Painted using one of those wheeled contraptions that mark out
football pitches and sports
fields, the line trundles from under a closed lift door, makes its way splashily up a swanky staircase — passing a Lawrence Weiner work that repeats the same phrase, «WHOLE CLOTH STRETCHED TO THE LIMIT», on the
wall in big letters on every level — makes arcing oxbow detours across the concrete floors, and comes to a stop, where the machine ran out of paint, on the first floor.