Sentences with phrase «footage shot with»

A CCTV screen above the gallery reception desk, shows footage shot with a hidden camera, documenting the artists» last heist: appropriating a shred from a painting by Alberto Burri.

L'Hippocampe (The Seahorse), was Painlevé's first and only film using underwater footage shot with a rudimentary waterproof case for his camera.

Visit the rugged shores of Western Australia in this aerial footage shot with a 3D Robotics drone.

Would you send someone to jail on the basis of video footage shot with a low - resolution camera whose lens has dirty marks around the sides and a massive hole in the middle?

Not exact matches

Shot with a GoPro camera, this deceptively simple - looking footage of famed surfer Ramon Navarro sliding through a Chilean wave is an elegant illustration of Woodman's original vision.

For indoor video footage — say, of your startup with people sitting at their desks or a pan shot of your lobby — consider the Moment drone.

At this point Nelson took the footage shot and inserted what they had done with CGI Rachael, and showed what they had to Villeneuve and the producers.

The video was edited by Tom Wilkinson of the Publications and Web Office, Public Affairs Directorate, with extra footage shot by Karen Carey and Steve Pierce of Oxford University's Computing Services.

Have several people armed with these machines in the crowd, supplemented as necessary by cameras that hold more footage or that shoot at higher quality, and wait for the Macaca moments to roll in.

The investigator, Manuel Gomez, has video footage appearing to show the victim of the shooting, Shawn Nardoni, saying he was falsely arrested and threatened with violence by a police officer who wanted him to identify Hernandez as the shooter.

The ad depicts Nixon taking care of her son at home with her wife, Christine Marinoni, walking him to school with shots of wealthier and poorer parts of the city, as well as footage of her walking through the streets and waiting for the subway.

The 10 - minute film, which features a mixture of diary camera footage and interviews with Louise, records the exact moment she shoots a wigeon and captures her immediate reaction.

The 30 - second spot splices fast - moving shots of the Verrazano - Narrows Bridge with smoky close - up footage of Mr. de Blasio, Mr. Sharpton and Mr. Recchia.

The NYPD's commissioner will confer with the Bronx District Attorney to determine if they'll release the footage of Wednesday afternoon's shooting to the public, Gomez said.

«Knowing what we know now... film footage of Dealey Plaza from November 22, 1963, seems pregnant with enigmas and ironies — from the oddly expectant expressions on the faces of the onlookers on the grassy knoll in the instants before the shots were fired (What were they thinking?)

For those of you who is not familiar with the concept, here in my country we usually did a shoot a couple months before our wedding day for footage to be mixed in on our same - day - edit video, you know, just for some variation.

When we feature a new restaurant, we'll usually work with that restaurant to set up a time to shoot footage there with our talent, their chefs, and their patrons.

This astronomical and cosmological journey is illustrated with actual footage and photos of space shot from satellites and spacecraft.

Shot down over the Soviet Union presents previously undisclosed documents, film footage and contemporary witnesses reports that provide us with an authentic image of the dramatic events of the 50s.

The footage of Bordeaux is awe - inspiring, with aerial shots of the great chateaux and the vineyards.

«The Black Power Mixtape 1967 - 1975» is a fascinating documentary, with the help of some commentary from the present day, that contains footage shot by Swedish broadcast crews of interviews and speeches by black leaders with highlights including Stokely Carmichael interviewing his mother, Eldridge Cleaver in exile in Algiers, Angela Davis in a jail cell on trumped up charges, and one great poem I wish I could remember.

Below, read our Derek Cianfrance interview, in which he discusses with us the themes that tie his body of work together, his dreams of longevity as a director, the 209 hours of footage he shot for The Light Between Oceans, and more.

A new four - minute sneak preview has just surfaced, which is basically a combination of all the previous trailers with a bit of new footage and longer takes of shots that we've seen before.

Producer Mike Kaplan has gone the extra distance to find interviews and behind - the - scenes footage shot during filming on location in Maine, conducted new interviews and shared his own vivid memories of making this lovely picture with director Lindsay Anderson and a once - in - a-lifetime cast: Bette Davis, Lillian Gish, Ann Sothern, Vincent Price, and Harry Carey, Jr..

The Directing Award: World Cinema Documentary was presented to: Sandi Tan, for her film Shirkers (Director & Screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph)-- In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges — who then vanished with all the footage.

With Shirkers, Sandi Tan (also a first - time filmmaker) revisits the long - lost footage from her unfinished narrative feature shot in Tan's native Singapore in 1992, also called Shirkers, and in the process reckons with both why the film was never finished and how several relationships were forever changed in its wWith Shirkers, Sandi Tan (also a first - time filmmaker) revisits the long - lost footage from her unfinished narrative feature shot in Tan's native Singapore in 1992, also called Shirkers, and in the process reckons with both why the film was never finished and how several relationships were forever changed in its wwith both why the film was never finished and how several relationships were forever changed in its wake.

A murky, brain - dead stab - a-thon packed with so many inane chases, laughable special effects, and mismatched stock footage shots that it begs to be made into a drinking game, London Has Fallen is one of those rare films that is good at absolutely nothing.

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

Gone are the ludicrous but gorgeously choreographed set pieces Fuqua is known for, replaced by generically brown villains, incompetently choreographed action, and jarringly stock footage stitched together with badly mismatched sound stage shots.

(As an opening sequence, it's a killer, shot like beautiful lost footage from «Fellini Roma» that ends with a moment out of a»70s international terrorist drama.)

It's an extraordinary sequence, alternating documentary footage of orphans looking at the camera with Taji's playful and compassionate responses to them, and culminating with a powerful tracking shot that moves down an endless corridor away from her.

From the opening shots of an unknown cameraman sneaking footage with his videocam while Lucy sleeps on a train, voyeurism — and the artist's relationship to his subject — is one of the filmmaker's main motifs.

The trains are filmed lovingly and there's some great footage of turntables, railroad yards, and level - crossing train passages to go with plenty of shots of trains roaring along under full throttle.

Uniquely filmmaker Sophie Fiennes does not go the normal documentary route (archival footage, interviews, stats) with this look at the enigmatic androgynous Ms. Jones that was shot over a 10 - year stretch.

Based on Yousef's 2010 memoir Son Of Hamas, Nadav Schirman's film — an audience prizewinner at Sundance in January — briskly runs down a decade - plus of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmosphere.

Pictures have already sprung up online of a building in San Diego with some hefty «zilla - damage and we're hoping for some footage from the movie, which has been shooting for a while now.

However, there's also some new bits of footage here, including shots of the aged Terminator (old Arnold Schwarzenegger) fighting with the Schwarzenegger from the 80s.

The soundtrack preserves the careful mixing of diegetic and non-diegetic effects, most notably in how urban street sounds, particularly of traffic, are used to bridge studio - shot footage with location shooting.

Ridley shot and edited the movie with lots of long takes, overlapping dialogue, some challenging non-linear editing during certain scenes, and used historical footage and old photos from the period.

It also has some footage you haven't seen before, a digitally - altered version of a shot from the film (above, with extra details added to the painting) and a little bit of the awesome Can song «Vitamin C» that is used to good effect in the film's opening.

But with these two movies — one set against the backdrop of the movie biz, the other in the music scene — shooting last year back - to - back, we can only imagine the unbelievable stack of footage Malick's teams of editors are sorting through, as they cut half the cast out and help him find the movie and tone he wants.

Shooting was abandoned then, but the film was completed with the existing footage by Renoir's team and released in its current form in 1946, after the director had already moved on to Hollywood.

It is most unfortunate, then, that these moving and insightful interviews are intercut with footage taken with a helmet camera on a bicycle ride along a rocky mountain path — these point - of - view shots are supposed to convey meaning for Kedar, and yet they make whole sections of the film almost unwatchable.

Like Cartel Land, Winter on Fire is shot in the trenches with an abundance of found footage.

The key to Cameraperson's triumph is that nothing in the film was created with the knowledge of being used for this purpose, which leaves the footage itself — shot for movies directed by the likes of Laura Poitras, Kirby Dick, Amir Bar - Lev, Gini Reticker, Moore, and many others — uncompromised by manipulation or intentionality.

The commercial opens with an awesome shot of Samus walking up towards the screen and charging her power beam, before throwing us in to a variety of footage from the game.

In the editing room, he seamlessly intercut old reaction shots with the new footage.

That renders it promotional but it is plenty substantial too, giving us welcome looks at filming, set and press interviews with cast and crew, pertinent clips from Tarantino's previous movies and shoots, and even B - roll footage of a deleted scene.

Then we have «Before and After», which compare raw production footage with final live - action / animation shots.

I didn't get a chance to work with Ben or Conan as their footage was shot separately.