Sentences with phrase «for culture and society»

Curators for this year, Fabian Schöneich (Portikus, Frankfurt) and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago), ensured that the section remained the definitive destination to discover emerging talent; whilst Live continued to develop into a section recognised and admired as an important platform for international performance art.

Evolving into the definitive destination for young galleries, the Focus section, advised by curators Raphael Gygax (Migros Museum, Zurich) and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago), offered a chance to discover exciting emerging talents; whilst Live developed from its critically acclaimed debut in 2014, to encompass varied formats and was advised by Gygax and Proctor for the first time.

Evolving into the definitive destination for young galleries, the Focus section, advised by curators Raphael Gygax (Migros Museum, Zurich) and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago), offers a chance to discover exciting emerging talents.

Jacob Proctor is Curator of the Neubauer Collegium for Culture and Society at the University of Chicago where he is responsible for programming a new contemporary gallery.

Live Advised by museum curators Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt), the pioneering section for performance and participatory art returns, with new and historical projects presented throughout the fair.

Independent curators Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society at the University of Chicago) and Fabian Schöneich (Portikus, Frankfurt) will curate innovative sections Spotlight, Frame and Focus dedicated to rare solo shows of 20th century art and emerging galleries.

Focus Featuring emerging talents and advised by curators Raphael Gygax (Migros Museum, Zurich) and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago), the section will include an installation by Maria Pininska - Beres (David Radziszweski, Warsaw); a floor - based «water relief» by Samara Scott (The Sunday Painter, London) and a ceramic presentation by Jesse Wine (Limoncello, London).

Toby Kamps (The Menil Collection, Houston) will curate the expanded Spotlight section for the first time, alongside Cecilia Alemani (High Line Art, New York / Italian Pavilion 2017 Venice Biennale) organizing Frieze Projects, and Jacob Proctor (Neubauer Collegium for Culture and Society at the University of Chicago) and Fabian Schöneich (Portikus, Frankfurt) returning as curatorial advisors for the Frame section.

CAC's Booth 121 at EXPO Chicago is curated by Jacob Proctor, Curator for the Neubauer Collegium for Culture and Society at the University of Chicago.

Also new for 2016, Fabian Schöneich (Curator, Portikus, Frankfurt) joins Jacob Proctor (Curator, Neubauer Collegium for Culture and Society at the University of Chicago) as advisor to Frame, a section featuring 18 of the world's most exciting galleries under eight years old, presenting solo shows of today's most relevant artists.

Toby Kamps (The Menil Collection, Houston) will curate the expanded Spotlight section for the first time; Cecilia Alemani (High Line Art, New York / Italian Pavilion 2017 Venice Biennale) will commission Frieze Projects; and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt) will advise the Frame section.

Independent curators Cecilia Alemani (High Line Art, New York), Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society at the University of Chicago), Fabian Schöneich (Portikus, Frankfurt) and Tom Eccles (Center for Curatorial Studies, Bard College, New York) will curate sections dedicated to innovative solo shows and a program of ambitious artist commissions and talks.

Independent curators Cecilia Alemani (High Line Art, New York), Tom Eccles (Center for Curatorial Studies, Bard College), Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt), are devising special sections of the fair and a program of ambitious artist commissions and talks.

Advised by curators Jacob Proctor (Curator, Neubauer Collegium for Culture and Society) and Fabian Schöneich (Curator, Portikus), Focus brings together specially curated projects by some of the most innovative galleries working today.

Jacob Proctor, the curator of the Neubauer Collegium for Culture and Society at the University of Chicago, and Fabian Schöneich, the curator of the Portikus contemporary art center in Frankfurt, make recommendations to the fair organizers about galleries» applications for Frame.

Cura - tors for this year, Fabian Schöneich (Portikus, Frankfurt) and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago), ensured that the section remained the definitive destination to discover emerging talent; whilst Live continued to develop into a section recognised and admired as an important platform for international performance art.

Live: performance and participation Advised by museum curators Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt), the pioneering section for performance and participatory art returns, with new and historical projects presented in a dedicated space within the fair:

Not exact matches

A culture of anti-Semitism is a fertile ground for breeding extremism and terrorist sympathizers, while a society with no tolerance for anti-Semitism presents a unified front against their agenda.

Ms. Huffington writes about her vision for a society and workplace culture where sleep is prioritized over pushing the limits and burning the candle at both ends in her new book The Sleep Revolution: Transforming Your Life, One Night at a Time.

Making the case that greater openness is good for both company culture and society at large was Ijeoma Oluo, a Seattle - based writer, and Dan Price, CEO of Gravity Payments.

After a seasonal stint as Editor of popular society blog «Guest of a Guest» in East Hampton, NY, Britta moved back to Minnesota and started working full - time as a Business Analyst for Target Corporation, while quickly adopting Minneapolis's thriving fitness culture.

For instance, Chinese firms have to be aware of roles of trade unions and labour laws that differ from those in China; be respectful to the diversity and equality that are the reality of Canadian culture and society; and be environment friendly that reflects Canadians value.

The Party is also committed to the recognition that Alberta is a diverse ethnic society with a uniquely distinct Albertan culture, and that responsibility for individual ethnic group maintenance rests solely with those who wish to support their heritage (and not the government).

My former colleague Ryan T. Anderson has a piece today on The Public Discourse in which he outlines how Princeton's Anscombe Society has had success in responding to the hook - up culture on college campuses: by arguing for chastity, marriage, and the family on rational grounds.

I know that this upsets some, but the reality is that we are repeating Vietnam, and the people are fighting for the right to have their society, culture, and religion.

For a certain sector of society, religion has been replaced by the aesthetic, by culture understood as high culture (and, increasingly, as deviant culture).

The Pope is confident that, once this is achieved, it will be possible to cooperate in a productive way in the areas of culture and society, and for the promotion of justice and peace in society and throughout the world.»

«We form our beliefs for a variety of subjective, personal, emotional, and psychological reasons in the context of environments created by family, friends, colleagues, culture, and society at large; after forming our beliefs we then defend, justify, and rationalize them with a host of intellectual reasons, cogent arguments, and rational explanations.

This society and it's inch deep culture has no time for any reflection spiritual or otherwise.

These weekend - long seminars bring First Things readers and writers together for lectures and discussions on important topics on religion, culture, and society.

My assessment is that the wider disorientation of Western society, the decreasing respect for many institutions and the disdain for humans alongside what Christopher Lasch has termed a «culture of narcissism» has played out both among the «spiritual but not religious» identifiers as well as among many «new atheists.»

For some Wesleyans today the greatest challenge confronting the church is to respond to the diversity of cultures and ethnicities that now characterize urban American society.

«Thus an environmentally enlightened development process necessarily demands a new culture, which will be: egalitarian, with reduced disparities between rich and poor and power equally shared by men and women; resource - sharing; participatory; frugal, when compared to the current consumption patterns of the rich; humble, with a respect for the multiplicity of the world's cultures and lifestyles; and, it will aim at greater self - reliance at all levels of society.»

Others were groping down false paths toward the reform of an institutional Church that, for all its integration with culture and society, was becoming evangelically flaccid and sluggish, perhaps in the complacent conviction (not unlike that of the recent past) that the faith could be transmitted by cultural osmosis, as a kind of ethnic heritage.

Yet, even if we lack James J. Walsh's unequivocal enthusiasm for medieval Christendom, H. Richard Niebuhr, in Christ and Culture, was surely right to say that the High Middle Ages witnessed the greatest synthesis of Christianity, culture, and society ever acCulture, was surely right to say that the High Middle Ages witnessed the greatest synthesis of Christianity, culture, and society ever acculture, and society ever achieved.

This leads to the fourth and most promising possible solution to the problem of intergroup conflict, that is, the emergence of a single pluralistic world society, in which there will be ample provision for individual and group differences, but not on the basis of relatively independent culture groups.

Religious liberty is plainly essential for the endurance of our free society and for the protection of the rights and freedoms of the many millions of Americans who dissent from the caustic Gnosticism that increasingly dominates our culture.

We have far too many who aren't willing to stand for what is right and oppose what is wrong in our society and culture... This pastors «vision» sounds too much like the world John Lennon wrote about in his song «imagine» where there is no God and «no religion».

The Jewish scholar Joseph Klausner, for example, holds that the Pharisees and Sadducees were justified in their attacks on Jesus because he imperiled Jewish culture at its foundations, and that by ignoring everything that belongs to wholesome social life he undercut the work of centuries.2 Others within the Christian tradition have felt considerable uneasiness lest the words of Jesus about nonresistance imperil the civil power of the State, or his words about having no anxiety for food or drink or other material possessions curtail an economic motivation essential to society.

With its concern for historical truth and invocation of the need to facilitate the cultivation of the human person and society, «Mapping» at this point comes tantalizingly close to this vision only to fall back into statements that «the fundamental sources of value in a culture are neither necessary nor universal.»

No, obedience to such laws are for peace and harmony in society and culture as we live life with other human beings.

Clearly the imminent collapse ofmany countries» populations is a worry, for economic reasons, and yet is still not yet giving rise to any significant response amongst Western societies to move to a more pro-family and less contraceptive culture.

For nearly a half century after the Second World War, the cohort of babies born between 1946 and 1964 profoundly transformed American culture and society» from parenting styles and media consumption to attitudes toward government and authority and sexuality.

Many of the distinctive problems of modern societies, he tells us, e.g., the expansion of welfare state entitlements versus traditional free market liberalism, reflect this fundamental tension between a desire for a common good and the profound individualism of our culture.

First, in our culture with its tradition of voluntaristic moralism it is difficult for people to accept the idea that an individual is not personally responsible for having a neurosis and yet is responsible to society for getting help, i.e., for becoming more responsible.

In the Abbasid period Muslim culture became society - oriented, with emphasis on such subjects as the sciences and engineering and architecture; but no contradiction was felt between these fields and religion, for all scholars combined religious knowledge with mastery of other fields of learning.

If they feel persecuted it's to bad, they left their countries because they were looking for brighter future for them and for their kids hence they have to embrace our culture and integrate our society.

Human Rights NGOs like the Centre for Governance and Development, Citizens Coalition for Constitutional Change, Human Rights Commission and Mazingira Institute, Law Society and the NGO Council helped to popularize the gospel of accountability as a culture of democracy.

Sociologists, anthropologists, and psychologists have noticed this «scapegoat mechanism» in various societies and cultures around the world and have attributed it to an evolutionary necessity for the survival of human society.

The ideology of the «free market» plugged by the media and academics as the panacea for the problems of economy and society may help the spread of such elements of a mono - culture.