Sentences with phrase «for social sculpture»

Residencies include The Riverside Art Museum and Joshua Tree National Park Residency Program, Cuts and Burns Artist Fellowship, The Outpost, Brooklyn, NY, and The Old School for Social Sculpture, Catskills, NY.

Not exact matches

LOCATION * AtlantaGeorgiaBostonChicagoDallasLas VegasLos AngelesPhiladelphiaSeattleWashington DC VENUE * Georgia: Georgia AquariumAtlanta: Center for Civil and Human RightsAtlanta: The TabernacleAtlanta: Your Atlanta LocationBoston: Museum of ScienceChicago: Gleacher Conference CenterDallas: Your Dallas LocationDallas: AT&T Performing Arts CenterDallas: Nasher Sculpture CenterDallas: Union StationDallas: Reunion TowerDallas: Perot Museum of Nature and ScienceDallas: Five Sixty By Wolfgang PuckDallas: Verizon Theatre at Grand PrairieLas Vegas: Your Las Vegas LocationLos Angeles: Your Los Angeles LocationLos Angeles: City Market Social HouseLos Angeles: L.A. LIVELos Angeles: Conga RoomLos Angeles: El Rey TheatreLos Angeles: Hollywood and HighlandLos Angeles: NBC UniversalLos Angeles: Pacific Design CenterLos Angeles: Rose BowlLos Angeles: Sony Pictures StudiosLos Angeles: Greystone Mansion & ParkLos Angeles: Microsoft Theatre L.A. LiveLos Angeles: The NOVO by MicrosoftPhiladelphia: The Fillmore PhiladelphiaPhiladelphia: Tower TheatreSeattle: Your Seattle LocationSeattle: Museum of POP CultureWashington DC: NewseumWashington DC: The Sunset Room by Wolfgang Puck

Whether it's posting «works in progress» on social media, updating my blog or website, or crocheting elements for a series of miniature sculptures I'm currently working on... I do something.

As far as painting specifically is concerned, Mrs. Ellis finds that it has one immediate advantage for the young lady over its rival branch of artistic activity, music — it is quiet and disturbs no one (this negative virtue, of course, would not be true of sculpture, but accomplishment with the hammer and chisel simply never occurs as a suitable accomplishment for the weaker sex); in addition, says Mrs. Ellis, «it [drawing] is an employment which beguiles the mind of many cares... Drawing is, of all other occupations, the one most calculated to keep the mind from brooding upon self, and to maintain that general cheerfulness which is a part of social and domestic duty... It can also,» she adds, «be laid down and resumed, as circumstance or inclination may direct, and that without any serious loss.»

The artist's slumpies series of ergonomic sculptures are designed for this contemporary moment in which physical posture, and thereby social engagement, are ontologically inseparable from increased technology use.

For her P.S. 1 project, Molly Larkey presents The Believers, a new series of sculptures that combine abstraction and figuration to comment on political and social ideologies.

She received a BA in psychology from The New School for Social Research, a BFA in sculpture from Parsons The New School For Design, New York, and an MFA from the Yale University School of Art, New Haven, Cfor Social Research, a BFA in sculpture from Parsons The New School For Design, New York, and an MFA from the Yale University School of Art, New Haven, CFor Design, New York, and an MFA from the Yale University School of Art, New Haven, CT..

Since receiving his BFA from the School of the Museum of Fine Arts in 1998, Los Angeles — based artist Jedediah Caesar has gained international recognition for sculptures that amass found materials into systems that reveal new patterns, often abstract, sometime social.

Including prints, sculptures, paintings, and Combines, the exhibition illustrates how Rauschenberg «broke down boundaries between disciplines, anticipated many of the defining cultural and social issues of our time, and redefined what are could be for g

Working with artist Jenny Moore, participants used Pascale Marthine Tayou's sculptures as the starting point for a playful investigation of the social life of objects.

-- The Carbon Tax Center — The Center for Social Inclusion — Columbia University's Earth Institute — Columbia University's International Research Institute for Climate & Society — Cooper Union's Institute for Sustainable Development — Gallery Aferro — High Line Art — IMC Lab & Gallery — Joe's Pub at the Public Theater — Mary Miss / City as a Living Laboratory — Materials for the Art — New School's Center for New York City Affairs — NRDC — SculptureCenter — Socrates Sculpture Park — Storefront for Art & Architecture — Superhero Clubhouse — Triple Canopy

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

Rashid Rana is known for his conceptual sculptures, videos, and photo composite collages that provocatively deconstruct social histories and cultural disjunctions to reflect the duality of our time.

HOUSTON — Atlas, Plural, Monumental, an exhibition at CAMH thanks to the museum's curator Dean Daderko, is a midcareer retrospective of the artist Paul Ramírez Jonas, known for his public art, sculpture, social practice projects.

Exhibiting a wide variety of mediums including photography, video, painting, sculpture, drawing and site - specific installations, Party Out Of Bounds presents both past and present nightlife scenes from Nelson Sullivan's video documentation of late performers Ethyl Eichelberger and John Sex, to Jessica Whitbread's No Pants No Problem Party, an underwear dance party exploring social gathering as a space of advocating for HIV and sexual / gender rights and combatting stigma.

This exposure to the elemental forces and landscapes during my early childhood, and the fact that I am now passionate about putting work by the sea — the reasons for that are both an increasing interest in the social responsibility of sculpture, but also an interest to connect to those things that I experienced very young that made me feel more alive.

Curated by Sarah Lowndes, author of Social Sculpture: The Rise of the Glasgow Art Scene, for the Mackintosh Museum, the exhibition that runs till 30 September 2012 presents artworks and documentation of women artists in Glasgow from the late 1930s.

David Ireland (1930 - 2009) was an artist and architect whose best - known work is his own house at 500 Capp Street in San Francisco — at once an environmental artwork, social sculpture, and his residence for 30 years.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

The Carbon Tax Center; The Center for Social Inclusion; Columbia University's Earth Institute; Columbia University's International Research Institute for Climate & Society; Cooper Union's Institute for Sustainable Development; Gallery Aferro; High Line Art; IMC Lab & Gallery; Joe's Pub at Public Theater; Mary Miss / City as a Living Laboratory; Materials for the Art; New School's Center for New York City Affairs; NRDC; Sculpture Center; Socrates Sculpture Park; Storefront for Art & Architecture; Superhero Clubhouse and Triple Canopy.

The reimagined Wade Thompson Drill Hall allows for social gatherings and is activated by «chase,» a multi-colored, 100 - foot - long mylar sculpture that glides across the dance floor.

We'll look back into the past and contemplate the future of civil rights and social justice and explore the connections between history and contemporary art by examining the legacy of President Johnson and visiting The Contemporary Austin's rooftop sculpture With Liberty and Justice for All (A Work in Progress) by artist Jim Hodges.

24/7 will include Perry's major works in drawing, sculpture, collage, installation, video, photography, and social media - some of which has been created specifically for this exhibition.

While he is well - known for works featuring his own social milieu — often depicting parties, portraits of friends and fellow artists, and, perhaps most notably, his wife Ada, who has been his model and muse for decades — the landscape of Maine, which he first encountered as a resident at the prestigious Skowhegan School of Painting and Sculpture in 1949 - 50, has been a central point of reference throughout his career.

This sculpture (which was shown in Edinburgh's Fruitmarket Gallery in 2002 and at Tate Britain in 2004) became a type of symbol for the social process of the public art project.

Known for his innovative adaptions of traditional Haitian iconography, which he engages in order to address contemporary social and political conditions, Duval - Carrié is presenting a series of large - scale paintings and sculptures.

The bringing to light of a processual artistic activity, such as Morris called for in his theoretical texts Notes on Sculpture, Part 1 - 4 (1966 - 69) and Anti-Form (1968), likewise addresses the social context of production and labor, a perspective which is also to be seen against the background of the institutional criticism of Concept Art as well as the social expectations during the 1970s with regard to art production.

In 1940, this largely self - taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965.

Some recent examples include: Milwaukee Art Museum 2010 where Gates invited a gospel choir into the galleries to sing songs adapted from inscriptions on pots by the famous 19th century slave and potter «Dave Drake»; the Whitney Biennial, 2010 when the Sculpture Court was transformed with an architectural installation functioning as communal gathering space for performances, social engagement, and contemplation.

The German artist, Joseph Beuys (1921 - 1986), is perhaps best known for his «actions», installations and sculpture, but first and foremost he was an artist who was interested in ideas: ideas about how the world, both natural and social, functioned and how the latter could be improved.

Of note are works like Monument for Living in Defeat (2016), which plays with the staging of sculpture, painting, and pedestals, and Ornamental Composition for Social Spaces 1 (2016), which relates pre-modern architecture to Suprematist painting.

Fabri's artistic practice seeks to create a space for discourse around social and political systems of oppression through artworks that manifest in a range of mediums, including drawing, performance, photography, sculpture, and video.

Ackland Art Museum, The University of North Carolina, Chapel Hill, NC Albright - Knox Art Gallery, Buffalo, NY Arkansas Art Center, Little Rock, AR Art Gallery of Ontario, Toronto, Canada Baltimore Museum of Art, Baltimore, MD Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Bradbury Gallery, Arkansas State University, Jonesboro, AK Brooklyn Museum of Art, Brooklyn, NY Cantor Art Center, Stanford University, Palo Alto, CA Cleveland Museum of Art, Cleveland, OH Columbia University, New York, NY Columbus Museum of Art, Columbus, OH Corcoran Museum of Art, Washington, DC Crystal Bridges Museum of Art, Bentonville, AR University of Delaware, Newark, DE Dallas Museum of Art, Dallas, TX Delaware Art Museum, Wilmington, DE Denver Art Museum, Denver, CO Des Moines Art Center, Des Moines, IA The Detroit Institute of Arts, Detroit, MI Didrichsen Museum, Helsinki, Finland Elvehjem Museum of Art, Madison, WI Figge Art Museum, Davenport, IA Flint Institute of Art, Flint, MI Frederick R Weisman Art Museum, University of Minnesota, Minneapolis, MN Greenville County Museum of Art, Greenville, SC Grey Art Gallery, New York University, New York, NY Hammer Art Museum, Los Angeles, CA Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Hillwood Art Museum, Long Island University, Brookville, NY Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Hunter Museum of American Art, Chattanooga, TN Huntington Museum of Art, Huntington, WV Iowa State University, Ames, IA The Jewish Museum, New York, NY The John & Mable Ringling Museum of Art, Sarasota, FL Martin Art Gallery, Muhlenberg College, Muhlenberg, PA Mead Art Museum, Amherst College, Amherst, MA The Metropolitan Museum of Art, New York, NY The Mint Museum of Art, Charlotte, NC Mobile Museum of Art, Mobile, AL Mulhenberg College, Allentown, PA Munson - Williams - Proctor Institute Museum of Art, Utica, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA The Museum of Modern Art, New York, NY The Nelson - Atkins Museum of Art, Kansas City, MO National Gallery of Art, Washington, DC Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY New Britain Museum of Art, New Britain, CT New Orleans Museum of Art, New Orleans, LA New School for Social Research, New York, NY Newark Museum, Newark, NJ Oklahoma City Museum of Art, Oklahoma City, OK Palmer Art Museum, Pennsylvania State University, University Park, PA Pennsylvania Academy of Fine Arts, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA The Phillips Collection, Washington, DC Phoenix Art Museum, Phoenix, AZ Portland Art Museum, Portland, OR San Diego Museum of Art, San Diego, CA San Francisco Museum of Modern Art, San Francisco, CA San José Museum of Art, San José, CA Santa Barbara Museum, Santa Barbara, CA São Paulo Museum, São Paulo, Brazil Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE Smith College Museum of Art, Smith College, Northampton, MA Smithsonian American Art Museum, Washington, DC Spencer Museum of Art, University of Kansas, Lawrence, KS Tamayo Museum, Mexico City, Mexico Tel Aviv Museum, Tel Aviv, Israel Tucson Museum of Art, Tucson, AZ Ulrich Museum of Art, Wichita State University, Wichita, KS University of Tucson, Tucson, AZ University Gallery, University of Massachusetts, Amherst, MA The University of Michigan Museum of Art, Ann Arbor, MI Vanderbilt University Fine Arts Gallery, Vanderbilt University, Nashville, TN Virginia Museum of Fine Art, Richmond, VA Wadsworth Atheneum Museum of Art, Hartford, CT Whitney Museum of American Art, New York, NY Wichita Art Museum, Wichita, KS Williams College Museum of Art, Williams College, Williamstown, MA Yale University Art Gallery, Yale University, New Haven, CT

Elizabeth Jaeger is known for evocative figurative sculptures that manipulate traditional social and art historical tropes about the female body.

Now, despite the context of the selfie age, where the face and body of every Tom or Mary are splashed all over social media, Emin's self portraits — which range from now - iconic neon signage to sensuous nudes spanning sculpture, painting, and embroidery — still stand out for their honesty.

Artists selected for this program are at all stages in their careers and work in all media, including drawing, painting, sculpture, photography, film, video, new media, installation, fiction and nonfiction writing, poetry, dance, music, interdisciplinary, social practice, and architecture.

His work demonstrates an affinity for how architecture and sculpture intervene in personal identity and inform our movements and social mores.

Bob and Roberta Smith creates brightly coloured text - based paintings with powerful social messages; Yinka Shonibare clads figures in colourful batik to create politically loaded sculptural or photographic tableaux; Thomas Heatherwick is one of the world's leading designers, whose Olympic Cauldron fired the imagination of viewers in the opening ceremony in 2012; Rebecca Warren fuses everything from the ideas of conceptual artist Joseph Beuys to the cartoons of Robert Crumb, creating vitrines and lumpy sculptural figures; Conrad Shawcross brings engineering and sculpture into collisions of mechanics, sound, light and space; and Louisa Hutton, of architects Sauerbruch Hutton, designs buildings with a flair for colour and material richness.

Exploring themes of agency, politics and perspective, and responding to content within the fair itself, this year's Talks program features Claudia Rankine, 2016 MacArthur Fellow and winner of the 2017 Bobbitt National Poetry Prize for her collection Citizen, as well as a panel on art and social commitment chaired by Shuddhabrata Sengupta of Raqs Media Collective and featuring artists Tania Bruguera, Anri Sala and Jeanne van Heeswijk; and a conversation on «complicating the Modern» from Ann Temkin, Marie - Josée and Henry Kravis Chief Curator of Painting and Sculpture at MoMA.

All his works hint at a critical, analytical consideration of the concept of sculpture and its media: he straddles the boundaries between object and performance, architecture and design, sculpture and photography, artist and public, meaning that his work also provides a broad basis for reflection on social and cultural questions.

Wagner is a celebrated historian of 19th and 20th - century French and British sculpture, and T. J. Clark is renowned for his focus on a new social history of art, concentrating especially on French Impressionism.

Montgomery distills a unique mysticism in his works that communicates wider social messaging - bridging a gap between a search for genuine spiritual feeling and an updated «Beuysian» conceptual art practice of social sculpture.

She has produced social practice projects for the DeCordova Museum and Sculpture Park in Lincoln, Massachusets and Brown University in Providence, Rhode Island.

Showing here in London for the first time in a public institution, Carlos Garaicoa reflects upon «the city» — its limitations, potential and possibilities — as a physical infrastructure, social network and political space in this exhibition comprised of large - scale installations, sculptures, video and photography.

Playful and celebratory, Amalia Pica's sculpture and works on paper — many of which will be shown in the UK for the first time — explore some of the underlying social concerns that relate to our daily experience of life.

Since his inclusion in the 2010 Whitney Biennial — whose Sculpture Court he transformed into an installation that served as a communal gathering space for performances, social engagement, and meditation — Gates has become a near ubiquitous presence in museum exhibitions, biennials, and lecture halls throughout North America, Europe, and beyond, showing his sculpture, channeling African - American musical traditions, and preaching a gospel of ground - up urban revitaSculpture Court he transformed into an installation that served as a communal gathering space for performances, social engagement, and meditation — Gates has become a near ubiquitous presence in museum exhibitions, biennials, and lecture halls throughout North America, Europe, and beyond, showing his sculpture, channeling African - American musical traditions, and preaching a gospel of ground - up urban revitasculpture, channeling African - American musical traditions, and preaching a gospel of ground - up urban revitalization.

Exploring these themes, this year's Frieze Talks features Claudia Rankine — 2016 MacArthur Fellow and winner of the 2017 Bobbitt National Poetry Prize for her collection Citizen: An American Lyric — discussing her writing and her newly - founded Racial Imaginary Institute; a panel on art and social commitment chaired by Shuddhabrata Sengupta of Raqs Media Collective (curators of the 11th Shanghai Biennial, «Why Not Ask Again») and featuring artists Tania Bruguera, Anri Sala and — ahead of her major project with Philadelphia Museum — Jeanne van Heeswijk; and a conversation on «complicating the Modern» with Ann Temkin, Marie - Jose ́e and Henry Kravis Chief Curator of Painting and Sculpture at MoMA.

Chris Thorpe - formerly a research scientist has been involved in projects as diverse as social worlds for 7 — 11 year olds, video archives of Nobel Prizewinners telling their life stories, a James Bond Premier Webcast and putting contemporary sculpture on Trafalgar Square's Fourth Plinth.

A contemporary artist hailing from Los Angeles, Arceneaux often finds inspiration in history, science fiction, social movements, philosophy, and architecture, for the creation of his immersive installations that artfully synthesize diverse media like video, sculpture, and painting.

The Schoolhouse and the Bus: Mobility, Pedagogy, and Engagement, an exhibition pairing, for the first time, work by two leading artists of the social practice movement, Pablo Helguera and Suzanne Lacy, is comprised of installation, collage, sculpture, ephemera, photography, video, as well as archival documentation.