Sentences with phrase «for kunsthalle»

He painted large murals for the Kunsthalle in Basel in 1956 and for the Chase Manhattan Bank in 1959.

Collezioni Private is developed specifically for Kunsthalle Lissabon and presents a series of new drawings, close to still lives, which depict Du Pasquier's ongoing interest on the expressiveness of quotidian forms and the domestic shape of objects.

In a recent action for the Kunsthalle, Vienna, he recruited people to stand in two lines facing the wall wearing only their underwear.

He has written numerous essays with themes ranging from the relationship of art to ethnology for the National Museum of Ethnology, Leiden, Netherlands, to the art of Chen Zhen for the Kunsthalle Wien (Vienna Kunsthalle).

An additional part of the exhibition, developed for the Kunsthalle Wien, provides a view of the aesthetics and events of the 1960's in Austria.

Edited for Kunsthalle Basel by Adam Szymczyk Conception by Julie Ault and Danh Vo English texts Soft Cover

The project Psychogeographic Junction was created specifically for Kunsthalle LAB, the convenient downtown position of which makes it a junction of different reflections, perceptions and readings of the city.

Special edition of 100 copies for the Kunsthalle Basel, numbered and signed by the artist.

(Read Foster review) Foster finds Gehry's sculptural side in both Richard Serra and Claes Oldenburg, though he seems to ignore Frank Stella's 1991 architectural model for a Kunsthalle in Dresden.

Zobernig's black interior and architectural interventions serve multiple functions: coffeehouse and bar, screening and lecture hall, exhibition space and reading room, and a home for the Kunsthalle Zürich library.

The exhibited works are gifts donated by the artists for the Kunsthalle Zürich's construction project in the Löwenbräukunst complex, to which the Kunsthalle Zürich will return in June 2012 to take occupation of its permanent home for the future.

The most poignant works in the show, created specifically for the Kunsthalle, saw Holen dissect made - made objects, like a Porsche Panamera, as a surgeon would a human body.

This relationship is now also reflected in the unique and important works that they have donated for the Kunsthalle Zürich's first charity auction to be held in aid of the upkeep and future operation of its permanent new home.

Francis painted large murals for the Kunsthalle, Basel [2] in 1956 - 8 and for the Chase Manhattan Bank, New York in 1959.

Among many others, Peter Fischli & David Weiss have provided a large - format carved work created specifically for the Kunsthalle Zürich.

The artists who have created projects for the Kunsthalle Zürich over the years of its existence represent an impressive group of artistic positions, and their works have made a substantial contribution to decisive moments and events in the history of contemporary art.

M+B and François Ghebaly Gallery are pleased to announce their second collaboration for KUNSTHALLE M+B with Between Everywhere, an exhibition of video and images lingering on transitory moments and interstitial spaces by New York based artist Mores McWreath.

Films, videos, and photographs demonstrating the artists» investment in public engagement will complement a new site - specific work created for the Kunsthalle.

62 / October 2012 «Petrit Halilaj's new project for Kunsthalle St. Gallen», Michele Robecchi, Kunstbulletin, 7-8/2012 «Future Greats», Giovanni Carmine, Art Review, issue 57, March 2012 2011 «Die Zeit zurückdrehen», Dorothea Nikolussi - Salzer, Der Standard, October 2011 «Eine Himmelsscheibe, die die Zeit zurückdreht», Ivona Jelcic, Tiroler Tageszeitung, October 2011 Ingeborg Wiensowski, Loch der Erinnerung, Spiegel Online, July 25, 2011 «Ernste Tiere» im Bonner Kunstverein, General Anzeiger Bonn, July 15, 22011 «Art Basel», Quinn Latimer, Art Agenda, June 17, 2011 «Petrit Halilaj — Zeitschrift zuschnitt 42» Stefan Tasch, Obendrauf, June 2011 «Petrit Halilaj, by Johan Lundh, Metropolis M, no. 3 June / July 2011 «Petrit Halilaj — Brand New», Laura Cherubini, Flash Art International, March - April 2011 2010 «Best of 2010», Christine Macel, Artforum, December 2010 «Where Is Petrit's Real House?»

The project Moshekwa Langa developed for Kunsthalle Bern deals with loss.

For his solo exhibition at Kunsthalle Bern, South African artist Moshekwa Langa created a body of work specifically for the Kunsthalle.

His 1993 proposal for a kunsthalle (arts center) and garden in Dresden did not come to fruition.

Political Populism is a group show curated by Nicolaus Schafhausen for Kunsthalle Wien.

New director for the Kunsthalle Zurich, renovation plans at the Louvre, a warped Raphael at the Borghese and an appeal to save Wedgwood

The design similar to this work, she has developed a site - specific spatial installation for the Kunsthalle Nuremberg, using wallpaper and brightly colored lithographs, which is entirely in the context of their claim, «to find a way to deal with painting different than previously dealt with it was».

Mark Rappol is Editor of Art Review, his catalogue essays from the last six months include monographs on Alex Katz, Arik Levy and Slater Bradley as well as a group show on female Pop artists for the Kunsthalle Wein; he was a judge for the 2010 Jarman Award, the inaugural Zabludowicz Curatorial Open and the Asia Art Archive's 2011 Open Platform.

His 1993 proposal for a Kunsthalle and garden in Dresden did not come to fruition.

Image: Installation view of Arturo Herrera, Front (green) and Front (yellow), 2013, wall works for the Kunsthalle Bielefeld.

BIELEFELD — Arturo Herrera creates site - specific work for the Kunsthalle Bielefeld in a major group exhibition, For the Time Being: Wall Paintings, Painted Walls, open through October 20, 2013.

Not exact matches

Kunsthalles are flexible spaces designed for showing, not collecting, art.

Recent group exhibitions include Museum of Modern Art Warsaw, Warsaw; Hammer Museum, Los Angeles; Cell Space, London; Studio for Propositional Cinema, Düsseldorf; JTT, New York; and Kunsthalle Bern, Bern.

Lynette Yiadom - Boakye, poster for the exhibition, A Passion To A Principle, Kunsthalle Basel, 2016.

Other institutions which have previously hosted solo shows include the Kunsthalle Wien, Vienna; REDCAT, Los Angeles (both 2012); Kunstsammlung Nordrhein - Westfalen, Düsseldorf (2011); CCA Wattis Institute for Contemporary Arts, San Francisco (2009); Swiss Institute of Contemporary Art, New York (2008); Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy (2007); and the Kunsthalle Zürich (2004).

SUPERFLEX has gained international recognition for projects and solo exhibitions around the world, including Kunsthalle Basel; the Mori Museum, Tokyo; Hirshhorn Museum, Washington DC; and the 21st Century Museum of Contemporary Art, Kanazawa.

Most recently his work was the focus for a solo exhibition at the Kunsthalle Nurnberg and the Van Abbemuseum in Eindhoven.

Traveled to Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany (February 12 — April 25, 1999) Art & the American Experience, Kalamazoo Institute of Art, Kalamazoo, Michigan (September 13 — December 6) Sea Change, Parrish Art Museum, Southampton, New York (September 12 — November 15) Dreams for the Next Century: A View of the Collection, Parrish Art Museum, Southampton, New York (September 6) Small Paintings, Cheim & Read, New York (July 1 — 31)

Recent solo and group exhibitions inclulde Hamburger Bahnhof, Castillo Corrales, Paris; Berlinische Galerie, Kunsthalle Nürnberg; Kunstverein Hamburg, Bergen Kunsthall, ICA, London, the Carnegie Museum of Art, Pittsburgh; the Australian Centre for Contemporary Art, Melbourne; Kunsthalle Baden Baden, Pro Choice, Vienna, Bundeskunsthalle Bonn; the Seattle Art Museum; ArtPace, San Antonio; Portikus Frankfurt am Main, Tokyo Wonder Site, Cubitt, London, Witte de With, Rotterdam; and White Columns, New York.

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

2015 «La Vie Moderne», 13th Lyon Biennale, Lyon, France «Political Populism», Kunsthalle Wien, Vienna, Austria «Art Unlimited», Solo presentation of «The Vagrant», Art Basel «Visitors, Governors Island», curated by Tom Eccles and Ruba Katrib, New York, NY «Small Sculpture», Shane Campbell Gallery, Chicago, IL «Love for Three Oranges», Gladstone Gallery, Brussels, Belgium «Under the Clouds: From Paranoia to the Digital Sublime», Serralves Museum of Contemporary Art, Portugal «The Lulennial: A Slight Gestuary, Lulu», Mexico City, Mexico «Objects, Food, Rooms (curated by Andria Hickey)», Tanya Bonakdar, New York, NY

Writer Simone Lappert conducts a workshop at Kunsthalle Basel for curious youth and aspiring young writers aged between 14 - 20 years.

«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.

2017 The Anxiety of Influence, Curated by Alex Glauber, Chapter NY, New York, NY Metropolis, Simon Lee Gallery, New York, NY Ungestalt, Kunsthalle Basel, Basel, Switzerland Blue Black, Curated by Glenn Ligon, Pulitzer Arts Foundation, St. Louis, MO BALTIC Artists» Award 2017 Group Exhibition, BALTIC Centre for Contemporary Art, Gateshead, UK In the Abstract, Mass MoCA, North Adams, MA

Since 2005, Bojan worked closely with Ulay, writing, curating, and producing materials for several international exhibitions such as Ulay's first major retrospective, GEN.E.T.RATION ULTIMA RATIO, (2005), at Centro Parraga, Murcia, Spain, while contributing to his recent retrospectives at Nederlandse Fotomuseum, Rotterdam, and Schirn Kunsthalle Frankfurt.

Selected solo exhibitions include: The High Museum, Atlanta; Guggenheim, Bilbao (2015 — 6); Tate St Ives; Turner Contemporary, Margate (both 2012); The National Portrait Gallery, London (2010); Irish Museum of Modern Art, Dublin (2007); Albertina, Vienna (2010); Saatchi Gallery, London (1998); P.S. 1 / Institute for Contemporary Art, New York (1997 - 8); Instituto Valenciano de Arte Moderno, Valencia (1996); Staatliche Kunsthalle, Baden - Baden (1995); Brooklyn Musuem (1988); Vancouver Art Museum (1977).

Since then, her work has been exhibited widely at institutions such as the San Jose Museum of Art, CA (2018); Los Angeles Municipal Art Gallery, CA (2017, 2016); Yerba Buena Center for the Arts, San Francisco, CA (2015); St. Louis Art Museum, MO (2014); Museum of Contemporary Art, Los Angeles, CA (2013); Kunsthalle Detroit, MI (2011); Vancouver Art Gallery, Canada (2011, 2002); Hammer Museum, Los Angeles, CA (2009, 2001); Museum of Art, Seoul, Korea (2009); Ullens Center for Contemporary Art, Beijing, China (2008); Schirn Kunsthalle, Frankfurt, Germany (2006); DA2 Domus Artium, Salamanca, Spain (2007); and ZKM Museum fur Neue Kunst, Karlsruhe, Germany (2005).

Prominent institutions which have hosted solo shows include Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent; Chisenhale Gallery, London (both 2013); Kunsthalle Wien, Vienna; Gallery at The Roy and Edna Disney / CalArts Theater (REDCAT), Los Angeles (both 2012); Kunstsammlung Nordrhein - Westfalen, Düsseldorf (2011); CCA Wattis Institute for Contemporary Arts, San Francisco (2009); Swiss Institute of Contemporary Art, New York (2008); Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy (2007); and Kunsthalle Zürich (2004).

This exhibition at CCA Wattis Institute for Contemporary Arts coincides with a period of critical acclaim for Pryde, with her work featured on the front cover of Artforum (April 2012), her inclusion in the major group exhibition New Photography at the Museum of Modern Art (2013), and The Enjoyment of Photography (2015), a monographic book on her photography recently published by JRP Ringier in collaboration with Kunsthalle Bern and Kunstverein für die Rheinlande und Westfalen, Düsseldorf.

Selected solo presentations include Vienna Secession, Vienna, Austria; IVAM Valencia, Spain; Geneva Center for Contemporary Art, Geneva, Switzerland; and Staatliche Kunsthalle Baden - Baden, Germany; among others.

Group exhibitions include What People Do For Money, MANIFESTA 11, Zurich, Switzerland (2016); 9th Berlin Biennial, Berlin, Germany (2016); Billboard, Whitney Museum of American Art, New York, United States (2016); The Elephant Test, Lothringer13 Städtische Kunsthalle München, Munich, Germany (2014); Altars of Madness, Casino Luxembourg Forum d'art Contemporain, Luxembourg (2013); The Eye is a Lonely Hunter: Images of Humankind, Heidelberger Kunstverein, Heidelberg, Germany (2011); N'importe quoi, Musée d'Art Contemporain de Lyon, Lyon, France (2009); Disturbance, Johannesburg Art Gallery, Johannesburg, South Africa (2008); Trials and Terrors, Museum of Contemporary Art, Chicago, United States (2005); Elysian Fields, Purple Institute, Musée National d'Art Moderne, Centre Pompidou, Paris, France (2000); and dAPERTutto, 48th International Exhibition of Contemporary Art, La Biennale di Venezia, Italy (1999).

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?