Sentences with phrase «focused selection of paintings»

The highly focused selection of paintings and sculptures emphasizes the female body and the physical process of art - making.

Not exact matches

At this moment of renewed relevance, Bernard Buffet: Paintings from 1956 to 1999 reintroduces the artist's oeuvre to a new generation of American viewers, charting a history of the artist's development through a tightly focused selection of highlights from Buffet's career.

If the choice of showing only her stripe paintings sounds in any way arbitrary (excluding her most famous «wave paintings,» for instance), the show is an occasion to focus on a particular selection of works with the same features.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

The exhibition will comprise a focused selection of large - scale paintings by these artists from the late - 50s to the early - 70s, covering the first wave of stained canvas techniques that would come to be referred to as «Color Field.»

In a selection of paintings with an architectural focus, we aim to show that these Precisionist characteristics used by artists of the 1930s - 1940s were modified only slightly by new narratives contributed by national and international social events.»

This exhibition comprises a selection of large paintings by Helen Frankenthaler, focusing on nature as a longstanding inspiration and including the full range of styles and techniques that she explored over five decades of work.

The new show at the Emily Amy Gallery, «Paint as Subject,» features a delightful selection of paintings whose focus is paint itself.

A finely honed and spacious selection dating from the 1950s to now, looks in acute focus at the work — a scatter of drawings, a print, but almost entirely paintings — of Frank Auerbach, (b 1931).

Drawn from Life, the first major exhibition of Lozano's work since her death in 1999, focuses on her drawings and notebook pages, with a selection of related paintings, to reveal the complexity and depth of an artist whose body of work remains elusive.

Using minimal means — paint straight from the tube, applied meticulously with a palette knife — and a focused selection of colors, Josef Albers's sustained, serial investigation into rhythm, mood, and spatial movement is explored in this lavishly produced catalogue that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre.

Rodney McMillian: The Black Show, on view at the Institute of Contemporary Art at the University of Pennsylvania (February 3 — August 14, 2016), brings together a tightly focused selection of new and recent paintings, sculptures, and videos that deal with blackness as subject, form, process, emotion, and politics.

Spanning three spaces in the Gallery, the exhibition includes large - scale paintings commissioned for the Corcoran's Atrium, a focused selection of work from the past nine years, and in the Corcoran's Rotunda through August 28, a dense assemblage of small paintings from the last 25 years.

In 2007 the gallery hosted Bernard Cohen: Paintings from the Sixties, focusing on an important period in Cohen's artistic development, followed by Work of Six Decades in 2009, which celebrated his career by bringing together a selection of key works and the publication of a comprehensive book.

Banner's selection includes Warhol's screen - prints, an optical black & white painting by Bridget Riley and one of Gerhard Richter's celebrated hyper - realist paintings: the just - out - of - focus Kerze, work pictured here from the Whitechapel Gallery website where you can find more information about this exhibit.

«Stamp Out Photographie», Fiona Banner's selection of works from Moscow's V - A-C Collection Of Art focuses on the line between painting and photography and it is on display at the Whitechapel Gallery until the 8th of March (free entryof works from Moscow's V - A-C Collection Of Art focuses on the line between painting and photography and it is on display at the Whitechapel Gallery until the 8th of March (free entryOf Art focuses on the line between painting and photography and it is on display at the Whitechapel Gallery until the 8th of March (free entryof March (free entry).

The exhibition, Painting as Shooting, focuses on a unique selection of some of the artist's most important projects from the last decade.

The exhibition at the Musée de l'Orangerie focuses on this precise moment — when the great decorations of the master of Giverny were rediscovered and the New York School of Abstract Art was recognised — with a selection of some of Monet's later works and around twenty major paintings by American artists such as Jackson Pollock, Mark Rothko, Barnett Newman, Clyfford Still, Helen Frankenthaler, Morris Louis, Philip Guston, Joan Mitchell, Mark Tobey, Sam Francis, Jean - Paul Riopelle and Ellsworth Kelly.

A more focused presentation, «Mastry» brings together the largest - ever selection of his paintings — the artist's greatest strength and the medium in which he has been the most highly regarded, ambitious and mission driven.

As a founding member of Chicago's famed Hairy Who (a group of figurative painters often subsumed under the banner of the Chicago Imagists whose ranks also include Karl Wirsum and Suellen Rocca among others), Nilsson is hardly unknown, but these 12 «monumentally - scaled» paintings made between 1984 and ’87 represent a selection of her later work that often goes unremarked upon in favor of focusing on her output from the 1960s.

The selection focuses on the paintings and sculptures of fourteen American artists, some of whom, better promoted in the United States than in France, are particularly well represented.

This selection of over 35 paintings and sculptures from the Museum's permanent collection explores the multiple visions possible when artists are not focused on portraying the physical world and instead create new visions for our imaginations to explore.

Bauer's most recent exhibition, which was shown in the Duke Gallery of Azusa Pacific University, was based on a small but focused selection of his blue paintings.

Focusing on three types of works — namely her monumental wall paintings, colorful pixel installations and interactive drawing machines — SHORT BIG DRAMA presents a selection of existing works together with specially commissioned new pieces.

Capturing the Essence of Glance Plus One Gallery exhibits hyperrealist art from a different angle in this selection of beautifully rendered flowers with a fresh twist; soft focus paintings that...

A selection of works focusing on Samb's conceptual sculptures and paintings creates an installation that references his home studio in Dakar's rue Jules Ferry.

This exhibition focuses on Raymond Jonson's activities in Albuquerque from 1934 when he began working at the University of New Mexico through 1978 when he produced his final painting, and includes a selection of works by his students and peers.

The selection of John Wesley's paintings focuses on works from 1967 to 2002 which depicts an unrelenting and remarkably singular body of work whose subject is no less than the American psyche.

On the first floor gallery, the exhibition focuses on «There» and presents a selection of monochromatic paintings that explore presence and absence, loss, time and memory — all themes recurrent in Milroy's practice.

The selection of works focuses on the artist's landscape painting which, utilising the monuments of the road, is rooted in a collective American experience... Using carefully chosen iconography and repeated signs, the works ask questions about the American psyche in a modern, changing America.

George Condo: Mental States surveys the artist's career from 1982 to the present day, focusing on his portrait paintings but also including a selection of sculptural busts made in materials such as gold and bronze.

Set within an immersive wall painting the installation «Ahy - kon - uh - klas - tik» combines a trans - historical selection of works from the Van Abbemuseum's collection, sculpture and assemblages by Brook Andrew, rarely seen documents and publications from the museum's library as well as the artist's own extensive archives that focus on popular and official documents relating to colonial and stereotyped agendas of the global south.

It will reflect on a wide selection of his works, focusing on sculpture, on his most recent paintings and works on paper.

Using minimal means — paint straight from the tube, applied meticulously with a palette knife — and a focused selection of colors, Josef Albers» sustained, serial investigation into rhythm, mood and spatial movement is explored in this lavishly produced volume that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre.

In preparing the exhibition, the active dialogue between Jorge Pinheiro and Pedro Cabrita Reis has generated a selection of 80 works focusing on specific periods of Pinheiro's career dating from the 1960s until the present, in which figurative painting and the language of concrete and conceptual abstractions coincide.

Swiss dealer Galerie Gmurzynska brought an impressive selection of classic modern painting and sculpture selected with a special focus on artists with historic connections to Chicago and Chicago institutions, such as Wifredo Lam, Kurt Schwitters and Fernand Leger.

The exhibition gathers a selection of paintings from five artists whose work is based is based on the concept of movement, repetition and their focus on the creative process, hence the title, R.P.M. Revolutions Per Minute.

Surface Tension focuses on a selection of contemporary artists whose approach to abstraction incorporates a range of materials, processes, and techniques — such as sanding, stitching, dying, and layering — to draw attention to the dynamic potential of a painting's surface.

The exhibition entitled «Geneviève Asse, paintings» focuses on the large donation to the Centre Pompidou recently made by the artist, which joins a selection of paintings already belonging to national collections and to various private collectors.

His work is now on view in three widely separated exhibitions: «Under the Westside Highway,» a small show of paintings and drawings focused on a single, expansive triptych, at the Aldrich Contemporary Art Museum in Ridgefield, Conn.; «Onsite Paintings, 1972 - 2008,» a retrospective display of 25 paintings at the Parrish Art Museum in Southampton, N.Y.; and «Rackstraw Downes: A Selection of Drawings, 1980 - 2010» at the Betty Cuningham Gallery inpaintings and drawings focused on a single, expansive triptych, at the Aldrich Contemporary Art Museum in Ridgefield, Conn.; «Onsite Paintings, 1972 - 2008,» a retrospective display of 25 paintings at the Parrish Art Museum in Southampton, N.Y.; and «Rackstraw Downes: A Selection of Drawings, 1980 - 2010» at the Betty Cuningham Gallery inPaintings, 1972 - 2008,» a retrospective display of 25 paintings at the Parrish Art Museum in Southampton, N.Y.; and «Rackstraw Downes: A Selection of Drawings, 1980 - 2010» at the Betty Cuningham Gallery inpaintings at the Parrish Art Museum in Southampton, N.Y.; and «Rackstraw Downes: A Selection of Drawings, 1980 - 2010» at the Betty Cuningham Gallery in Chelsea.

This show presents a small, focused selection of new paintings by Barrie Cooke, Felim Egan, Mark Francis, Maureen Gallace, Callum Innes, Elizabeth Magill, Sean Scully and Paul Winstanley.

Jasper Johns: Seeing with the Mind's Eye will be installed roughly chronologically, beginning with a selection of Johns's first mature paintings, drawings, sculptures, and prints from the 1950s and 60s, focusing on one of his most iconic early subjects: numbers.

The selection looks faultless, with an all - out focus on the early Surrealist - influenced sculpture; the inclusion of later masterworks such as the spectral painting of Jean Genet (1954 — 55); and not too much bronze anorexia.

The exhibition focuses on these aspects of his artistic practice, and presents 18 watercolors, 18 ink on paper works, as well a selection of painted vases and vessels in porcelain.

The selection of works focuses on the artist's landscape painting which, utilising the monuments of the road, is rooted in a collective American experience.

In Honor of John Chamberlain, Willem De Kooning, Dan Flavin, Jasper Jones, Donald Judd, Malcolm Morley, Frank Stella, Xavier Fourcade, New York, NY, USA Focus on the Image, Selections from the Rivendell Collection, Phoenix Art Museum, Phoenix, AZ, USA, travelled to University of Oklahoma Museum of Art, Norman, OK, USA; Munson - Williams - Proctor Institute, Utica, NY, USA; University of South Florida Art Galleries, Tampa, F L, U S A; Lakeview Museum of Art and Sciences, IL, USA; California State University Art Museum, Long Beach, CA, USA; Laguna Gloria Art Museum, Austin, TX, USA Europa / Amerika, Museum Ludwig, Cologne, Germany Origins, Originality and Beyond: The Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia An American Renaissance in Art: Painting and Sculpture Since 1940, Ft.. The Barry Lowen Collection, Museum of Contemporary Art, Los Angeles, CA, USA Selections from M O C A's Barry Lowen Collection, Mandeville Art Gallery, University of California, San Diego, CA, USA A propos de dessin, Galerie Adrien Maeght, Paris, France

The exhibition at the Musée de l'Orangerie focuses on this precise moment - when the great decorations of the master of Giverny were rediscovered and the New York School of Abstract Art was recognised - with a selection of some of Monet's later works and around twenty major paintings by American artists such as Jackson Pollock, Mark Rothko, Barnett Newman, Clyfford Still, Helen Frankenthaler, Morris Louis, Philip Guston, Joan Mitchell, Mark Tobey, Sam Francis, Jean - Paul Riopelle and Ellsworth Kelly.

Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons.

A room of his new paintings was included in the most recent Venice Biennale, and in 2007 a Focus exhibition at the Museum of Modern Art in New York showed a selection of his work from their permanent collection.

Featuring a selection of works from 2008 to 2014, this exhibition will have a particular focus on McKenzie's recent paintings of windows, which emphasize architecture, geometry, pattern and surface.