Winner of the Grand Jury Prize and Audience Award
for Dramatic films at the 2015 Sundance Film Festival, Alfonso - Gomez Rejon's Me and Earl and the Dying Girl is endearing, touching, and surprisingly hilarious.
So while I do know of his science fiction work, I almost like to praise him more
for his dramatic films, i.e..
All summer I have seen trailers
for this dramatic film and thought the premise was interesting, despite it looking like just another chick...
«The Social Network,» the acclaimed drama about how Harvard computer nerds created the social networking site Facebook, had been the front - runner during the awards season, winning countless critics honors, including the Los Angeles Film Critics Assn., New York Film Critics Circle and the National Society of Film Critics awards as well as the Golden Globe
for dramatic film.
All summer I have seen trailers
for this dramatic film and thought the premise was interesting, despite it looking like just another chick flick.
Not exact matches
The curse in the
film creates a striking visual
for the shackles that our character flaws or attitudes can lock us into and the
dramatic effects and harm that this can cause to those around us.
As a kid, the Exodus story was a feel - good story of liberation that provided the backdrop
for a riveting
dramatic film and
for my pastor's equally captivating sermons.
He continues: «If,
for example, it requires 50m of
film to wrap an individual pallet — then the price difference between a role of
film that stretches to only 5000m instead of 6000m in a busy warehouse that it is wrapping and shipping 500 pallets a day can be
dramatic.»
An established actress in
film and television, she performed in
dramatic and comedic roles
for more than ten years.
«The Sundance Film Festival brings the most original storytellers together with the most adventurous audiences
for its annual program of
dramatic and documentary
films, shorts, New Frontier
films, installations, performances, panel discussions, and dynamic music events.
Whether you have realized it or not, you have just paved the way
for a
dramatic change in the horror
film.
Titanic is an entertaining and
dramatic made -
for - television
film that's quite comprehensive.
For all the little moments which successfully bring the Greek Myths to life, the
film doesn't have enough
dramatic energy to sustain itself, and its poor effects work against the power of its set - pieces.
He also starred in and received a Golden Globe Award nomination
for HBO's
dramatic film about the Lindberg baby kidnapping, «Crime of the Century» directed by Mark Rydell.
The Movie: The idea of George Clooney playing a (mostly) silent assassin holed up in the Italian countryside with gorgeous European women sounds like recipe
for a solid
dramatic experience, so why Focus Features is marketing «The American» as some sort of action thriller when in fact it's an arty European
film, will throw some moviegoers off and just outright anger others.
No points
for timeliness here; made -
for - TV docudramas and the independent
film «Longtime Companion» have already explored the subject, and «Philadelphia» breaks no new
dramatic ground.
The
film's strength is
dramatic stakes
for its complicated, easy - to - love characters, which renders the downbeat ending genuinely audacious.
The most humanly
dramatic moment of the
film, is when Hal pleads
for his life as the astronaut disconnects him.
If nothing else, the
film is pretty entertaining, and when
dramatic highlights come into play, glimpses into what could have been sparks brightly enough to help endear, maybe not thoroughly enough
for the final product to reward, but decidedly enough to hold a fair deal of your attention in this improvable character study.
But he never gets overenthusiastic
for big events; even with 2001's always magnificent sometimes
dramatic choice of music, the visual pacing of the
film never changes.
Denmark takes the stage back in a most
dramatic fashion with A Royal Affair, recently named one of the five Oscar nominees
for best foreign language
film.
Perry has been prone to pretension in his earlier
films like Listen Up Philip and Queen of Earth, and he hasn't shown much instinct
for dramatic tension.
In addition to his studio
films, Monaghan garnered excellent reviews and a lot of buzz at the 2014 Sundance Film Festival
for his performance in JAMIE MARKS IS DEAD, which was a Sundance 2014 Official Selection in the
dramatic competition.
Despite Wiseau's hard - hitting
dramatic intentions, The Room is a
film that provides shared happiness and joy Wiseau has been touring The Room
for some time and it's always been complicated deciphering to what extent we're laughing with vs. at the filmmaker.
The threatening invasion of the mighty Spanish Armada is the
dramatic centerpiece of the
film, which provides plenty of outlets
for Kapur's blood - and - thunder penchant, as does all the conniving intrigue going on in Elizabeth's court, replete with gory moments of torture presided over by Geoffrey Rush, happily reprising his role of Sir Francis Walsingham, ruthless advisor to the Queen.
My only complaint is that there are a few too many moments where it is a little too
dramatic for the type of
film that it is meant to be, but all - in - all, this is one of my favourite teen
films!
Raw, intriguing and energetic despite its flaws, the
film fades in
dramatic power over its final stretch and doesn't always do justice to the the potential richness of its subject, but until then, it makes
for an authentic, distinctive and watchable blend of the tough and the tender.
The war between faith and knowledge, science and reason, love of family over love
for profession — all themes in this
dramatic film — are always worthy of exploration.
I found this
film to be one of the better reconstructions of the trials, one that felt more subtle than other
films, which
for me anyway, felt less over
dramatic, which is necessary in order to make a great
film.
Mission: Impossible III was a powerful
film, and a lot of intrigue, where» Tomsito»
for the third time playing all in a very dangerous mission, and
for me the most
dramatic.
A very impressive
dramatic debut
for comedian Stiller, and a well - crafted and directed
film by Veloz.
Cinematographer Niels Thastum leans in on a docu - style approach to
filming, allowing
for subtle
dramatic scenes and loving recreations.
Fourth: the first half (idiotic toilet humour, animals masturbating etc.) is suddenly pushed out of the way to make way
for a very emotive and
dramatic second half which makes the
film feel incredibly awkward... and do you know what?
It is unlikely
for you ever to be able to say the words «Les Misérables» and have people know that you are talking about the 1998
dramatic film.
Johnson and Heyman have a script here that deserves Best Original Screenplay consideration, almost simply
for how well they've created a quartet of characters (Burrell and Wilson's supporting players don't behave as these sorts of characters would in other
films), though the balance of both comedic and
dramatic emotion is tremendously done as well.
Best Picture: Three of the past five years have seen the festival's Grand Jury Prize
for best U.S.
dramatic film get a nomination
for best picture («Precious» in 2009, «Winter's Bone» in 2010, and «Beasts» in 2012 — «Like Crazy» and last year's «Fruitvale Station» did not).
This is perfectly in keeping with the style of the Broadway production, which features much more of this style than the
film does, with Condon beefing up the
dramatic dialogue
for purposes of an easier narrative and deeper characterizations.
The Waldo Salt Screenwriting Award: U.S.
Dramatic was presented to: Christina Choe,
for her
film Nancy (Director & Screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough)-- Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child.
The
film does have a striking, period piece look and feel, though many shots are held
for an overly -
dramatic effect.
For the purposes of
dramatic licence, those
films tend to accelerate the level of technology while decreasing the temporal gap between the present and future as a way to make these stories connect.
While the
film noted that it was based on a true story, it also did disclose that aspects were added
for dramatic effect.
Granted by France's Society of
Dramatic Authors and Composers, the SACD Award
for best French - language
film went to Pierre Salvadori's screwball crime romcom «The Trouble with You.»
Sundance describes it as a «delightful
dramatic comedy, a buddy picture, and,
for good measure, a heist
film.»
It's the kind of small
dramatic moment that this calm, quiet
film is built on, and it allows
for tender, restrained performances from Edgerton and Negga.
At the same time, most of the actors in the
film are comedic actors, except
for Dane [DeHaan] who is a generally
dramatic actor.
Yan caught Warner Bros. / DC's attention with her first feature
film, Dead Pigs, which won the World Cinema
Dramatic Award
For Ensemble Acting at Sundance.
She was a 2016 Sundance Feature
Film Creative Producing Fellow with the
film Monsters and Men, which premiered at the 2018 Sundance
Film Festival and won the U.S.
Dramatic Special Jury Award
for Outstanding First Feature.
Don Cheadle realizes he's best known
for dramatic roles in such
films as Crash, Hotel Rwanda and Tra...
Making a convincing case
for the humanistic potential of fictional re-staging, Berg's
film throws into question the idea that
dramatic reconstitutions are inevitably insensitive.
The Directing Award: U.S.
Dramatic was presented to: Sara Colangelo,
for her
film The Kindergarten Teacher (Director & Screenwriter: Sara Colangelo, Producers: Talia Kleinhendler, Osnat Handelsman - Keren, Maggie Gyllenhaal, Celine Rattray, Trudie Styler)-- When a Staten Island kindergarten teacher discovers what may be a gifted five year - old student in her class, she becomes fascinated and obsessed with the child — spiraling downward on a dangerous and desperate path in order to nurture his talent.