Sentences with phrase «folk craft as»

Reut Avisar's multidisciplinary practice deals with culturally loaded, symbolic artifacts, objects and folk craft as they appear in tourism culture and its different manifestations.

Not exact matches

With combinations of beachy folk music, blues - inspired acoustic ballads and even forays into gospel, Ben Harper has crafted a career as one of popular music's most eclectic artists.

And through our craft, to cultivate a more empathetic and understanding society by revealing intimate truths that serve as a forceful reminder to folks that when they feel broken and afraid and tired, they are not alone.

Prophetic Preaching: A Pastoral Approach by Leonora Tubbs Tisdale (a couple others I've enjoyed by this author are A Sermon Workbook: Exercises in the Art and Craft of Preaching as well as Preaching As Local Theology and Folk Aras well as Preaching As Local Theology and Folk Aras Preaching As Local Theology and Folk ArAs Local Theology and Folk Art)

As a reward, they are greeted and entertained by friendly folk, treated to entertainments and craft demonstrations, and offered artwork at prices that tend toward steep but are, in fact, in line with the costliness of everything on any island.

As a business dedicated to crafting vibrant, «gut friendly» vegetable and fruit flours, the folks behind Anti-Grain aim to revitalize the foods we, Paleo - fiends, love.

As mid-size and larger craft brewers continue to bring on veteran sales and marketing folks from within and without the beer industry, a troubling trend is emerging in the way craft beer is sold and marketed — and a lot of that has to do with the way we talk about beer and our customers.

The first years of the River Trails Park District consisted of programs such as ice skating, arts & crafts, square dancing, gymnastics, basketball, volleyball, folk guitar and Halloween themed activities.

i'll always be creating and crafting as much as i can — with or without the shop — but the fact that i can do it for a living, support our family, and connect with folks all over the world through my craft?

Outlaw has established itself as a trusted provider of a well - run craft fair and I'm hoping they continue — they've got the makings of a great business, supporting and bringing Cornish designer - makers to the wider craft scene and general public, as well as encouraging and inspiring more folk to get crafty.

As a folk art style craft project, they are often seen for sale for surprising prices in Christmas themed ornament stores.

Luna founded Craft of Charisma as a means to help folks get through their anxiety and master dating.

With an (estimated) 35 million unique monthly users, Match.com has the largest active membership of all the dating sites out there - and for good reason, however with some caveats: it's geared more towards folks looking for long term relationships, you'll want to carefully craft your profile to focus on such, and make sure you carefully review all emails for potential romance scams, as Match seems to attract more than their fair share of mysterious strangers trapped in Nigeria.

Just when I thought that the days of great 3D animated features were coming to a point where they just were going to be nothing but regurgitations of things that have come before, I can thank Bird, as well as the technical brilliance of the folks at Pixar, for shattering my preconceptions, by crafting yet another classic to be revisited time and again, now and for future generations.

Long popular with the local expat community for the brochetas, seafood, and central location, the restaurant began as a folk arts and crafts space in 1982.

Ancient crafts such as folk dancing, folk songs and net - weaving are still widely practiced in certain regions as is the production of Pálinka, a potent and extremely popular fruit brandy which comes in a variety of flavours including apricots, pears and plums.

Let's just get the graphics out of the way first, as much talk of this game before its release was because of the new proprietary game engine crafted by the folks at Ubisoft Montreal, named «Dunia».

LOS ANGELES — The Craft & Folk Art Museum (CAFAM) presents Paperworks, an exhibition that examines the range of work by fifteen contemporary artists with strong ties to Los Angeles who use paper as their primary medium.

Sometimes, Postmodernism has celebrated the change, as erasing a loaded distinction between fine art and folk art, craft, or «a woman's work.»

It was founded in 1965 by artists Edith R. Wyle (actor Noah Wyle's grandmother) and Bette Chase as a commercial gallery and cafe called the Egg & the Eye, showcasing contemporary crafts and ethnic folk art.

She has curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, as well as Kala Art Institute, ProArts, SOMArts and other Bay Area venues.

The twins often incorporate masks, instruments, and musicians in their work as a way to visualize the folk customs, festivals, and crafts that represent the myriad of cultural influences that make up the social and cultural landscape.

These patterns are derived from craft, folk art, and twentieth - century design, as well as advertising, techniques of display, fashion, and art historical moments.

As a curator, critic, and educator, she has been a Lecturer in art practice, history, and theory at Otis College Graduate Public Practice Program, San José State University, College of Marin, and UC Berkeley; curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTablAs a curator, critic, and educator, she has been a Lecturer in art practice, history, and theory at Otis College Graduate Public Practice Program, San José State University, College of Marin, and UC Berkeley; curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTablas a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTable.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Ortiz has also collaborated with institutions such as New Langton Arts, San Francisco; Teorética, San Jose, Costa Rica; the Museum of Craft and Folk Art, San Francisco; and Tate Modern, London.

Kelley's use of a folk craft technique traditionally associated with women, children and the domestic sphere can be thought of as a feminine, crafted and kitsch response aimed at subverting the painted ejaculations of the Abstract Expressionists.

Along the way they helped transform ceramics» reputation as a strictly traditional, craft - based medium — often regarded as primitive, or assigned to the realm of folk art — into a sophisticated form capable of complex expression.

A group show — described as a «time capsule» of 2015 — gathers work by a variety of (mostly L.A.) artists both new (such as performance artist EJ Hill) and long - running (assemblagist Timothy Washington, who recently had a solo at the Craft & Folk Art Museum in Los Angeles).

As a result of our efforts and an evolved thinking towards craft, there are a lot of folks specifically interested in craft arts and collecting of craft.

Most recently she served as Director / Curator at the Museum of Craft and Folk Art in San Francisco, where she brought a contemporary program to a 25 - year old institution — most notably receiving Warhol Foundation funding to commission new works.

The Museum maintains an ambitious program of changing exhibitions annually, embracing a wide range of subjects, both historical and contemporary and including folk art, contemporary craft, multi-disciplinary installations, community - based work, as well as traditional media.

As they are not quite gestural abstraction, «flat» modernism or craft they blue the definitions of «fine art» and «folk art.»

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

She is currently serving as a guest curator for exhibitions at the Caribbean Cultural Center African Diaspora Institute, the Lyme Academy College of Fine Arts, the McNay Art Museum, Grounds For Sculpture, the Craft and Folk Art Museum, and the Cincinnati Contemporary Arts Center.

It has been designated as a UNESCO Creative City in Design, Crafts and Folk Art.

About Blog Old Growth Alchemy began as a way to share illuminations of ongoing study in folk herb craft, lore, story, and traditional witchery through interaction with the sensuous, animate earth.

As always, the Barn Light Electric folks put tons of time and care into crafting their items and these stunners are certainly no exception.

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As it appears, folks aren't really into crafting for Christmas in July.