Sentences with phrase «foot wall installation»

Rebecca Smith, David's daughter, created a forty foot wall installation using various lengths of colored commercial tape, linking herself to the others with regard to formal and procedural concerns.

Not exact matches

Oregon - based solar installation firm called Elemental Energy calculated that a wall with 10 - foot - high solar paneling would generate approximately 7.28 gigawatt - hours (GWh) of electricity each day.

This unique facility features an urban, modern and industrial flare, with a video sculpture installation, themed rooms, cyc walls, activations, a fabrication department, 40 - foot graffiti storage container by local Las Vegas artist, an Air Stream trailer, event technology, eight loading docks and more creativity all in one space.

Gérard Gasiorowski, installation view of Stances, 1986, (on wall) at Fondation Maeght, Saint - Paul; acrylic on canvas, approx. 6 by 130 feet.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

Installation view, Shahzia Sikander, Museum of Contemporary Art, Australia acrylic on wall, 28 x 70 feet November 27, 2007 - February 17, 2008

Out of the three rooms their installations will occupy at the event at PACE in London, the largest will include six works and feature Universe of Water Particles, Transcending Boundaries, a virtual waterfall that extends beyond the gallery wall onto the floor, flowing through the space and around the feet of the viewer.

Come hell or high water, this time it's gonna be different..., installation view, 0 to 60: The Experience of Time in Contemporary Art, NC Museum of Art, Raleigh, NC, 2013, 8 feet 10 inches x 41 1/2 feet, mixed media wall installation

For his solo show «Ballpoint Drawings,» on view at the Queens Museum of Art through the 30th of this month, Lee created his largest work yet: BL - 090, a 5 - by - 50 foot installation that wraps around a curved wall.

Some have never been seen in public and at least one, about 7 by 7 by 11 feet, will require cutting through a wall for installation.

SubMERGE, 2013, site - specific installation: 8 foot pine pilings, conduit pipe, gaffers tape, plywood, garden hoses and spigots, tree parts, small wall - mounted lens, videos, double wall projections with audio, 15 x 30 x 20 feet

Sin Heroes, installation view, 2016, plaster and light tubes (center piece), extruded foam and plaster (wall piece), 12 x 26 feet

Duende Diagram, multi media installation with neon, analog speakers, plexiglas, vinyl wall letters, 12 feet by 9 feet, Mana Contemporary, New Jersey, 2015

Kara Walker's 50 - foot - long wall installation Gone: An Historical Romance of a Civil War as It Occurred b» tween the Dusky Thighs of One Young Negress and Her Heart (1994) is on view in the Marron Atrium through November 29, 2010.

This exhibition will feature a high voltage site - specific mural installation wrapping approximately 100 linear feet of wall space in what will become a distinctive environment for special programs.

In their installation Nest, they filled Deitch Projects with several feet of shredded phone books and invited visitors to hang out, party, and add graffiti to the walls.

Among others we visit the booth of gallery Hauser & Wirth and have a look at Assume Vivid Astro Focus's site - specific installation on a wall over 100 feet long outside the VIP lounge, courtesy of Deitch Projects.

Wall installation with collected map images, overall dimensions approx. 3 x 20 feet, 360 framed images, 4 x 6 inches each.

The entrance room houses the installation Spoiled Foot, which fills the space with a large, obstructing black and red mass hanging from the ceiling and which forces the public to walk in a narrow passage and brush against the side walls as a metaphor of the contrast between those who live at the margins and a centralized social power.

Comprised of twenty - one pigmented ink photographs, mounted directly to the wall, the installation measures over ten by sixteen feet.

Space Required: Suitable for 170 linear feet of wall space and approximately 2500 sq. feet of gallery space, installation can be customized for larger and smaller gallery spaces.

Stretching over 35 feet in length, Sea Wall is by far the largest of the works on view, and includes three separate large canvases, and an installation of over a dozen sculptural objects.

The most impressive parts of the installation are the large - scale wall paintings of bricks on the north and south walls of the gallery, painted flush with the floor and ending just a few feet below the high gallery ceiling.

The bodies of the models are intricately painted and arranged amongst the work of artist Magnus Sodamin, whose immersive art installation, Infinity Split, covers 3,000 square feet of gallery wall and floor space at Miami's Primary Projects building.

For this installation, Gagne has constructed a curved wall ten by sixty feet in which the image of one of these idiomatic words occupies fifty running feet.

Hayes has conceived an installation for the Museum lobby that includes a fifteen - foot - long, wall - mounted horizontal sculpture for the west wall, and a free - standing, egg - shaped, floor - to - ceiling structure nearby.

The experience was a bit bewildering at first, since the studio is a laboratory where the artist has more than a dozen «experiments» going simultaneously: a giant firefly contraption takes up a swing - set zone; materials for an upcoming performance are laid out on every surface of the seating and sofa zone; fish tanks surround a computer zone and provide the staging ground for an oceanic corral project; dozens of human arm forms, cast in a Black Power salute and cast in gold, are lined up along a wall, in preparation for a huge installation in Washington, D.C. this fall; a 3 - D printer is on pause as it creates Lilliputian figures for who - knows - what; and everywhere are various staging grounds of plastic models which will eventually be sprayed in gold and mounted on pins, to create Kaino's now - signature six - foot - tall, glittering gold pin drawings that suggest atomized worlds.

For her 2017 exhibition at Lehmann Maupin New York, titled, Fire (America), Fernández presented a 16 - foot glazed ceramic panel depicting a nocturnal image of fire, a series of burned, laser - cut landscapes on paper, and a site - specific installation that resembled a horizon line composed of charred lump charcoal applied directly to the gallery walls.

And all the critical rants to the contrary, this Biennial is not without its ephemeral gestures to private emotions, including Kiki Smith's shower of glass tear drops strewn before two transparent feet and lovingly titled Mother (1992 - 3); Jack Pierson's Diamond Life (1990), a sensitive hommage, with desk cigarette butts and Joni Mitchell albums, to the slower moments of an emotional life in the 70s; Lari Pittman's intricately patterned paintings; Lorna Simpson's wonderful wall of trumpet mouthpieces that form part of her installation Hypothetical?

The exhibition features new works created specifically for the Wellin, including a site - specific, 70 - foot wall painting installation; a 4 x 10 foot, glass and metal mobile; and a series of large - scale paintings and drawings.

The Coriolis Effect, April 23 — July 12, 1987 / Green neon, text on wall with tree branches / 17 x 15 x 5 feet / Installation at Los Angeles County Museum of Art / Collection of Modern Art Museum of Fort Worth

In his most impressive contribution to Easy Air, a nearly 50 - foot - long installation called Residue, a lacquered wooden beam appears to puncture three suspended wall segments.

Ranging in scale from three inches to nearly 40 feet, the exhibit features mixed - media installations in a presentation of approximately 50 unique objects, dating from 1796 to the present, in particular with the inclusion of large works by four contemporary women artists: Kara Walker, with her panoramic wall murals, Camille Utterback via an interactive digital installation that reacts to visitors» movements and shadows, Kristi Malakoff's life - size cutouts of children dancing around a Maypole, and Kumi Yamashita's intricate, shadowy installations.

A giant mud - and - acrylic orb, 27 feet in diameter, is accompanied by photographs, text installations and smaller mud - on - slate wall pieces.

The site is home to an original «Love Wall» installation by global street artist WRD SMTH and a two - ton 25 - foot replica of a paper airplane by Los Angeles - based welder Griffin Lupe.

In the installation, titled alternating pink and «gold,» 54 eight - foot - tall florescent light tubes alternating in pink and yellow were installed vertically across the six wall spaces of the museum at intervals of two, four, and six feet.

A colorful 108 foot - long wall painting extending the length of the West Barn hallway, Milhazes» piece joins other public art installations at Grace Farms by Thomas Demand, Teresita Fernández, Olafur Eliasson, and Susan Philipsz, all of which are freely available for viewing during public hours.

Best known for her immersive installations and public projects that explore the various historical and psychological implications of the genre of landscape, Teresita Fernández's most recent exhibition at Lehmann Maupin, Fire (America), debuts a 16 - foot glazed ceramic wall panel depicting a nocturnal landscape engulfed in flames, as well as a new series of abstract landscapes made from burned paper.

The piece, titled This is how the myth repeats, is a 14 x 20 feet installation of toner and graphite directly on the walls of the Atlanta Contemporary Atrium.

Hedrick's Black Paintings culminated in 1967 with «War Room» — an installation of a group of four eleven - by - eleven foot black canvases, each filling a wall of the room facing inwards, then arranged into a square in the shape of a room with an entry door.

His work is represented in international public and private collections worldwide, including the Corning Museum of Glass, Corning, NY, where his 1,000 - square - foot installation The Glass Wall (1998) is on view.

The Climate Ready Boston report recommended the installation of a seven - foot - high deployable wall for the East Boston Greenway, which experiences regular nuisance flooding already, and is projected to be significantly affected by sea level rise in the coming decades.

Created field Inspection staff reports, quantity estimates and computations, reviewed and approved drainage drill sheets, computations of noise wall barrier footings and panels, performed all project record keeping, project correspondence, shop drawing review and tracking, and completed all calculations of items used in the installation of Tennessee gas pipe report monthly EBO and EEO to NYSDOT.

Professional Experience SMC Construction (Irvine, CA) 05/2007 — Present Senior Project Superintendent • Supervise and managed subcontractors for a $ 4.2 million parking garage for LA Valley Collage • Perform demolition of the existing parking lot and construction of new 458 parking spaces • Install new lighting and «fire life safety» emergency phone system throughout the parking lot • Construct new storm drain system, Bio-swale, landscaping and new marquee signs • Oversee an $ 18 million construction project for the Ventura County Fire and Sheriff Academy Training Academy (FSTA) • Build single story, metal framed, 47,640 square foot of classroom building • Construct classrooms, fire lab, driving and shooting simulator rooms, library, offices, kitchens, multipurpose rooms, break rooms, and restrooms • Supervise and manage the construction of the Gold LEED Huntington Library • Oversee demolition of existing library in accordance with city regulations • Manage the construction of the $ 28 million Gold LEED Rieber Hall for UCLA • Direct team of more than 120 workers a day for refurbishment of 424 dormitory building • Ensure compliance with Title 24 and the latest code and building regulations • Perform asbestos abatement, installation of HVAC system with new boilers and ductwork, plumbing with Solar panels providing hot water to 24 bathrooms with multiple showers, toilets and sinks, and ADA compliant restrooms • Install electrical system with an emergency generator backup system, 4 traction elevators, windows, and curtain wall system • Completed project on schedule without disrupting the University's use of the 1st floor and exterior • Oversee the $ 5.6 million exterior renovation of the Anaheim Convention Center • Remove exterior walls on 3 sides of the building and install complex new curtain wall system in 20 bays • Maintain job site and public safety allowing use of the convention center during ongoing construction

Project Description Update an outmoded 200 - square - foot kitchen with design and installation of a functional layout of new cabinets, laminate countertops, midpriced sink and faucet, energy - efficient wall oven, cooktop, ventilation system, built - in microwave, dishwasher, garbage disposer, and custom lighting.

The durability required for floors is necessarily greater than for walls (which receive no foot traffic), so floor tile with Abrasion Resistance values from I — V is sufficiently durable for a typical wall installation.