Not exact matches
The
audience reaction was so strong that you couldn't hear any of the dialogue in the
following scene over the hollering.
Audiences who
followed the case and saw Armstrong's
reactions and response to the allegations, might feel the documentary is simply treading over worn ground; a sentiment our own Oliver Lyttelton took note of in his review of the movie's premiere at the Venice Film Festival.
Egoyan's films often
follow non-linear plot - structures, in which events are placed out of sequence in order to elicit specific emotional
reactions from the
audience by withholding key information.
This year's Sundance coverage, like all film festival coverage before it, seemed to take special note of
audience reactions to the entries — the tears shed at the Roger Ebert documentary Life Itself; the standing ovation that
followed the premiere of Zach Braff's Kickstarter - funded Wish I Was Here, etc..
It
follows this learning journey: Defining and exemplifying each of the features of tragedies; Inspecting the play, identifying and analysing Russell's use of the features of tragedies throughout; Understanding the writer's intentions and the anticipated
audience reactions through some of the features of tragedies; Creating a mind map demonstrating the effectiveness of the features of tragedy upon the
audience; Applying their understanding of the features of tragedy in the play to a storyboarding activity; Self - evaluating their learning in the lesson.