Not exact matches
It still sometimes drips from the skeleton of a 66 -
foot blue whale that hangs from the
ceiling of the Jacobs Family
Gallery.
High
ceilings, elegant décor and views of the Vancouver Art
Gallery await guests in these rooms, which measure 275 to 350 square
feet and offer the choice of one king or one queen bed.
Ceilings soar in this 7,076 - square -
foot gallery of glamour, accommodating up to 500 guests for your wedding ceremony or reception.
Dramatic indirect and
gallery lighting extend your welcome into this seventh floor custom designed penthouse featuring 12
foot trey
ceilings throughou
Bringing the starry night inside the museum, Finch's light - based work, Cosmic Latte features over 300 specially fabricated LED fixtures that suspend from the
ceiling over an expanse of the 80 -
foot long
gallery.
One of the
gallery» soutstanding features is a
ceiling height of nearly 12
feet which will allow Lambert to stage large scale exhibitions of painting, installation and sculpture.
These ideas about directness, intimacy, and proportion (all of which deal with questions of ideal viewing conditions) became driving concerns behind the design of the Clyfford Still Museum, whose largest
gallery measures about 1,200 square
feet, with a
ceiling placed, by today's standards, at a modest twelve to sixteen
feet above the floor.
The Curator - in - Residence will work within a fast - paced, team environment with the Bemis Center staff, volunteers, interns, and Board of Directors, and have access to a dedicated
gallery: approximately 2,000 square
feet; 12 1/2
foot ceilings, and concrete floors.
Horizontally transecting The Aldrich's Project Space
Gallery, Floor / Ceiling creates (depending on one's point of view) either a continuation of the Museum's second floor or a dropped ceiling that lowers the double - height section of the gallery from twenty - four to fourtee
Gallery, Floor /
Ceiling creates (depending on one's point of view) either a continuation of the Museum's second floor or a dropped ceiling that lowers the double - height section of the gallery from twenty - four to fourtee
Ceiling creates (depending on one's point of view) either a continuation of the Museum's second floor or a dropped
ceiling that lowers the double - height section of the gallery from twenty - four to fourtee
ceiling that lowers the double - height section of the
gallery from twenty - four to fourtee
gallery from twenty - four to fourteen
feet.
Our 2,500 - square -
foot gallery is a converted church with a 25 -
foot vaulted
ceiling.
Designed by Malibu - based architect Lester Tobias, the new
gallery building features an immense space with 22 -
foot ceilings, allowing for stunning exhibitions on a monumental scale.
Reconstituting it in the main
gallery with struts, anchor bolts and tight cables that induced it to stand upright, the huge tree was able to cling to a second life as it soared upward to the clerestory's 50 -
foot ceilings.
Showcasing the work of emerging and mid-career artists from the Mid-Atlantic region, the intimate, 1500 square -
foot art
gallery is noteworthy for its soaring
ceilings and natural light.
The Curator - in - Residence will work within a fast - paced team environment with Bemis Center staff, volunteers, interns, and Board of Directors, and have access to a dedicated
gallery: approximately 2,000 square
feet; 12 1/2
foot ceilings, and concrete floors.
Featuring a brick façade, vaulted wood
ceilings and an enclosed courtyard, the 3,200 square -
foot gallery is located in close proximity to Roberts & Tilton, Carmichael Gallery and Blythe Projects on Washington Boulevard two blocks from La Cienega Bou
gallery is located in close proximity to Roberts & Tilton, Carmichael
Gallery and Blythe Projects on Washington Boulevard two blocks from La Cienega Bou
Gallery and Blythe Projects on Washington Boulevard two blocks from La Cienega Boulevard.
Her new
gallery is much roomier, measuring just over 3,000 square
feet with soaring 20 -
foot ceilings.
Director and Chief Curator Kimberly Davenport instituted this mission in response to the
gallery's architectural characteristics: a 40 x 44
foot «white box» space with a 16 -
foot high
ceiling and a front glass wall.
The most impressive parts of the installation are the large - scale wall paintings of bricks on the north and south walls of the
gallery, painted flush with the floor and ending just a few
feet below the high
gallery ceiling.
The old auditorium has been removed, opening up a massive
gallery, covering 13,600 square
feet, with
ceilings 40
feet high.
The Marsh
Gallery is a 1,100 square - foot «white box» gallery with 16 - foot ceilings, professional track lighting, and diffused natural
Gallery is a 1,100 square -
foot «white box»
gallery with 16 - foot ceilings, professional track lighting, and diffused natural
gallery with 16 -
foot ceilings, professional track lighting, and diffused natural light.
With 15 -
foot - high
ceilings, 40 -
foot - wide spans, timber flooring and track lighting, the
galleries will accommodate all genres of art.
Garth Greenan
Gallery is pleased to announce its expansion and relocation to the ground floor of 545 West 20th Street — a 5,000 square -
foot space with 13 -
foot - high
ceilings.
The new
gallery had 22
feet high
ceilings enabling monumental pieces of art to be shown, while great glass window and numerous skylights allow an abundance of natural light inside.
Located in a space on the lower portion of the second - floor
gallery where the
ceiling juts up to be more than 20
feet high, «L'ènetènafionale» is an installation featuring an animatronic crescent moon and a Pierrot clown whose face features the countenance of the radical, anti-colonialist 20th - century writer Frantz Fanon.
The mobile exhibition room, with its 13 -
foot ceilings, can be moved from floor to floor to serve as extra
gallery space.
Painted on fifteen panels, overdose is nearly sixteen
feet tall by twenty - three
feet wide, filling a wall of the
gallery from floor to
ceiling.
Both
gallery spaces have lighting, 10
foot plus high
ceilings, and are equipped to handle sound and video installation.
«Not too skinny, no structural columns, 11 -
foot ceilings,» Donahue, 34, said last week, standing in the rough second - floor space on the corner of Bowery and Hester that now houses her namesake
gallery.
Clearing owner Olivier Babin moved into the massive compound in 2017 — the
gallery operated for five years out of a small townhouse, but the support for his program from local collectors prompted him to bet on more ambitious digs in Brussels, and he purchased a 5,400 - square -
foot former shutter factory and turned it into a stunning space with high
ceilings that run together like the roof of a church, buttressed by separate exhibition spaces, a bar, a café, and office space.
Suspended from the
gallery's soaring 24 -
foot ceiling like a reel of film hung out to dry, it amasses in undulating folds on the floor.
LA artist Ry Rocklen's ZZZ's is a sculptural installation that makes good use of the 1500 square
feet of the Vaulted
Gallery — from the tiled carpet flooring to the wind - chimes hanging from the ceiling that when activated by the opening and closing of the gallery doors, fill the space with a soft dreamy twi
Gallery — from the tiled carpet flooring to the wind - chimes hanging from the
ceiling that when activated by the opening and closing of the
gallery doors, fill the space with a soft dreamy twi
gallery doors, fill the space with a soft dreamy twinkling.
Designed by architects Caruso St John, the
gallery spans 37,000 square
feet and includes six exhibition spaces — one with a
ceiling height of eleven metres — split over two levels.
SG: When Hopps became the director of the Corcoran, he made
galleries with 20 -
foot ceilings.
It will have about a 27 -
foot ceiling in the main
gallery space, where we'll have artists do special projects.»