Not exact matches
«Made of glazed and fired clay, Rosen's primary medium, and not more than a few
feet high... the sculptures seem to have neither fixed contours nor stable shape; even their scale appears to shift as you look... not so much covered with as compounded of hundreds of writhing, snakelike elements, they are variously volcanic, beastly, catastrophic and unnervingly funny, suggesting things going terribly wrong, but not yet irreversibly...» Nancy Princenthal Rosen's work has been
in many solo shows
in museums,
commercial galleries and non-profit spaces.
Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making
in the West, from
commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square
foot space on 20th Street
in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.
Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making
in the West, from
commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square
foot space on 20th Street
in New York) to
Could I leverage this 30,000 - square -
foot commercial gallery and offer nothing for sale
in 20,000 square
feet of it?
The
Gallery is housed
in a converted Victorian furniture factory on Wharf Road, NI and with over 8,000 square
feet of exhibition space it is one of the largest
commercial spaces
in London.
You can read Chris Fite - Wassilak
in our latest Dispatch from London on the evolution of exhibition spaces
in the capital over recent years, with a spate of smaller, younger
commercial galleries closing their doors this spring: «if we want a diversity of art spaces», Fite - Wassilak writes, «we need to vote with our
feet».
Occupying a 13 - acre site composed of historic buildings
in the town of North Adams, the Museum currently boasts 220,000 square
feet of renovated space for
galleries, theaters, rehearsal studios, art fabrication spaces, and
commercial tenancies
in six of the site's 27 buildings.
The 30,000 square
foot gallery opened
in February 2013, becoming the first
commercial art
gallery to receive LEED (Leadership
in Energy and Environmental Design) certification.
The 30,000 - square -
foot gallery opened
in February 2013, becoming the first
commercial art
gallery to receive LEED (Leadership
in Energy and Environmental Design) certification.