Sentences with phrase «for hommage»

She cites Mary Abbott ($ 28,125 in 2008 for Untitled); Perle Fine ($ 51,000 in 2006 for Hommage à Mondrian [1967 — 69]-RRB-; and Judith Godwin ($ 31,200 in 2006 for Target [1979]-RRB-.

The CSL featured lots of aluminum to reduce weight, but 40 years later carbon fiber is the material of choice for the Hommage.

Not exact matches

She's our go - to gal for some power ballad singing, and Pitch Perfect is the sorta film we need to watch on repeat, so here's a lil hommage to the bae who sings the sassiest songs around: Jessie J.

In his excellent commentary track with All the Real Girls star / co-writer Paul Schneider, Green implores us to «test the limits» of our DVD player by listening for the embedded conversations that, partially in hommage to Robert Altman, add layers to several sequences.

That supposition is as close as I can get to laying an hommage number on Peter Bogdanovich this time around, and his latest picture is the better for it.

Coupled with some nice film and musical hommages, this makes for great viewing on the big screen, so you folks across the pond should head out to your cinema on September 12th if it is playing in your neighborhood.

It had more pizzazz than anything else that seems like a Best Film of the season, it managed to be explicitly about movies without violating its trajectories as a first - rate genre film (thriller), it was rife with the best, least slavish sort of hommages, and it tapped into the moods and mannerisms of other cinéastes like Nick Ray, Hitchcock, and Hopper without for a moment ceasing to be Ein Film von Wim Wenders.

The Parallax View is Alan Pakula's hommage to Alfred Hitchcock, employing many of the Master's techniques and devices, particularly his penchant for experimenting with different kinds of suspense and various ways of fulfilling — or not fulfilling — audience expectation.

Outwardly similar to the yellow Hommage concept, the car's transformation is mainly graphical — and all the better for it.

BMW has revealed a mild update of its recent 2002 Hommage concept for the Pebble Beach Concours d'Elegance.

«This model is not earmarked for production,» says Adrian van Hooydonk, grandmaster of the group's drawing board, about the CSL Hommage, his latest creation.

BMW re-wrapped its 2002 Hommage for Pebble Beach, and it works despite missing St. Hubert's deer from the hood.

Although the Hommage vehicles BMW has produced for the Concorso d'Eleganza over the years don't normally make it to production, the company said: «Our Hommage cars not only demonstrate how proud we are of our heritage, but also how important the past can be in determining the future.»

On 22 May 2015, the BMW Group will unveil the new BMW 3.0 CSL Hommage to the global public for the first time at the Concorso d'Eleganza Villa d'Este.

The CSL — it stands for Coupe Sport Leichtbau, lightweight sport coupe — Hommage has been widely panned as, well, ugly by a lot of the automotive press.

Her current project, Folded Sky, Hommage to Colin Powell, a 41 foot tall mural of the night sky as it looked at the time of Colin Powell's birth, will be installed later this month at the U.S. Embassy in Kingston, Jamaica, a commission by the Foundation for Art and Preservation in Embassies.

1966 Hommage a Caussa, Cordier & Ekstrom, New York, NY Soloists, Cordier & Ekstrom, New York, NY Contemporary American Sculpture - Selection I, Whitney Museum of American Art, New York, NY 26th Annual Exhibition Society for Contemporary American Art, Art Institute of Chicago, Chicago, IL 7 Decades 1895 - 1965, Crosscurrents in Modern Art, Cordier & Ekstrom, New York, NY Feast and Famine, Permanent Collection Gallery, Los Angeles County Museum of Art, Los Angeles, CA

«Spéciale n ° 54 Hommage à Hopper» (2007) features a house with a nearby road sign for the Hopper Center — although no such institution exists, except in this painting, which functions, as does most of Mr. Monory's work, like a movie screen where fantastical drama and action are routinely played out.

As at Christie's, work by Brazilian artists was highly sought after, with strong prices including Sergio Camargo's painted wood construction, Hommage à Fontana (Relief no. 129), 1967, selling for $ 1.5 million, far above the $ 600,000 / 800,000 estimate.

Additional runaway lots included two color screenprints featuring the squares for which Albers is known: Hommage au Carré, 1965, and Attic, 1965 ($ 7,280 and $ 6,000, a record for the work, respectively).

A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages: Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum of Contemporary Art, New York, US Out of Site, P.S. 1, Long Island City, New York, US Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art Gallery of Ontario, CA; McMaster University Art Gallery, Hamilton, CA; Thunder Bay Art Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout), number 20, New York, US

Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and Contemporary Art Council of the Los Angeles County Museum of Art, Los Angeles, US; traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!

Between January and March, Alexander Polzin's work is being exhibited at the Grand Théâtre de Genève, to coincide with his stage designs for Gluck's Iphigénie en Tauride and his collected works, Hommage an Thomas Brasch, are being shown at the Kunstmuseum Ahrenshoop.

Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!

The murals are now there to remind passers - by of the importance of fighting for climate justice, continue to denounce and resist dirty energy projects and to pay hommage to the environment protectors who are risking their lives on a daily basis to defend their land, their resources and their communities.