Not exact matches
Adding
sound effects to an animation is still no different to dubbing it onto filmed
footage: someone has to record the
sound of a glass smashing, say, or trudge through a tray of gravel to mimic footfalls, then sync the noise
with the action.
The soundtrack preserves the careful mixing of diegetic and non-diegetic
effects, most notably in how urban street
sounds, particularly of traffic, are used to bridge studio - shot
footage with location shooting.
There's also
footage of trips made to do research and compile
sound effects; recording studio sessions
with the original Japanese cast, including Yasuko Sawaguchi eating Kentucky Fried Chicken as she was providing the voiceover for Chihiro's mother eating; scoring sessions
with Joe Hisaishi; and even a segment about the closing credits theme song, which was originally intended for another Ghibli production that fell through.
The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes
footage and interviews
with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special
effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey,
sound design & alien vocals Dave Whitehead, supervising
sound editor Brent Burge, and film editor Julian Clarke.
NEW
Sounds from the Cold — interviews
with supervising
sound editor David Lewis Yewdall and special
sound effects designer Alan Howarth NEW Between the Lines — an interview
with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews
with John Carpenter, Kurt Russell, special
effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews
with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film
with additional
footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes
footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up
Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
The Premium book video trailer package will take your book cover, text and marketing information and combine it
with voice over narration (up to 200 words), HD video
footage, royalty free music, royalty free images, a custom graphic designed background and
sound effects used in creative ways to make your story come alive.
At 18th Street's main gallery, Dizon will weave video that she has shot together
with archival
footage, text from philosophical, political, and literary sources, and
sounds composed from field recordings, scores, and voice, into an intricate work that invites viewers to reflect upon diasporic subjectivity, postcolonial history, and the
effects of global capitalism in the Philippines.
At 18th Street's main gallery, Dizon will weave the video that she has shot together
with archival
footage, text from philosophical, political, and literary sources, and
sounds composed from field recordings, scores, and voice, into an intricate work that invites viewers to reflect upon diasporic subjectivity, postcolonial history, and the
effects of global capitalism in the Philippines.