Sentences with phrase «follows the exhibition drawings»

This catalogue follows the exhibition Drawings from the 16th Century to the Present, the first of several Alumni Who Collect exhibitions.

Not exact matches

London, England About Blog Nadia Attura is a Fine Art Photography Blog talking about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1,344.

A riveting follow - up to last year's Jay DeFeo retrospective at the Whitney Museum, this exhibition of drawings, photographs and photocopies finds this artist moving past her ponderous masterpiece, «The Rose,» in fits and starts.

He has had individual exhibitions at the following institutions: Modern Art Museum of Fort Worth, Texas, United States (2014); Yerba Buena Center for the Arts, San Francisco, United States (2013); Tate Modern, London, United Kingdom (2013); Singapore Art Museum, Singapore (2012); Centre Pompidou, Paris, France, (2012); MoMA (Museum of Modern Art), New York, United States (2012); Bonnierskonsthall, Stockholm, Sweden (2011); Mildred Lane Kemper Art Museum, St. Louis, United States (2009); Drawing Center, New York, United States (2008), among others.

The following selections are drawn from two related bodies of work — the series Unbranded: Reflections in Black by Corporate America 1968 — 2008 (2005 — 08), and Unbranded: A Century of White Women 1915 — 2015 (2015), which are the focus of the exhibition Hank Willis Thomas: Unbranded currently on view at the Block Museum of Art, Northwestern University.

He will also be included in the following upcoming exhibitions: Rock, Paper, Scissors: Drawn from the Joann Gonzales Hickey Collection, Pennsylvania Academy of the Fine Arts, Philadelphia, PA (May... Continue reading →

Following the ideas of impermanence and performance that are central to all of Hugo Crosthwaite's murals, the mural at the Museum of Social Justice will be created over a period of several weeks, and will be destroyed, section by section, as the exhibition draws to a close.

Her latest works from 2013 were included in a selected exhibition of small works on paper touring internationally — The Drawing Box show launched in Mumbai, India and is now touring to Belfast and Dublin and Ireland followed by Malaysia and Italy in 2014.

In conjunction with the Girls» Club exhibition Following the Line, Girls» Club presents an site - specific installation featuring canvas paintings and wall drawings by Miami artist Julie Davidow at PULSE Miami, 1400 N. Miami Avenue.

Following the landmark exhibition, he resumed painting and drawing as a full - fledged creative endeavor.

Around Drawing is rosenfeld porcini's fifth themed exhibition, following WOOD, which grouped four artists who all sculpt with wood, yet use the medium in diverse ways, both technically and from a narrative point of view.

They have enjoyed solo exhibitions in the following institutions: Drawing Center, New York (2008); Akbank Sanat, Istanbul (2008), Centre Pompidou, Paris (2008); Victoria & Albert Museum, London (2006); Haunch of Venison Gallery, London (2006); Palais de Tokyo, Paris (2005); Frankfurter Kunstverein, Frankfurt (2005); Ursula Blicke Foundation, Kraichtal (2004); Rocket Gallery, Tokyo (2004); Cneai, Chatou (2004); Le Rectangle, Lyon (2003): Festival de Chaumont, Chapelle des Jesuites, Chaumont (2003); Rocket Gallery, Tokyo (2003); Y - 1, Stockholm (1999); Le Consortium, Dijon (1996).

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

In line with other recent reappraisals of the culture of the British underground scene (most recently an exhibition of drawings by doomed club kid Trojan at the ICA), Bowie Nights at Billy's Club, London, 1978 forms a revealing portrait a half - forgotten milieu that presaged the cultural trends of the following decades.

Organized by P.S. 1 Director Alanna Heiss and P.S. 1 Senior Curator Carolyn Christov - Bakargiev, this exhibition maps LeWitt's art - making process, from preliminary drawings, followed by precisely crafted wooden models, to completed outdoor cinder block sculptures, with one work rising more than twenty - one feet high.

Concurrently, Lehmann Maupin will present Tracey Emin: I Followed You To The Sun, a two - part exhibition featuring over 100 new works, including a series of new bronze sculptures, paintings and drawings, embroideries and a short film, on view from May 2 to June 22, 2013 at both of its New York galleries.

The installation is intended to be on view for a minimum duration of 15 years, and follows in MASS MoCA's tradition of long - term installations, such as the exhibition of wall drawings by Sol LeWitt.

Following her exhibition at the Lynden Sculpture Garden, her drawings and food detritus will be traveling to the Nevada Museum of Art in Reno for a solo show and her field station will go to the San Jose Museum of Art for Around the Table: Food, Creativity, Community.

A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Janexhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.

The exhibition, Kay WalkingStick: An American Artist, includes more than 65 of WalkingStick's most notable paintings, drawings, sculptures, notebooks, and diptychs, following her artistic career over more than four decades.

Dr Lakra was the subject of a solo exhibition eat the Drawing Center in New York, which followed a show of his work at the Institute of Contemporary Art in Boston in 2010.

Unless, shop of course, sales you're part of a persistent cult following that Dena Woodall, the Museum of Fine Arts, Houston's assistant curator of prints and drawings, has encountered while preparing the first Callot exhibition in nearly 40 years.

Following its premiere at the Berkeley Art Museum, the exhibition will be on view at The Drawing Center from June 22 to July 30.

Numerous solo and group gallery and museum shows that followed culminated in a survey exhibition curated by Julie Joyce at the Santa Barbara Museum of Art in 2011, which drew widespread critical acclaim.

13 Oct 2017 30 Sep 2018 IMMA Collection: Coast - Lines Drawing on the paradox implicit in the word «coastline» - for never has a coast followed a linear course - the title of this exhibition throws a line around a 12 month programme of changing displays of artworks and archival material that will explore our sense of place, perception, representation and memory.

Organized in eight sections, the exhibition proposes a chronological and thematic programme which presents the different aspects of their artistic production of the following mediums: painting, sculpture, and drawing.

Girls» Club's Spring 2013 intern Sofia Bastidas interviews collection artist Jorge Pantoja, featured in the 2012 - 2013 Girls» Club exhibition Following the Line: contemporary drawings from the collection of Francie Bishop Good and David Horvitz, curated by Carol Jazzar, on view November 2, 2012 - Sept 27, 2013.

His work has been included in group exhibitions, such as «Pattern: Follow the Rules,» at the Eli and Edythe Broad Art Museum, Lansing, MI; «east EX east,» Brand New Gallery, Milan, Italy; the 2004 Whitney Biennial, Whitney Museum of American Art, New York, NY; in «Paul Clay» at Salon 94, New York, NY; Museum of Fine Art Houston, Houston, TX; the Institute of Contemporary Art Boston, MA; the San Francisco Art Institute, San Francisco, CA; «International Paper,» UCLA Hammer Museum, Los Angeles, CA; and in the Drawing Biennial at the Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC.

This catalogue follows German and Austrian Paintings of the Eighteenth Century, an exhibition of 41 paintings and drawings from Central Europe.

Following this exhibition, Gagosian Gallery, New York presented «Corpus» in 2006: a large show of drawings spanning twenty - five years of the artist's career, including works dating from Hirst's teenage years, such as «Emma» (1983) and «Study after Delacroix (the Orphan Girl in the Cemetery)» (1981)-- completed by the artist at the age of sixteen.

The exhibition includes a ranting mop, a music box, a sculpture made of twisted plastic that rhythmically drums as it drops water into steel buckets, a whistling tree branch, an amalgamation of sensory organs made from bondo that rises more than 7 feet tall, and a drawing of a record that the artist produced by following the melody of a song with one hand and the rhythm with the other.

Tate Britain's spring exhibition begins at this critical moment in the 19th century, drawing on some 200 works to reveal the dynamic relationship between art and photography over the following 75 year period.

Organized chronologically, this exhibition follows the development of Wesselmann's work, series by series, from the earliest abstract collages to his well - known series, Great American Nude, and still lifes of his pop period to the cut - steel drawings and Sunset Nudes of his late work.

Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main floor.

Following some external impulse, such as any kind of noise visitors of the exhibition make, these machines draw lines on the walls, conjoining modernist concerns of the grid, monochrome and color field through a concept of interaction.

Tuesday — Sunday, December 4 — 9, 2012 In conjunction with the Girls» Club exhibition Following the Line, Girls» Club presents an site - specific installation featuring canvas paintings and wall drawings by Miami artist Julie Davidow at PULSE Miami, 1400 N. Miami Avenue.

Drawing on the extraordinary Princeton University Jewish American Collection, gift of Mr. Leonard L. Milberg, Class of 1953, and Mr. Leonard L. Milberg's personal collection, together with art, objects, and documents from the New - York Historical Society and other collections, the exhibition follows the familiar and unfamiliar pathways taken by Jews to these shores, as well as their efforts to adapt to their new homeland.

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replDrawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he repldrawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he repldrawing by Rembrandt, to which he replied no.

In the red Arena theater, designed (like the rest of the exhibition) by architect David Adjaye, there was a wonderfully lulling Charles Gaines musical performance drawn from his «Notes on Social Justice,» followed by the continuing marathon reading of Das Kapital, the undercurrent of this topical show.

Tracey Emin: I Followed You To The Sun is a two - part exhibition featuring over 100 works of art, including a series of new bronze sculptures, paintings and drawings, embroideries, and a short film.

An exhibition will open in the main gallery of Pratt's Juliana Curran Terian Design Center on Monday, October 26 at 10 a.m. that will feature a world - famous and uniquely gifted artist drawing - from memory alone - a stunningly detailed panorama of New York City following a 45 - minute helicopter ride over the city.

The exhibition will follow Stella's sources of inspiration, i.e. pre-war photographs and architectural drawings of synagogues created as part of the inventory conducted by the Warsaw University of Technology's Polish Architecture Unit, with which the Piechotkas closely cooperated.

This exhibition highlights the contemporary appeal of Oelze's work by featuring drawings and sketches of imaginary landscapes, fantastic objects, and figures that he drew in the years following World War II.

These shows follow a 2008 exhibition at Mitchell Algus Gallery, Judith Bernstein: Signature and Phallic Drawings: 1966 - 2008, which was the artist's first New York gallery solo outing since the 1980s.

Susan Te Kahurangi King's current exhibition marks her second, highly anticipated solo show at Andrew Edlin, following the critically acclaimed debut of the New Zealand - based artist with the space in 2014, Drawings from Many Worlds.

This follows her participation in the gallery's fifth themed group exhibition «Around Drawing», which gathered...

This is the gallery's fourth exhibition of the late artist's work, following Sigmar Polke / Andy Warhol: Drawings 1962 — 65 (2006), Sigmar Polke (2011), and Sigmar Polke: Photocopierarbeiten (2014).

The first show at the gallery — an exhibition of early drawings by Sigmar Polke — was followed by presentations of now - canonical German artists, including Georg Baselitz, Martin Kippenberger, Dieter Roth, Gerhard Richter, Rosemarie Trockel and Albert Oehlen.

Continuing to use gallery locations for his work, Mel Bochner made drawings that followed specific systems adhering to the measurements of the exhibition space.

The Aesthetica Art Prize Exhibition features shortlisted pieces from artists in the following categories: Photographic and Digital Art; Three Dimensional Design and Sculpture; Painting and Drawing; and Video, Installation and Performance.