Sentences with phrase «for moving image»

A forum discussion exploring National Climate Emergency legislation will directly follow the film screening of «The Age of Consequences» on Wednesday 27 July 2016 at 6:30 pm at the Australian Centre for the Moving Image in Melbourne.

Breakthrough is holding a screening of «The Age of Consequences» on Wednesday 27 July 2016 at 6:30 pm at the Australian Centre for the Moving Image in Melbourne — the second screening due to high demand.

Exhibiting since 1996, her work has shown in over 50 international exhibitions including The Australian Centre for Photography Sydney; The Australian Centre for the Moving Image, Melbourne; The Australian Centre of Contemporary Art Melbourne; Fotogalerie Wien; Deichtorhallen Hamburg; Kunsthalle Fridericianum Kassel; Kunstverein Ludwigshafen; ACC Galerie Weimar and the Le Havre Biennale.

Breitz has held numerous solo exhibitions over the course of her twenty - year career, including at; the San Francisco Museum of Modern Art in 2009; the Australian Centre for the Moving Image, Melbourne, in 2012; and the Blaffer Art Museum, Houston, in 2014.

Her newest book is Hanan al - Cinema: Affections for the Moving Image (MIT Press, 2015); she is also the author of The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (Duke, 2000), Touch: Sensuous Theory and Multisensory Media (Minnesota, 2002), and Enfoldment and Infinity: An Islamic Genealogy of New Media Art (MIT, 2010).

Her work was included in the 1985, 1989, and 1993 Whitney Biennials and is in the permanent collections of the Australian Center for the Moving Image; Museum of Modern Art, New York; Centre Georges Pompidou, Paris; and elsewhere.

Her latest work Ecology of Drama was featured in turn at the Australian Centre for the Moving Image (ACMI) in Melbourne; at the Albright Knox Art Gallery in Buffalo, NY; at the Marian Goodman Gallery in New York; at the Museo de Arte Contemporáneo in A Coruña.

At the Whitney, the piece was projected in HD — the art - world standard for the moving image.

Since the Fall of 2015, STUK is presenting solo exhibitions of contemporary visual artists with a particular affinity for the moving image.

rosenfeld porcini gallery in London presents for Moving Image art fair a video work by Dutch artist Levi van Veluw.

The Centre for the Moving Image is a unique space in the museum created to present a number of moving image works concurrently.

Solo exhibitions of her work have been hosted by the Kunstmuseum Stuttgart, Louisiana Museum of Modern Art (Humlebæk), San Francisco Museum of Modern Art, the National Gallery of Canada (Ottawa), Kunsthaus Bregenz (Austria), The Power Plant (Toronto), Baltic Centre for Contemporary Art (Newcastle), Palais de Tokyo (Paris), Modern Art Oxford, City Gallery Wellington (New Zealand), De Appel (Amsterdam), Musée d'Art Moderne Grand - Duc Jean (Luxembourg), Moderna Museet (Stockholm), Castello di Rivoli (Turin), Bawag Foundation (Vienna), Museo de Arte Contemporáneo de Castilla y León (Spain), Temporäre Kunsthalle Berlin, the Australian Centre for the Moving Image (Melbourne), Standard Bank Gallery (Johannesburg) and the South African National Gallery (Cape Town).

The concrete silos of the Centre for the Moving Image may be likened to the mind, alluding to its cognitive faculties in the making of memories and the assembling of time.

Turkovic is also a co-curator for Moving Image Festival 2015 at Zeitz MOCAA in Cape Town.

Including exhibitions at: The Australian Centre for Contemporary Art, Melbourne; The Ian Potter Museum of Art, Melbourne; The Experimental Art Foundation, Adelaide; The Australian Centre for the Moving Image, Melbourne; Gallery of Modern Art, Brisbane; The Museum of Modern Art, New York; Artec Biennale — Nagoya, Japan; Centre Georges Pompidou, Paris; Art Museum of China, Beijing; Museum Villa Rot, Burgrieden - Rot, Germany.

Julian Rosefeldt's film installation American Night is on show at the Australian Center for the Moving Image in Melbourne from 21 June until 31 Juli 2011.

Breitz is an internationally acclaimed artist best known for her moving image installations, while Modisakeng's ascendent career is defined by his film, photography and sculpture.

Award - winning festival director Katrina Sedgwick is appointed as new Director and CEO of the Australian Centre for Moving Image succeeding Tony Sweeney's fruitful tenure.

What are the techniques used to display video in gallery spaces and what are visitors» reception habits for the moving image?

Before that, Glass - Kantor was a curator at the Australian Centre for the Moving Image (ACMI) and worked in state art institutions, museums, independent spaces, and festivals.

Candice Breitz is an internationally acclaimed artist best known for her moving image installations.

2011 Bill Viola Collected Works: 1977 - 80, Georgia Art Museum, Athens, Georgia, US Bill Viola: The Fall Into Paradise, Gardibaldi Building, Capodimonte, TR Selected Works 1976 - 81, Amore e Morte, Gucci Museum, Florence, IT The Value of Water, The Cathedral Church of St. John the Divine, New York, US Bill Viola: The Crossing, SCAD Museum of Art, Savannah, Georgia, US Bill Viola: Transformations, Gallery Koyanagi, Tokyo, JP Bill Viola, The Dick Institute, Kilmarnock, UK Déserts (1994), Yong Siew Toh Conservatory of Music Orchestra, Esplanade - The Recital Studio, SG Bill Viola: The Raft, Presented in association with the Melbourne International Arts Festival and Australian Centre for the Moving Image (ACMI), Melbourne, AU Bill Viola, Blackbox, Leeum, Samsung Museum of Art, Seoul, KR Ocean Without a Shore, Pennsylvania Academy of the Fine Arts, Philadelphia, US (ongoing) Bill Viola: Sodium Vapore (Including Constellation and Oracle) Flint Institute of the Arts, Flint, US Bill Viola: Isolde's Ascension (The Shape of Light in Space After Death), Stella Art Foundation, Moscow, RU Two Women (2008), Art Basel 42, Basel, CH

They have participated in numerous group exhibitions at venues including the 2nd Athens Biennial (2009); the 5th Berlin Biennial (2008); Contour Biennial for Moving Image, Mechelen, Belgium (2007); and Tramway, Glasgow (2005).

Five of the six artists competing for the 2016 Jarman award for moving image art are women, exploring subjects as diverse as Alzheimer's disease and Arab pop culture.

Ikeda has exhibited and performed at many of the world's leading festivals and venues, including the Australian Centre for the Moving Image, 2005 (Melbourne); Centre Pompidou, 2001, 2004 and 2007, Musée d'Art Moderne de la Ville, 1999, and La Villette, 2002 (all Paris); Sónar, 1999 and 2006 (Barcelona); Architectural Association, 2002, Barbican, 2006, Hayward Gallery, 2000, Millennium Dome, 2000, Queen Elizabeth Hall, 2000, Tate Modern Turbine Hall, 2006 (all London); Auditorium Parco della Musica, 2003 (Rome); ICC, 1999 and 2005, Tokyo International Forum, 2006 (Tokyo); Göteborg Biennial, 2003 (Göteborg).

Curator: Michaela Limberis (South Africa), The African Arts Trust Assistant Curator of the Moving Image, Centre for the Moving Image, Zeitz MOCAA

Writing about the museum a few months in advance of its opening, my first call was to MOCAA executive director and chief curator Mark Coetzee, whose voice echoed as he answered my questions while walking through MOCAA's Center for the Moving Image.

His artistic expressions, however, all share a common feature: they emerged out of a fascination for the moving image and interactivity in its most basic form.

Steve McQueen is a British artist celebrated for his moving image work, and is also the acclaimed director of feature films such as Hunger, Shame and 12 Years a Slave.

Selected curatorial projects include As If: Echoes from London (Westspace, Melbourne, 2015), Alice Lang Originals (Sydney College of the Arts, 2014), Backflip: Feminism and Humour in Contemporary Art (Margaret Lawrence Gallery, Melbourne, 2013) and Memory Screens (Australian Centre for the Moving Image, Melbourne, 2013).

Moving Image and Nitehawk Cinema are happy to announce their continued partnership for the Moving Image Art Fair.

In 2016 a survey exhibition of the artist entitled Filmscapes, was held at the Australian Centre for the Moving Image (ACMI), Melbourne, Australia and the Auckland Art Gallery Toi o Tamaki, New Zealand.

The Woods was co-commissioned by the Peabody Essex Museum, Salem, Massachusetts and the Australian Centre for the Moving Image, Melbourne.

Roach was on the Curatorial Advisory Committee for the Moving Image Art Fair in 2012 and the jury panel for the New York Academy of Art Seventh Annual Summer Exhibition in 2013.

Several of the featured artists make work that is considered photographic but is camera-less, while, for others, photography has laid the groundwork for the moving image or functions as a jumping - off point for sculptural investigations.

At Zeitz MOCAA, there will be an entire floor for educational programmes, a centre for curatorial studies, a centre for the moving image with six cinemas, and a centre for performative practice.

For example, in «Neon's Cabin # Rebel Rebel» (2014) the image of the blue cabin was originally painted for her moving image piece «Operation Space Magic.»

Sally has performed for major sound art and audiovisual festivals and venues including Tate Britain, Digital Culture Centre, Mexico City, Rotterdam International Film Festival, Sound of Stockholm, Fylkingen Festival, Sweden, BEAM: Brunel Electronic & Analogue Music Festival, London, Kraak, Belgium, Colour Out of Space, Brighton, Sonica, Slovenia, Open Frame, Brisbane, FlexFest, Florida, Supernormal, UK, Edinburgh International Film Festival, San Francisco Cinematheque, Abandon Normal Devices, Manchester, Oslo Cinemateket, Norway, and Australian Centre for the Moving Image.

Her work was included in the 1985, 1989, and 1993 Whitney Biennials and is included in the permanent collections of the Australian Center for the Moving Image, the Museum of Modern Art (New York), the Centre Georges Pompidou, and elsewhere.

And that leaves room for Moving Image, a fair devoted to nothing else.

Allison Schulnik, Arin Rungjang, art fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial, contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinshi

Celebrating their 45th anniversary in 2016, Electronic Arts Intermix (EAI) is one of the world's leading nonprofit resources for moving image art.

Among those being recognized for their writing are Laura U. Marks, who recently published the book Hanan al - Cinema: Affections for the Moving Image, and Ruth Fine, who edited the catalogue for the Pennsylvania Academy of the Fine Arts» Norman Lewis retrospective.

Melbourne International Games Week is Victorian Government initiative, presented by Creative Victoria in collaboration with Film Victoria, Australian Centre for the Moving Image, and the Game Developers Association of Australia.

His interest in music for the moving image bloomed while studying, primarily in short films and animation, before joining his 2 lifelong passions together and deciding to create music for video games.

The events are held in close proximity in some of Melbourne's biggest and best event venues, from the Australian Centre for the Moving Image to the Melbourne Convention and Exhibition Centre.

Games Week conferences happen in a number of central locations across Melbourne including the Melbourne Convention and Exhibition Centre and the Australian Centre for the Moving Image.

Visit the ACMI (Australian Centre for the Moving Image) with film, television and gaming exhibits.

Australian Centre for the Moving Image Almost the end of October still cold, cloudy, rainy weather in Melbourne.

Opening at the Australian Centre for the Moving Image (July 16 — November 1), I'm anticipating the Australian David Bowie Is will have film footage of Bowie's first stadium tour in Australia in 1978, as well as displays and videos from two of his most famous videos, both shot in Australia: «Let's Dance» and «China Girl,» displaying images of the plight of the indigenous Australians.