mystique as a character.

Its stylish directing, vicious violence and effects, and focus on the character and choice as the basis of horror have been done time and time again, and never to the level that

Discover the tale of each girl and Yaoi, primarily known as boys» love in Japan, is a Japanese genre of fictional media focusing on romantic or sexual relationships between male characters, typically marketed for a female audience and usually created by female authors.

With its focus on Central African youth in peril, interludes of dreamy stylization and non-native directorial perspective, «White Shadow» will routinely be compared to Kim Nguyen's recent, Oscar - nominated child - soldier study «War Witch» — which also, as it happens, featured a significant albino character.

The 3:47 «Meet Katie» focuses on the story of the furry little yak who just steals her scenes in the film, as the creators talk about the development of the character from a background drawing to full - fledged cult hero.

Hostiles, as indicated earlier, ultimately focuses too much on creating and maintaining its dour mood and tone, at the expense of its character / thematic development and sense of pacing.

But as each and every player engages in debates - concerning, among other things, art, the artist's perspective, and male - female dynamics - Guerín focuses as much attention on the slippery boundary between documentary and fiction, in turn engaging with an evolving narrative, increasingly complex character dynamics, and an endlessly vivid emotional journey.

Despite the lessening of madcap energy, Shrek the Third is still quite funny in parts, with some fresh throwaway gags to produce chuckles now and then from characters you'd think they probably should have jettisoned long ago, but are secretly glad they've kept around (the Gingerbread Man, Pinocchio, etc.) The fact that they are keeping in nearly all of the characters introduced in the series thus far is a bit of a double - edged sword, as they do provide a certain respite from the main characters that are already cycling through the same jokes all over again, but on the other hand, it's getting to the point that the high overhead of injecting scenes for all of these characters takes away from the focus of the story at large.

The episodic bent of the film's first half - much of the narrative seems to follow the central characters as they fight one fire after another - does test the viewer's patience to a fairly demonstrable degree, and it's clear that Backdraft, by and large, works best when focused on the rivalry and relationship between the central figures (and how it ultimately affects their respective work).

It was made before Philadelphia, focuses on characters that are almost entirely gay men, it covers the entirety of the 1980s, offers a very honest portrait of the AIDS crisis, is a better movie, but Philadelphia is heralded as the definitive film about this subject.

This worked very well as a way to focus on the characters unwittingly treating real scenarios as a game.

Its narrow timeframe and juddering shootout finale notwithstanding, in fact, «' 71» calls no film to mind so much as Roman Polanski's Holocaust drama «The Pianist» in its dramatic defamiliarization of urban space, and its tight focus on a single character's sensory experience of his surroundings amid broader conflict.

Zamperini is just the face Jolie decides to focus on in a sea of several others, none of which can necessarily be considered characters as much as they are simply faces.

Amour suffers from some pacing issues, although these are largely the result of Haneke using «dead space» (such as a sequence in which his camera spends an inordinate amount of time focused on paintings or an interminable scene in which Georges attempts to capture a pigeon that has entered his home) to establish a tone or develop a character.

I really really dislike the main character like he's actually in real life gonna get the girl of his dream, are you serious??? He has a crooked smile, wears pajamas all day outside of his house and talk's like a gay poet, I just think he sucks as an actor, uggh I don't know why I dislike him so much after this movie.On the other hand Rachel Bilson is very cute and not as bad of an actor This movie solely focuses on telling the story and making us like the characters for themselves.

But it's also a weakness, as the show focuses almost entirely on its sprawling plot rather than character development.

It has been a brilliant strategy to refrain from using any images of Batman in the trade ads for this film, focusing on Bruce Wayne throughout, ushering the story through further as a character piece, not a superhero extravaganza.

Well, maybe as long as he is not too ambitious, focuses on a narrower plot line, and has only one / two main characters.

The focus on epic battles involving arrows, swordplay and midair dogfights as well as scores of characters, allows little time for character or script development.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

Although the title suggests the possibility of an exercise in the pre-digested, pre-fab cynicism which seems to be a staple of contemporary American cinema, this action film focuses on its people as much as its action, and a good deal of its power comes from the way its sharply etched characters develop in various convincingly observed milieux.

Part of the movie focuses on abuse and the cycles of violence it can create, but it's treated with the same clunkiness as the supposedly - comic romantic subplot that sees sidekick characters, played by Whannell and Angus Sampson, hitting on a couple of much younger women.