Sentences with phrase «following couple of movies»

Now that Avengers: Infinity War is out and breaking the web with information, and the following couple of movies had been introduced, what's subsequent for Marvel Studios?

Not exact matches

While searching for Choi, Shin also was kidnapped, and following five years of imprisonment, the couple was reunited by the movie - obsessed Kim, who declared them his personal filmmakers.

«World War Z» is a decent «PG - 13» night at the movies, perfect for a group scare and a couple of follow - up nervous laughs.

Downsizing (* 1/2) Filmmaker Alexander Payne (Sideways) and writing partner Jim Taylor turn the quirk factor up a notch and forget to add substance and emotion to this one - joke movie about a couple (Matt Damon, Kristen Wiig) that wants to follow the trend of downsizing into 5 - inch humans and living in a private utopian community.

The first hour of this movie follows Chris Washington and Rose Armitage, a young couple who spend a catastrophic weekend with Rose's white and wealthy family.

Following the story of a wannabe rock - and - roll band, the movie may leave the impression that a boyfriend and girlfriend have an on going sexual relationship, and later implies that an unmarried couple are heading into a hotel room for that purpose.

... In a couple of other Marvel bits and pieces, Kevin Feige has teased the whereabouts of Brie Larson's Carol Danvers in the MCU following her 1990s - set Captain Marvel solo movie, while some new set photos from Ant - Man and the Wasp have arrived online giving us a glimpse of Paul Rudd's Scott Lang in his updated Ant - Man suit...

But the press release did offer up a couple more eyebrow raising bits of casting for a monster movie that seems to be following the «Pacific Rim» playbook to a certain degree.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysCOUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the myscouple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love, loss, memory and the mystical.

But mostly my head has remained a jumble of criss - crossed movie thoughts, so in the effort to get unstuck, I'm just blurting out a handful of random ones, a couple of which might feel familiar if you follow me on twitter.

We just mentioned The Girl on the Train earlier today when talking about the Liam Neeson movie The Commuter — Girl is based on the novel of the same name by Paula Hawkins, and follows a woman whose problems haunt her after she is pulled into a mystery involving a couple that she imagines to enjoy the perfect marriage.

The movie follows a couple who are separated by death; the deceased man haunts his lover, then, when she moves on, the future inhabitants of his house.

The deleted / extended bits are as follows: Andy Samberg (4:12) on Bob Dylan, Aziz Ansari (1:42) on acting and Twitter, alternate Reggie banter (0:39), Medi - Ship complications (1:06), Fabrice Fabrice (4:21) performing a poem on a lost city, Anna Kendrick (1:47) recalling her Tony nomination as a 12 - year - old and eating a cat's liver, Rodney Waber (5:34) dishes more Harrison Ford gossip, dances, and reveals a senior citizen ticket price trick, David Cross (2:49) talks talking animals and white toilets, Senator Dewhurst (3:14) confesses strange sex dreams about his aunt and his plan to drive drunk, Zoe Saldana (2:03) answers questions about movies and acts out a Jerry Maguire reboot, «Garry Marshall» (1:19) explains why he's done with movies, Gillian Jacobs (1:38) discusses the ghost of Christopher Marlowe and the conflict in Nebraska, Chef Emeril Lugosi (0:34) endures a pun about sun - dried tomatoes, Andy Richter (4:59) delivers a kid - friendly version of «The Aristocrats» joke, pulls a gun after not answering a fart question (a task handled by Andy Samberg on the show itself), and responds to the 1990s TV movie The Shining, Tom Perdy (0:44) shows off a couple of additional cartoons.

The original «Odd Couple» television series, which ran from 1970 - 75, is a hard - to - follow classic but, given that it was an adaptation to begin with (of a 1968 movie starring Walter Matthau and Jack Lemmon, which itself was based on a Neil Simon play) the show is not sacrosanct.

Following the life of a young bear and a wounded Kodiak who are being hunted by humans, the movie uses amazing wildlife footage to tell a story that actually makes it look like the bears are a couple of cooperative actors.

A couple of its more peripheral niche sections — Midnight Madness (genre movies from horror to martial arts, presented with plenty of showmanship) and Wavelengths (experimental film, meticulously presented with care and respect)-- have carved out strong identities and audience followings for themselves.

The movie centers on a young couple living in a world following the spread of a virus that has killed all of the world's women.

The rest of the picture can be filled in as follows: Keira Knightley and Chiwetel Ejiofor, who play newlywed couple Juliet and Peter, contend with the latent feelings of Peter's old friend Mark (Andrew Lincoln); Martin Freeman and Joanna Page, body doubles in movies who find attraction to one another while staging sex scenes; Alan Rickman and Emma Thompson, a longtime married couple now face a crisis in the wake of Karen (Thompson)'s discovery of an affair her husband is potentially having with a coworker; Hugh Grant's Prime Minister, the most self - deprecating individual ever to find himself in a position of such power, can't help but feel attracted to one of his secretaries even after her indiscretion with the sleazy U.S. President (an absolute waste of Billy Bob Thornton's time).

A couple of nights in it saw me using all the generous cargo space on a supply run for the family restaurant and then the following night I hauled five people to the movies in a snow storm.

Couple of interesting tidbits: The first comes courtesy of an animator at Pixar, who tweeted twenty - two rules of storytelling that the company follows for their movies.

I was more than capable of following the couple of DC movies I've watched, despite having never viewed more than a meager handful of JL episodes.

But whether your boudoir is more Sex & The City, Season 5 (mostly single), or SATC: the Movie (mostly coupled), there are some basic rules of boudoir chic to follow.