Sentences with phrase «following the group exhibition of»

Wednesday night the MFA and Big Red & Shiny were proud to present the Odd Spaces panel discussion at the MFA Boston, following the group exhibition of performance art curated...

Not exact matches

He has also participated at group exhibitions at the following institutions: The Hammer Museum, Los Angeles, California (2014); The National Museum of Norway, Oslo, Norway (2014); The New Museum, New York, United States (2013); The Palais de Tokyo, Paris, France (2012), among many others.He has participated in various biennials, including: The Sharjah Biennial 12, Sharjah, United Arab Emirates (2015 & 2007); The 30th Biennial of Graphic Arts, Ljubljana, Slovenia (2013); The XIV International Biennial of Sculpture, Carrara, Italy (2012); The 9th Gwangju Biennale, Gwangju, South Korea (2012); Whitney Biennial, New York, United States (2006); Sao Paulo Biennial, Sao Baulo, Brazil (2006); 2nd Guangzhou Trienal, Guangzhou, China (2005); The 50th Venice Biennale, Venice, Italy (2003 & 1999); The 7th International Istanbul Biennial, Istanbul, Turkey (2001), among others.

Following her first individual and group exhibitions in Brisbane from 1986, Georgetti held solo shows at the Museum of Contemporary Art, Brisbane, 1988; Institute of Modern Art, Brisbane, 1989; Store 5, Melbourne, annually from 1990 - 93; 200 Gertrude Street (now Gertrude Contemporary Art Spaces), 1993; and Contemporary Art Centre of South Australia, Adelaide, 1994.

rosenfeld porcini presents L'Âge Mûr, a first UK solo exhibition of Italian artist Nicola Samorì, which follows his initial participation in the sculpture exhibition Memory and in The Continuation of Romance, a group exhibition exploring the renaissance of painting in contemporary art.

Around Drawing is rosenfeld porcini's fifth themed exhibition, following WOOD, which grouped four artists who all sculpt with wood, yet use the medium in diverse ways, both technically and from a narrative point of view.

In 1998, he had his first one man show at the Kamakura Gallery, and his work has been featured in the following group exhibitions: 2010, «assembling» vision's, Ningyo - cho; 2010, A-Thing; 2009, «The Dream of Cybord», Art Trace Gallery, Ryogoku; A-THing2006, The 3rd Fuchu Biennial «On Beauty and Value, Seven Artists of Post-Bubble Generation» Fuchu Art Museum.

This is the first solo exhibition for the artist in New York City, following the success of his participation in SEFA's group exhibition: Beyond the Ban: Contemporary Iranian Art.

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presegroup exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presegroup exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be preseGROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presegroup exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

IL LEE in the following group exhibition: On, Of or About: 50 paper works Curated by Timothy Woolsey and Mary Mikel Stump September 22 - October 22, 2009 Texas State University San Marcos, Texas Participating artists: DL Alvarez, Jaq Belcher, Joe Biel, Astrid Bowlby, Val Britton, Lynne Clibanoff, Annabel Daou, Louise Despont, Brian Dettmer, Leonardo Drew, Will Duty, Adam Fowler, Jacob El Hanani, Roland Flexner, Sabine Friesicke, Alexander Gorlizki, Victoria Haven, Gloria Ortiz - Hernandez, Christine Hiebert, Kristiina Lahde, Jayne Lawrence, Il Lee, Mona Marshall, Christopher McNulty, Jill Moser, Renato Orara, Gloria Ortiz - Hernandez, Justin Quinn, Laurie Reid, Charles Ritchie, Viviane Rombaldi - Seppey, Sebastian Rug, Eduardo Santiere, Mark Sheinkman, Jeffrey Simmons, Brent Sommerhauser, Stephanie Strange, Randy Twaddle, Liz Ward, Lynn Woods Turner, Will Yackulic, Daniel Zeller, Eric Zimmerman

LeWitt, Nevelson, Pendleton extends Pace's ongoing series of group exhibitions that initiate conversations between artists working across time periods, geography, and media, following such significant exhibitions as Blackness in Abstraction (2016), Sol LeWitt and Zhang Xiaogang (2016), Alfred Jensen / Sol LeWitt: Systems and Transformation (2012), Light, Time and Three Dimensions (2007), Dubuffet and Basquiat: Personal Histories (2006); and Grids: Format and Image in 20th - Century Art (1979).

The following year, Vézelay was invited to join the group Abstraction - Création and exhibited in several significant pioneering exhibitions of non-figurative art in France, Italy and Holland and this work demonstrates her move away from the Surrealist influence of her former partner, André Masson, towards pure non-objectivity.

In Part 2 of Common Threads, we follow a line from Edward Shalala's photographs in the previous post to his tangible work in the group exhibition,

The exhibition invites you to follow a small group of teens at a rave concert.

His groundbreaking carving technique — which forms the basis of the Scratching the Surface project and was first presented to the public at the VSP group exhibition in Lisbon in 2007 and at the Cans Festival in London the following year — , has been hailed as one of the most compelling approaches to art created in the streets in the last decade.

Satoshi Hirose / group exhibition «Forest of Expression: Art as a Communal Act» July 22 — September 25, 2016 Arts Maebashi Gallery, Gunma, Japan For more information, please visit the following link.

Kishio Suga ・ Mika Ninagawa / group exhibition «TAKAHASHI COLLECTION» July 16 — September 25, 2016 Kanaz Forest of Creation, Fukui, Japan For more information, please visit the following link.

Following the critical and widespread popular acclaim of her recent retrospective exhibition at the Institute of Contemporary Art in Philadelphia, this exhibition presents a concise group of works completed during the 1970s — offering an in depth look at Andrade's striking technical and formal explorations from this period.

With almost 100 works on display, this mammoth exhibition has been expertly curated in a manner that doesn't follow the traditional chronological route; «The works are grouped into key sequences, allowing connections and common themes to emerge and to promote a comprehensive understanding of Jones's wide - ranging artistic practice.»

Bas» work has been exhibited in many international solo and group exhibitions including the 2007 retrospective at the Rubell Family Collection in Miami, FL, which then traveled to the Brooklyn Museum of Art the following year.

Horton's work has been featured recently in the following group exhibitions: Beautiful Fictions, Art Gallery of Ontario, Toronto (2009 - 2010), My Evil Twin, MacKenzie Art Gallery, Regina (2009), Toy Void, Münchner Kammerspiele, Munich (2008), Stutter and Twitch, Bard College Museum, Annandale - on - Hudson, New York (2007), Beyond / In Western New York, The Albright Knox Art Gallery, Buffalo, New York (2007) and We can Do This Now, The Power Plant, Toronto (2006 - 2007).

After graduating, her work was exhibited in several group shows, including at Debs & Co., New York in 1999, which also hosted her first solo exhibition the following spring, entitled «Buster - Jangle», a collection of paintings based on photos of atomic bomb tests from the 1950s that Garnett found on the web after they were released by the US government under the Freedom of Information Act.

«Au diapason du monde» (In tune with the world) A New Selection from our Collection Ever since the first exhibition of emblematic works from its collection, during the 2014 inauguration of the building designed by Frank Gehry, Fondation Louis Vuitton has regularly exhibited different selections of works following the Collection's four distinct predetermined categories: Contemplative, Expressionist, Pop, Music & Sound (2014/2016), or groups of works from specific events dedicated to China (2016) and Africa (2017).

This international group show will be the Museum's first major exhibition following the unveiling of the new museum building.

Numerous solo and group gallery and museum shows that followed culminated in a survey exhibition curated by Julie Joyce at the Santa Barbara Museum of Art in 2011, which drew widespread critical acclaim.

In 1937, his work had its first international showing in London, followed by his frequent appearance in group exhibitions of Canadian art in the United States and Europe.

In one of his letter home, one of the many young Americans that traveled to Paris wrote the following regarding the third Impressionist group exhibition in the spring of 1877

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

Her work has been the subject of solo exhibitions at Kristen Lorello, NY, and Saskia Fernando Gallery, Colombo, Sri Lanka, and included in the following group exhibitions: Plus One, curated by Melanie Kress, Sideshow Gallery, Brooklyn, NY, [Old / New] Psychedelic Providence, curated by Jamilee Lacy and sponsored by Providence College Galleries, Tiger Strikes Asteroid, Chicago, IL, and You Don't Bring Me Flowers, curated by Quang Bao, 68 Projects, Galerie Kornfeld, Berlin, Germany.

Curator Dean Daderko, who included Merris in the Contemporary Arts Museum Houston 2013 group exhibition Outside the Lines, explains the artist's approach as follows, «Through his various experiments with painting, abstraction, nature and culture, Merris» sense of play and curiosity is palpable and contagious, arousing and satisfying our curiosity.

His work has been included in group exhibitions, such as «Pattern: Follow the Rules,» at the Eli and Edythe Broad Art Museum, Lansing, MI; «east EX east,» Brand New Gallery, Milan, Italy; the 2004 Whitney Biennial, Whitney Museum of American Art, New York, NY; in «Paul Clay» at Salon 94, New York, NY; Museum of Fine Art Houston, Houston, TX; the Institute of Contemporary Art Boston, MA; the San Francisco Art Institute, San Francisco, CA; «International Paper,» UCLA Hammer Museum, Los Angeles, CA; and in the Drawing Biennial at the Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC.

In 1937, the Delphic Gallery, New York held her first solo exhibition and subsequent group exhibitions followed including «Contemporary Decorative Art», The Toledo Museum of Art, (1939), «Miscellaneous Textiles», Addison Gallery of American Art, Andover, MA (1948) and «Wall Hangings and Rugs», The Museum of Contemporary Crafts, New York (1957).

Exhibitions at Tate Britain, the Royal Academy of Arts, and the Centre for Contemporary Art (both solo and group) followed.

A group exhibition of all entrants will be held online at the Contemporary Art Gallery Online for thirty days immediately following the close of the competition..

Matisse / Diebenkorn follows the trajectory of Diebenkorn's career, illuminating how this influence evolved over time through different pairings and groupings of both artists» work, as well as a selection of Matisse books from Diebenkorn's personal library that will be included in the exhibition.

Samantha Longhi and Nicolas Chenus of GRAFFITI ART Magazine & OpenSpace Galeri reached out in early 2013 to begin talks on this extensive Graffuturism Paris exhibition, including 4 solo shows to follow the highly anticipated Group show in April.

The date of this inscription is uncertain, but the sum is consistent with 1957 — 59 prices for similar works by Rauschenberg recorded in the papers of the Leo Castelli Gallery in the Archives of American Art, Smithsonian Institution, Washington, D.C. Rauschenberg began showing with Castelli as part of a 1957 group show; a solo exhibition followed in March 1958.

During this exhibition he relocated to New York City, and over the course of the following eight years, created 13 performances and exhibited in five solo shows and more than 60 group exhibitions throughout the United States.

Following Mirrorcity will be the first ever UK retrospective of Belgian artist Carsten Höller, taking place during summer 2015, and a group exhibition involving six individual artists.

Last January 31st, Anna Kustera Gallery took a fresh slice of meaty art with a group exhibition featuring the works of the following: Tomer Aluf, Inna Babaeva, Brian Belott, Julia Bland, Caroline Chandler, Jennifer Coates, Jamian Juliano - Villani, Mark Kostabi, Doron Langberg, Austin Lee, Eric Mack, Nikki Maloof, Liz Markus, Robert Melee, Dave Mike, Sam Pulitzer & Mathieu Malouf, Eric Mistretta, Tameka Morris, Erik Parker, Rachel Schmidhofer, Henning Strassburger, Kianja Strebert and Lee Vanderpool.

The following extract from «The World Backwards» gives some impression of the inter-connectedness of culture at the time: «David Burliuk's knowledge of modern art movements must have been extremely up - to - date, for the second Knave of Diamonds exhibition, held in January 1912 (in Moscow) included not only paintings sent from Munich, but some members of the German Die Brücke group, while from Paris came work by Robert Delaunay, Henri Matisse and Fernand Léger, as well as Picasso.

After studying at Central St Martin's College during the 1990s, David began his artistic development with a small solo exhibition of large scale embroidered canvases at The Approach, followed shortly by an acclaimed group exhibition in 2001 at the Saatchi Gallery.

With a number of both solo and group exhibitions under his belt, Martin is the artist to follow in the current art scene.

Following her MFA at Goldsmiths, London, Papadopoulos shows a new group of works made especially for the exhibition at Zabludowicz Collection.

The exhibition opened on the heels of her solo New York debut at Thierry Goldberg Gallery in May, and was followed by inclusion in «A Constellation,» a group exhibition up now at the Studio Museum in Harlem, where her canvases hang amongst work by peers like Andrew Ross and Cameron Rowland.

The collective Don't Follow the Wind, whose inaccessible, Fukushima - based 2015 group exhibition has been written about before in these pages, is now made accessible via A Walk in Fukushima, 2016 — 17, a 360 - degree video experience of what has been, since the 2011 nuclear - plant disaster, an uninhabitable area, with crafty headsets made in collaboration with artist Bontaro Dokuyama and three generations of a Japanese family who live in a zone deemed «safe to live» by the government but still subject to restrictions due to its proximity to a radioactive locale.

In a follow up to the gallery's critically acclaimed group show «UPRISE / ANGRY WOMEN,» which opened during the week of the 2017 presidential inauguration, exhibition ONE YEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past yeaof the 2017 presidential inauguration, exhibition ONE YEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past yeaOF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past year.

With an intense exhibition program consisting of no less than six solo shows a year, augmented by occasional live performances, Annka Kultys also hosts two group exhibitions annually, one in January with recently graduated artists, enabling them to have a first gallery show following completion of their studies, and one in July organised in collaboration with a guest curator aimed at highlighting new perspectives on young and / or established artists.

SFAQ [Project] Space is now open, following the March 13th opening of Comforter, a group exhibition curated by SFAQ 19 cover girl Petra Collins (on view through April 11).

Each year, Ruberta will play host to one group exhibition involving all of the participating galleries, followed by five successive two - month residencies, one for each gallery.

An excerpt of the work was removed from the National Portrait Gallery's exhibition Hide / Seek: Difference and Desire in American Portraiture following protests by a religious group and conservative politicians.