Sentences with phrase «fondness for painting»

Higgins has long had a fondness for painting the built environment; now she's begun to paint on it too.

Stratton stated, «What I like about this new collection of paintings is that I'm able to integrate many subjects I have a fondness for painting and have been drawn to throughout my career.

Not exact matches

She can shut off the speech, and can even restrict Ian's access to the paint pot if she thinks he's spending too much time illustrating the story and not enough time reading it — a measure that his fondness for coloring sometimes makes necessary.

Especially liked for his figures of cats that he had great fondness for, as seen in many of his paintings, drawings and sculptures.

One kind of turtle I have particular fondness for is the painted turtle (Chrysemys picta), a lovely and relatively small turtle that is often beautifully marked, especially on the bottom carapace.

«I have a fondness for old pitchers and pottery, where I store my paint brushes.

He is known for his sharp suits and smoky drawl, his alpaca coat, and his fondness for the racetrack (he names his paintings after favorite... Read More

And to be fair, Greenberg was not altogether a strict adherent to his own orthodoxy, showing during his lifetime a great fondness for representational works such as the nude paintings of Horacio Torres and the landscapes of Canada's Dorothy Knowles, Patricia Service and Ernest Lindner.)

At Kevin Kavanaugh's booth, Robert Armstrong, a painter from Dublin, presents a series of gestural paintings inspired by other pictures, with a particular fondness for Poussin «s landscapes.

A patrician figure with a fondness for bow ties and colorful stunts, Mr. Armstrong set about strengthening the museum's permanent collection, buying Frank Stella's 1959 black painting «Die Fahne Hoch!»

His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri - Edmond Cross.

But they also share a fondness for using shades of black, which Still pioneered in an era of colorful, modern painting and which Bradford uses as a way of sparking a dialogue about race.

Grassi's choice of expression must not merely be cataloged under the word «painting»: his fondness for certain simple and «used» materials should not be labelled «postdadaism»; his energetic stroke shouldn't be limited to a non-figurative heritage.