In 2014, Genzken had a huge retrospective at the Museum of Modern Art in New York,
following survey exhibitions in 2009 at Museum Ludwig in Cologne (Germany) and 2010 at Museion Bolzano (Italy).
Castelli Gallery (New York) returns with significant works by pioneering US artists Richard Artschwager, Roy Lichtenstein and Keith Sonnier, while The Mayor Gallery (London) presents a solo by François Morellet (1926 - 2016), French painter, sculptor, and light artist —
following his survey exhibition at Dia: Chelsea and Dia: Beacon (New York).
Not exact matches
U.S. manager Don Clark, looking forward to his two - game
exhibition invasion of the U.S.S.R. which is due to
follow the tournament, sadly
surveyed his handful of survivors and cracked, «This is probably the most battered army that ever marched on Moscow.»
Tracey Emin (b. 1963, London, UK) has recently exhibited her work in the
following solo
exhibitions: Surrounded by you, Château La Coste, Aix - En - Provence, France (2017), Angel without You, Miami MoCA, Miami, USA (2014) and a major
survey exhibition Love Is What You Want, Hayward Gallery, UK (2011).
The Denver Art Museum will mount a traveling mid-career
survey in the Spring of 2018, to be
followed by a smaller solo
exhibition at the Ruth and Elmer Wellin Museum of Art in the fall of 2018.
This presentation
follows the artist's recent major European
survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo
exhibition of his work in the city.
Following her death, several
exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international
exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major
survey at the Centre Georges Pompidou, Paris (2012).
Following this conversation, John Akomfrah and Gary Carrion - Murayari, Kraus Family Curator, will discuss «John Akomfrah: Signs of Empire,» the first American
survey exhibition of the work of the legendary British artist, film director, and writer.
His
exhibition currently on view at SCAD will be
followed by a major
survey at Perez Art Museum Miami later this year (the
exhibition, Sun Splashed, received a grant of $ 100,000 from The Andy Warhol Foundation back in February) and comes off the heals at his solo
exhibition at the Louisiana State University Museum of Art last year.
Alex Katz: Present Tense is the artist's fifth
exhibition with Richard Gray Gallery and
follows a year of large scale museum
surveys at the High Museum of Atlanta, the Guggenheim Museum Bilbao, and the Colby College Museum of Art.
«This comprehensive
exhibition follows Tillmans» recent major
survey at Tate Modern in London.
Preparing for her two - venue
exhibition, Safe House, which will conjointly open at Jack Shainman Gallery and Mary Boone Gallery on November 9, Abney was on a strict creative regiment to implement final touches to her first solo presentation
following Royal Flush, a touring mid-career
survey organized by the Nasher Museum of Art at Duke University.
Following his 2011 showcase with Modern Art Museum of Fort Worth, Brian Donnely KAWS is back in Texas with a major
survey exhibition of his work.
This
exhibition follows a recent major
survey exhibition, Viennese Actionism: Art and Upheaval in 1960s Vienna at Museum Moderner Kunst Siftung Ludwig, Wien.
The
exhibition then
surveys the
following six notable steps in the history of the art / thing challenge.
This
exhibition is the second to appear at Bridget Donahue's new space on the Bowery,
following a monographic
survey of the artist and filmmaker Lynn Hershman Leeson, another heretofore overlooked artist pioneering in extreme multimediality.
Following his 2011 showcase with Modern Art Museum of Fort Worth, KAWS (cover artist of our May 2016 issue) is back in Texas with a major
survey exhibition of his work.
Born in the Belgian Congo, Kingelez gained international renown
following his participation in the landmark 1989
exhibition Magiciens de la Terre at Centre Georges Pompidou and the Grande Halle of the Parc de la Villette, and since that time, his work has been included in numerous global
surveys and in several solo presentations.
Numerous solo and group gallery and museum shows that
followed culminated in a
survey exhibition curated by Julie Joyce at the Santa Barbara Museum of Art in 2011, which drew widespread critical acclaim.
They'll be initiating the partnership with Brooklyn - based artist Clement Valla «s Surface
Survey exhibition, opening at TRANSFER April 19 and running to May 10, to be
followed up by a new one at XPO Gallery next year.
The first of the
exhibition series, Faceless I, was held with success last summer, working with the theme of «facelessness» in a
survey of the emergence of hiding, veiling or masking the face in art and fashion
following 9/11.
This is the artist's fourth solo
exhibition at the gallery and
follows highly acclaimed
survey shows at Moderna Museet, Sweden; Camden Arts Centre, UK and Aspen Art Museum, USA.
The Barbican's
survey of post-war Japanese architecture — a
follow - up to «The Surreal House»
exhibition of 2010 — focuses on these developments.
Since 2000 the artist has held large - scale
exhibitions surveying aspects of his work from 1968 - 2005 at the
following museums and galleries: Kunstmuseum Singen, Germany; Kunstmuseum Baselland, Basle, Switzerland; Stiftung fur Konkrete Kunst, Reutlingen, Germany; Australian Centre for Contemporary Art, Melbourne; the Art Gallery of Western Australia, Perth; and works from 2006 - 2007 TarraWarra Museum of Art, Healesville.
Recently, Zittel has had significant museum
surveys at Magasin 3, Stockholm in 2012 and Schaulager, Basel in 2009, which
followed an extensive touring
exhibition «Critical Space,» 2006 -2007 which traveled to the Contemporary Arts Museum Houston; New Museum, New York; Albright - Knox Art Gallery, Buffalo; Museum of Contemporary Art, Los Angeles; and Vancouver Art Gallery.
This
exhibition,
following the Kemper Art Museum's 2011
exhibition Island Press: Three Decades of Printmaking, presents a
survey of artworks created in the last decade by over a dozen visiting artists, including Radcliffe Bailey, Orly Genger, Trenton Doyle Hancock, Nina Katchadourian, Dario Robleto, James Siena, and Paula Wilson, among others.
An
exhibition of the foundation's «gems» will open April 17,
followed by a career - spanning
survey of Díaz's work in October.
Following its successful debut last year, Art Basel Miami Beach's
Survey sector returns and will present 14
exhibitions of art work made before 2000.
The
exhibition at the gallery
follows his recent
survey at the Centre Georges Pompidou, Paris and his inclusion in Viva arte viva at the 2017 Venice Biennale.
The
exhibition marks the extension of Pace's temporary Menlo Park gallery, located in the former Tesla headquarters, and
follows surveys of Alexander Calder and Tara Donovan.
Following on last year's successful inaugural
exhibition at the Southampton Art Center, the New York Academy of Art presents its second blockbuster
exhibition in the Hamptons, a major
survey of contemporary portraiture.
«This latest edition to Phaidon's Themes and Movements series
follows hot on the heels of the 2005
exhibition catalog and succeeds in adding depth to the existing
survey literature.»
Following an extensive
survey exhibition of steel sculptures at Musee des Beaux - Arts in Angers (24 May — 21 September 2008) this
exhibition will be formed in three parts: The Barbarians, Trojan War, and Kenwood sculptures at Calais, Sculptures in Steel (1960 - 2006) at Dunkerque and Paper Sculptures and «dialogues with architecture» at Gravelines.
While the title of the
exhibition seems to indicate a
survey across the decades, the MCA seems to be
following its program once called «Artists in Depth,» a not very thrilling title for a nonetheless interesting series of presentations that showed a number of an artist's works.
In 1995, a major
survey of his work took place at the Castello di Rivoli Museum of Contemporary Art in Turin,
followed by solo
exhibitions at the Museum Moderner Kunst Stiftung Ludwig, Vienna, in 1997, the Neuer Berliner Kunstverein, Berlin, and the Haus der Kunst, Munich, in 2000.
The 2005
exhibition I curated of the work of Ron Gorchov — it was the first comprehensive
survey of his work, and it led to an solo
exhibition at MoMA PS1 the
following year — is one of the shows I'm proudest of.
Following the gallery's recent
survey of Alberto Giacometti's pre-war sculptures in London, and a show of César's works from the 1960's in New York, MELODRAMA is the third
exhibition in Luxembourg & Dayan's season of sculptural investigations, a project that traces the blurry line that lies between materiality and imagination in the realm of sculpture.
It is the artist's first
exhibition in New York since his landmark 2011
survey at the Solomon R. Guggenheim Museum, and
follows his 2014 solo presentation of twelve site - specific works created for the Château de Versailles.
Second Nature represents the first
survey of Los Angeles sculpture from this period — and a bigger commitment to sculpture for the Hammer,
following the museum's significant 2005
exhibition Thing: New Sculpture from Los Angeles, in which several of the artists in Second Nature made an appearance.6 It also marks a sort of «snapshot,» as Valentine describes it, of a decade of exceptional, medium - intensive artistic production in Los Angeles.7
The central work in Sietsema's recent traveling
survey exhibition, the film presents five sequences that explore configurations of found objects — including an envelope, a typewriter, coins, an inbox, Roman glassware — each
following a structure that concludes with an image of a composed tableau.
«
following on from his solo show at Tate Modern this
survey exhibition fills this special space with much room for the works to breath - illuminating.
The
exhibition follows a 25 - year
survey of the artist's work at the Whitechapel Gallery in London.
Zarobell notes that Fourth World
follows a
survey of contemporary photography from Mexico: «Taken together, these
exhibitions make SF Camerawork preeminent in presenting contemporary Latin American photography in the Bay Area.
It is the artist's first
exhibition in Hong Kong after his landmark 2011
survey at the Solomon R. Guggenheim Museum, and
follows his 2014 solo presentation of twelve site - specific works created for the Château de Versailles.
The
following year he participated in documenta 5 and would go on to contribute major works to three subsequent stagings of this important international
survey exhibition.
He participated in the «International Surrealist
Exhibition» in London in 1936, and in the
following year contributed to Circle: International
Survey of Constructive Art.
Following his first one - man
exhibition at the Nigel Greenwood Gallery in London in 1980, he rapidly established an international reputation exhibiting world - wide in many of the major
survey shows of the decade, such as Zeitgeist, Berlin 1982 and Avant - garde in the eighties, Los Angeles 1987.
Following the conversation, there will be a book signing and celebration for the
exhibition catalogue Zoe Leonard:
Survey.
The largest Bruce Nauman
exhibition in Europe since 1998, this
survey follows the American artist's understated yet commanding occupation of Tate Modern's Turbine Hall last year and takes as its focus the artist's ongoing investigations into the human condition.
Following the 2010 solo
exhibition of Lee Ufan and the subsequent
survey of Mono - ha in 2012, Blum & Poe expanded its exploration of the artistic contexts in which Lee Ufan worked.