Sentences with phrase «for women in the arts presents»

Not exact matches

A Spiritual Journey March 2, Starting: 07:00 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Ganja White Night March 2 Arvest Bank Theatre at the Midland, 1228 Main St., Kansas City, MO 64105 Lorde March 3, 7 pm Sprint Center, 1407 Grand Blvd., Kansas City, MO 64105 Lyric Opera of Kansas City presents Rigoletto March 3 - March 11 Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Kansas City Symphony Family Concert: The Science of Sound with Science City?s STEAM Team March 4, Starting: 02:00 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 AWOLNATION March 4 Arvest Bank Theatre at the Midland, 1228 Main St., Kansas City, MO 64105 National Geographic Live - Cristina Mittermeier: Standing at the Water's Edge March 6, From: 07:30 PM to 09:30 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 National Geographic Live - Cristina Mittermeier, Marine Biologist & Photographer Standing at the Water's Edge March 6 Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Big 12 Men?s Basketball Championship Recurring daily, March 7 - March 10 Sprint Center, 1407 Grand Blvd., Kansas City, MO 64105 Kansas City Symphony presents Classics Uncorked: At the Movies March 8, Starting: 07:00 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 The Kansas City Jazz Orchestra - Lady Be Good - Celebrating Women in Jazz March 9, 8 pm Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Brookside St. Patrick's Day Warm - up Parade March 10, 2:00 pm Brookside Shopping District, 63rd St. & Wornall Rd., Kansas City, MO 64113 Kansas City's Big 12 Run March 10 12th Street & Grand Blvd., Kansas City, MO 2018 Snake Saturday Parade March 10 - March 11, 11 am Downtown North Kansas City, 320 Armour Road, North Kansas City, MO 64116 The Music of Prince with the Kansas City Symphony March 10, Starting: 08:00 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Above & Beyond March 13 Arvest Bank Theatre at the Midland, 1228 Main St., Kansas City, MO 64105 NAIA 81st Annual Mens Basketball Championship Recurring daily, March 14 - March 20, Kansas City Convention & Entertainment Facilties, 301 W 13th St., Kansas City, MO 64105 Gloria Trevi and Alejandra Guzmán?s March 14 Sprint Center, 1407 Grand Blvd., Kansas City, MO 64105 Excision March 14 Arvest Bank Theatre at the Midland, 1228 Main St., Kansas City, MO 64105 Kansas City Symphony - Charles and Virginia Clark Inside Music Series: Joyce DiDonato, Mezzo - Soprano March 15, Starting: 06:30 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 Pink March 15 Sprint Center, 1407 Grand Blvd., Kansas City, MO 64105 Sara Evans - All The Love Tour, featuring RaeLynn and Kalie Shorr March 15, From: 07:30 PM to 10:30 PM Kauffman Center for the Performing Arts, 1601 Broadway Blvd., Kansas City, MO 64108 2018 Mecum High Performance Auction Recurring daily, March 16 - March 17, Gates open 8 am Kansas City Convention & Entertainment Facilties, 301 W 13th St., Kansas City, MO 64105

One thing however is clear: for a woman to opt for a career at all, much less for a career in art, has required a certain amount of unconventionality, both in the past and at present; whether or not the woman artist rebels against or finds strength in the attitude of her family, she must in any case have a good strong streak of rebellion in her to make her way in the world of art at all, rather than submitting to the socially approved role of wife and mother, the only role to which every social institution consigns her automatically.

On June 5, 2018, Otis College will partner with the Hammer Museum to present Shirin Neshat's screening of a film within a film, «Looking for Oum Kulthum,» which depicts the plight of an Iranian woman artist / filmmaker living in exile as she embarks on capturing the life and art of the legendary female singer of the Arab world, Oum Kulthum.

Despite what might appear to be great progress for women in the arts, these societal expectations continue into the present.

In 1974 she was given a retrospective at the Whitney; two years later, the date of the final portrait in the exhibition, she was elected to the American Academy and the Institute of Arts and Letters; and three years after that, and just five years short of her death aged 84, she was presented with a National Women's Caucus for Art award for outstanding achievement by President CarteIn 1974 she was given a retrospective at the Whitney; two years later, the date of the final portrait in the exhibition, she was elected to the American Academy and the Institute of Arts and Letters; and three years after that, and just five years short of her death aged 84, she was presented with a National Women's Caucus for Art award for outstanding achievement by President Cartein the exhibition, she was elected to the American Academy and the Institute of Arts and Letters; and three years after that, and just five years short of her death aged 84, she was presented with a National Women's Caucus for Art award for outstanding achievement by President Carter.

ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitwomen; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitWOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitions.

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

Attempting to address issue of exposure, inherent discrimination and notions of value, Whitechapel Gallery, London, in partnership with Collezione Maramotti, Reggio Emilia, Italy, present the annual Max Mara Art Prize for Women.

Curated by Sarah Lowndes, author of Social Sculpture: The Rise of the Glasgow Art Scene, for the Mackintosh Museum, the exhibition that runs till 30 September 2012 presents artworks and documentation of women artists in Glasgow from the late 1930s.

2017 Trigger: Gender as a Tool and a Weapon, The New Museum, New York, NY Fictions, The Studio Museum in Harlem, New York, NY Still Human, The Rubell Family Collection, Miami, FL Abstract / Not Abstract, Presented by Gagosian and Jeffrey Deitch, The Moore Building, Miami, FL Reconstitution, LAX Art, Los Angeles, CA Appetitive Torque, Eastside International, Los Angeles, CA Critical Content, Pacific Design Center, Los Angeles, CA No burden as heavy, David Castillo Gallery, Miami Beach, FL Women Painting, Martin and Pat Fine Center for the Arts, Miami - Dade College, Miami, FL

Tompkins presents the situation for women, in the here and now — but she also opens up questions about how art and culture shape that position.

The Whitechapel Gallery presents a major exhibition by London - based artist Emma Hart (b. 1974) for the sixth edition of the Max Mara Art Prize for Women, a biannual award established in 2005 to champion women artists in thWomen, a biannual award established in 2005 to champion women artists in thwomen artists in the UK.

She continues to write critically but in the academic context, presenting papers at the past three College Art Association conferences with a new paper, Baby doll: Boys and Their Virtual Toys, scheduled for the National Women's Studies conference in Denver this November.

Margaret Salmon was presented with the inaugural Max Mara Art Prize for Women at the British Pavilion in June 2005, during the 51st Venice Art Biennale.

The Barnes Foundation, which began its special exhibition program in 2012, will for the first time tour exhibitions originated by the Foundation: Renoir: Father and Son / Painting and Cinema (at the Barnes May 6 — September 3, 2018), will be presented at the Musée de l'Orangerie (Paris); and Berthe Morisot, Woman Impressionist (at the Barnes October 20, 2018 — January 14, 2019), will be presented at the Musée national des beaux - arts du Québec, the Dallas Museum of Art, and the Musée d'Orsay (Paris).

And the same year she won the MaxMara Art Prize for Women, presented in conjunction with the Whitechapel Gallery, where she showed Swallow, a multi-channel video installation riffing on the theme of visiting the Mediterranean for artistic inspiration.

Sponsorship for «Women of Influence in the Business of Art» was provided by: Simon Property Group (presenting sponsor) and Perrier - Jouët (champagne sponsor).

Press Releases: 9/19/17: Space to Create Artists Open Their Studios 6/7/17: New Space to Present in Midtown Inaugurated With Two Shows 5/22/17: Chashama Gala and After Party: Artists Take Over Times Square 5/18/17: Women in Art Today: BIGGER, BOLDER, BETTER 4/18/17: A Defective Longing for Perfection: «Lolita's PTSD» 4/13/17: New Space to Present Opens at 470 Vanderbilt 4/12/17: Announcing the 2017 Gala Honorees 3/30/17: Teen Art Gallery: Do You Mind?

In «Unfamiliar Again: Contemporary Women Abstractionists,» the Newcomb Art Museum of Tulane University presents seven female artists who have updated the state of the abstract in the American consciousness, accounting for technology's influence on the psychIn «Unfamiliar Again: Contemporary Women Abstractionists,» the Newcomb Art Museum of Tulane University presents seven female artists who have updated the state of the abstract in the American consciousness, accounting for technology's influence on the psychin the American consciousness, accounting for technology's influence on the psyche.

→ Cindy Sherman at Wexner Center In finding an artist to close out its year of showing only women artists — 37 in total — the Wexner Center for the Arts could hardly do better than Cindy Sherman, who has spent her decades - long career in photography and film presenting a multitude of womeIn finding an artist to close out its year of showing only women artists — 37 in total — the Wexner Center for the Arts could hardly do better than Cindy Sherman, who has spent her decades - long career in photography and film presenting a multitude of womein total — the Wexner Center for the Arts could hardly do better than Cindy Sherman, who has spent her decades - long career in photography and film presenting a multitude of womein photography and film presenting a multitude of women.

In finding an artist to close out its year of showing only women artists — 37 in total — the Wexner Center for the Arts could hardly do better than Cindy Sherman, who has spent her decades - long career in photography and film presenting a multitude of womeIn finding an artist to close out its year of showing only women artists — 37 in total — the Wexner Center for the Arts could hardly do better than Cindy Sherman, who has spent her decades - long career in photography and film presenting a multitude of womein total — the Wexner Center for the Arts could hardly do better than Cindy Sherman, who has spent her decades - long career in photography and film presenting a multitude of womein photography and film presenting a multitude of women.

Saar has received numerous awards of distinction, including two National Endowment for the Arts Fellowships (1974, 1984), a J. Paul Getty Fund for the Visual Arts Fellowship (1990), a Flintridge Foundation Visual Artists Award (1998) and most recently, in 2013, the Museum of Contemporary presented her with the Distinguished Women in the Arts Award.

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Coloin MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 ColoIn collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

Closing out a calendar year in which every featured artist is a woman, The Wexner Center for the Arts at The Ohio State University will present an expansive survey of her work.

Gulay Semercioglu: Variations on Line / / Shoja Azari: Windows / / Negar Ahkami and Shiva Ahmadi in The Fertile Crescent: Gender, Art and Society, presented by the Institute of for Women and Art at Rutgers University

She sits on the board of The Chimaera Project, a non-profit presenting opportunities for women and promoting gender equality in the media arts.

1994 The Art of Betye Saar and John Otterbridge, 22nd Biennial of Sao Paulo, Museum of Modern Art, Sao Paulo, Brazil Urban Paradise: Gardens in the City, Paine Webber Art Gallery, New York, NY The Sacred and the Profane, Jan Baum Gallery, Los Angeles, CA The US Delegation Fifth Biennial of Havana, Wilfredo Lam Center, Havana, Cuba Generation of Mentors, National Museum for Women in the Arts, Washington, DC 25 Years of African - American Art, The Studio Museum in Harlem, New York, NY; The Wood Street Galleries, Pittsburgh, PA; The Art Museum, Rhode Island School of Design, Providence, RI; The Scottsdale Art Center, Scottsdale, AZ; Munson - Williams - Proctor Institute, Utica, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; The New York State Museum, Albany, NY; The Mexican Museum, San Francisco, CA; Tufts University Art Gallery, Medford, MA; Heckscher Museum, Huntington Long Island, NY; The Lowe Art Gallery, University of Miami, Miami, FL Passionate Visions of the American South: Self - Taught Artists from 1940 — the Present, University Art Museum & Pacific Film Archive, Berkeley, CA; New Orleans Museum of Art, New Orleans, LA; San Diego Museum of Art, San Diego, CA; Corcoran Gallery of Art, Washington, DC; North Carolina Museum of Art, Raleigh, NC Relatively Speaking: Mother and Daughters in Art, Sweet Briar College Art Gallery, Sweet Briar, VA; Rahr West Museum, Manitowock, WI; Snug Harbor Cultural Center, Staten Island, NY; Rockford Museum of Art, Rockford, IL, Hofstra University Museum, Hempstead, NY African American Women Prints, Brandywine Workshop's Printed Image Gallery, Philadelphia, PA

She has contributed to productions for BBC 1 & 2, BBC Learning, Radio 4, Channel 4 and Sky Arts, from the Breakfast News to Making History and Woman's Hour, and she presents a regular «In Conversation» series at the V&A museum looking at issues concerning the clothed body in fashion and performancIn Conversation» series at the V&A museum looking at issues concerning the clothed body in fashion and performancin fashion and performance.

11 am Panel Discussion: Women of Influence in the Business of Art Artists Mickalene Thomas * and Shirin Neshat * will join Heidi Zuckerman, Director and CEO of the Aspen Art Museum for a panel discussion moderated by Stefano Tonchi, Editor - in - Chief of W Magazine, as part of Pratt Presents from the Pratt Institute.

Saar has received numerous awards of distinction, including two National Endowment for the Arts Fellowships (1974, 1984), a J. Paul Getty Fund for the Visual Arts Fellowship (1990), a Flintridge Foundation Visual Artists Award (1998) and most recently, in 2013, The Museum of Contemporary Art, Los Angeles, presented her with the Distinguished Women in the Arts Award.

An earlier exhibition, Cinema Remixed and Reloaded: Black Women Artists and the Moving Image (2008), which she co-curated with Andrea Barnwell Brownlee, was nominated for the prestigious AICA (International Association of Art Critics) award in the digital media, video or film category and was later presented at the 11th Havana Biennial in 2012.

The Minneapolis College of Art and Design, meanwhile, will present student work created in collaboration with the GGs, as well as a group exhibition organized by the Minnesota Women's Caucus for Art, and the Hennepin Theatre Trust will spearhead a public art project the GGs are planning for downtown MinneapolArt and Design, meanwhile, will present student work created in collaboration with the GGs, as well as a group exhibition organized by the Minnesota Women's Caucus for Art, and the Hennepin Theatre Trust will spearhead a public art project the GGs are planning for downtown MinneapolArt, and the Hennepin Theatre Trust will spearhead a public art project the GGs are planning for downtown Minneapolart project the GGs are planning for downtown Minneapolis.

The Center's 8,300 - square - foot space encompasses a gallery devoted to The Dinner Party (1974 — 79) by Judy Chicago, a biographical gallery to present exhibitions highlighting the women represented in The Dinner Party, a gallery space for a regular exhibition schedule of feminist art, a computerized study area, and additional space for the presentation of related public and educational programs.

Her performance works [5][8] include a series of site - specific gifting performances called Limited, Limited Edition which she has presented at Socrates Sculpture Park, in Long Island City, Queens; [9] in Jamaica, Queens; at the Incheon Women Artists» Biennale in Incheon, South Korea; [10] at On Stellar Rays gallery in the Lower East Side; in three locations in Newark, New Jersey for Aljira Center for Contemporary Art, [11] in a school yard in East Harlem; on 14th Street as a part of the Art in Odd Places performance festival, and on H Street NE in Washington D.C. [12] For Bad Kanji (2015), she painted temporary kanji tattoos on viewers at the Spring / Break Art Show, held in the historic office spaces above New York City's main post office, the James A. Farley Post Offifor Aljira Center for Contemporary Art, [11] in a school yard in East Harlem; on 14th Street as a part of the Art in Odd Places performance festival, and on H Street NE in Washington D.C. [12] For Bad Kanji (2015), she painted temporary kanji tattoos on viewers at the Spring / Break Art Show, held in the historic office spaces above New York City's main post office, the James A. Farley Post Offifor Contemporary Art, [11] in a school yard in East Harlem; on 14th Street as a part of the Art in Odd Places performance festival, and on H Street NE in Washington D.C. [12] For Bad Kanji (2015), she painted temporary kanji tattoos on viewers at the Spring / Break Art Show, held in the historic office spaces above New York City's main post office, the James A. Farley Post OffiFor Bad Kanji (2015), she painted temporary kanji tattoos on viewers at the Spring / Break Art Show, held in the historic office spaces above New York City's main post office, the James A. Farley Post Office.

Honors in Sculpture Skowhegan School of Painting and Sculpture 1982 Carnegie - Mellon University SELECTED SOLO EXHIBITIONS 2015 Les Guérillères, Sandra Gering Inc, New York, NY 2014 Julia Kunin & Jackie Gendel, Jeff Bailey Gallery, Hudson, NY 2013 Golden Grove, Barry Whistler Gallery, Dallas, TX 2012 Nightwood, Greenberg Van Doren Gallery, NY, NY 2002 Rotes Wildleder, Deutches Leder Museum, Offenbach, Germany 2000 Cephalopoden, Bellevuesaal, Wiesbaden, Germany 1999 Crimson Suede, Stefan Stux Gallery Project Room, New York, NY Rambling Conversation series, Four Walls, New York, NY Old Gallery, Tbsili, Georgia SELECTED GROUP EXHIBITIONS 2016 Dysfunction, BCA / Burlington City Arts, Burlington, VT In a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather Museuin Sculpture Skowhegan School of Painting and Sculpture 1982 Carnegie - Mellon University SELECTED SOLO EXHIBITIONS 2015 Les Guérillères, Sandra Gering Inc, New York, NY 2014 Julia Kunin & Jackie Gendel, Jeff Bailey Gallery, Hudson, NY 2013 Golden Grove, Barry Whistler Gallery, Dallas, TX 2012 Nightwood, Greenberg Van Doren Gallery, NY, NY 2002 Rotes Wildleder, Deutches Leder Museum, Offenbach, Germany 2000 Cephalopoden, Bellevuesaal, Wiesbaden, Germany 1999 Crimson Suede, Stefan Stux Gallery Project Room, New York, NY Rambling Conversation series, Four Walls, New York, NY Old Gallery, Tbsili, Georgia SELECTED GROUP EXHIBITIONS 2016 Dysfunction, BCA / Burlington City Arts, Burlington, VT In a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather MuseuIn a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather Museum.

National Lifetime Achievement Award, Women's Caucus for Art, presented at the National Museum of Women in the Arts

Laure Prouvost was nominated for her new work Wantee commissioned with Grizedale Arts for inclusion in Schwitters in Britain at Tate Britain and for her two - part installation for the Max Mara Art Prize for Women, resulting from a residency in Italy and presented in collaboration with the Whitechapel Gallery.

2010 Bill Viola per capodimonte, The Museo di Capodimonte of Naples, Naples, IT Bill Viola: The Quintet of the Astonished, Urban Video Project, Syracuse University, Syracuse, New York, US Bill Viola: Visitation, St. Louis Art Museum, St. Louis, Missouri, US Emergence: Bill Viola at the Accademia Gallery, Galleria dell «Accademia, Florence, IT Bill Viola: Figurative Works, Museo Picasso Málaga, Malaga, ES Bill Viola: Fire Woman and Tristan's Ascension, Presented by Kaldor Public Art Projects in association with the Melbourne International Arts Festival; St. Carthage's Church, Melbourne, AU Bill Viola: The Raft, Presented by ACMI for the Melbourne International Arts Festival in association with Kaldor Public Art Projects, Melbourne, AU

2011 Bill Viola Collected Works: 1977 - 80, Georgia Art Museum, Athens, Georgia, US Bill Viola: The Fall Into Paradise, Gardibaldi Building, Capodimonte, TR Selected Works 1976 - 81, Amore e Morte, Gucci Museum, Florence, IT The Value of Water, The Cathedral Church of St. John the Divine, New York, US Bill Viola: The Crossing, SCAD Museum of Art, Savannah, Georgia, US Bill Viola: Transformations, Gallery Koyanagi, Tokyo, JP Bill Viola, The Dick Institute, Kilmarnock, UK Déserts (1994), Yong Siew Toh Conservatory of Music Orchestra, Esplanade - The Recital Studio, SG Bill Viola: The Raft, Presented in association with the Melbourne International Arts Festival and Australian Centre for the Moving Image (ACMI), Melbourne, AU Bill Viola, Blackbox, Leeum, Samsung Museum of Art, Seoul, KR Ocean Without a Shore, Pennsylvania Academy of the Fine Arts, Philadelphia, US (ongoing) Bill Viola: Sodium Vapore (Including Constellation and Oracle) Flint Institute of the Arts, Flint, US Bill Viola: Isolde's Ascension (The Shape of Light in Space After Death), Stella Art Foundation, Moscow, RU Two Women (2008), Art Basel 42, Basel, CH

UK Friends of the National Museum of Women in the Arts (NMWA) are delighted to present the work of Claire Barclay, Sara Barker, Rana Begum and Alison Wilding, who have been selected in association with Caroline Douglas, Director of the Contemporary Art Society, for inclusion NMWA's 2018 exhibition.

In response to the call for the #J20 Art Strike, we have opted to remain open so these powerful works can be viewed by the public at a time when the topics present — from climate change to women's issues — are very much at the forefront.»

Artist biographies Laure Prouvost For her new work Wantee commissioned with Grizedale Arts for inclusion in Schwitters in Britain at Tate Britain and for her two - part installation for the Max Mara Art Prize for Women, resulting from a residency inItaly and presented in collaboration with the Whitechapel GalleFor her new work Wantee commissioned with Grizedale Arts for inclusion in Schwitters in Britain at Tate Britain and for her two - part installation for the Max Mara Art Prize for Women, resulting from a residency inItaly and presented in collaboration with the Whitechapel Gallefor inclusion in Schwitters in Britain at Tate Britain and for her two - part installation for the Max Mara Art Prize for Women, resulting from a residency inItaly and presented in collaboration with the Whitechapel Gallefor her two - part installation for the Max Mara Art Prize for Women, resulting from a residency inItaly and presented in collaboration with the Whitechapel Gallefor the Max Mara Art Prize for Women, resulting from a residency inItaly and presented in collaboration with the Whitechapel Gallefor Women, resulting from a residency inItaly and presented in collaboration with the Whitechapel Gallery.

The exhibition will feature work by the four nominated artists (in alphabetical order): Laure Prouvost Nominated for her new work Wantee commissioned with Grizedale Arts for inclusion in the exhibition Schwitters in Britain at Tate Britain and for her two - part installation for the Max Mara Art Prize for Women, resulting from a residency in Italy and presented in collaboration with the Whitechapel Gallery.

In «The Eternal Present» (1945, Museum of Art, Rhode Island), for example, the femme cheval (woman - horse), of which there are three in this painting, is constituted through a partial metamorphosis from a woman into a horse, evident here especially in the headIn «The Eternal Present» (1945, Museum of Art, Rhode Island), for example, the femme cheval (woman - horse), of which there are three in this painting, is constituted through a partial metamorphosis from a woman into a horse, evident here especially in the headin this painting, is constituted through a partial metamorphosis from a woman into a horse, evident here especially in the headin the heads.

Widely respected for her contribution to performance art; English is one of a few women artists who have consistently worked with performance from her early works in 1970's right up to the present day.

Hammer Projects: Andra Ursuta opens March 7, 2014 February 26, 2014 Sabrosonico: All - ages courtyard concert featuring Toy Selectah, Sonidero Travesura, DJ Chucuchu & More February 25, 2014 Hammer Museum Announces Made in L.A. 2014 Artists February 19, 2014 Hammer Museum Will Present Three Awards in Conjunction with Made in L.A. 2014 January 30, 2014 Curator Aram Moshayedi Receives Grant from The Andy Warhol Foundation for the Visual Arts January 22, 2014 Terry Riley: In C, a Performance Installation by The Industry January 16, 2014 Take It or Leave It: Institution, Image, Ideology January 8, 2014 Hammer Projects: Nathaniel Mellors December 16, 2013 Tea and Morphine: Women in Paris, 1880 to 1914 Opens January 26, 2014 December 11, 2013 Opening Soon: JG, a film by Tacita Dean & Kelly Nipper: Black Forest December 9, 2013 A Trip to Japan in Sixteen Minutes, Revisited November 18, 20in L.A. 2014 Artists February 19, 2014 Hammer Museum Will Present Three Awards in Conjunction with Made in L.A. 2014 January 30, 2014 Curator Aram Moshayedi Receives Grant from The Andy Warhol Foundation for the Visual Arts January 22, 2014 Terry Riley: In C, a Performance Installation by The Industry January 16, 2014 Take It or Leave It: Institution, Image, Ideology January 8, 2014 Hammer Projects: Nathaniel Mellors December 16, 2013 Tea and Morphine: Women in Paris, 1880 to 1914 Opens January 26, 2014 December 11, 2013 Opening Soon: JG, a film by Tacita Dean & Kelly Nipper: Black Forest December 9, 2013 A Trip to Japan in Sixteen Minutes, Revisited November 18, 20in Conjunction with Made in L.A. 2014 January 30, 2014 Curator Aram Moshayedi Receives Grant from The Andy Warhol Foundation for the Visual Arts January 22, 2014 Terry Riley: In C, a Performance Installation by The Industry January 16, 2014 Take It or Leave It: Institution, Image, Ideology January 8, 2014 Hammer Projects: Nathaniel Mellors December 16, 2013 Tea and Morphine: Women in Paris, 1880 to 1914 Opens January 26, 2014 December 11, 2013 Opening Soon: JG, a film by Tacita Dean & Kelly Nipper: Black Forest December 9, 2013 A Trip to Japan in Sixteen Minutes, Revisited November 18, 20in L.A. 2014 January 30, 2014 Curator Aram Moshayedi Receives Grant from The Andy Warhol Foundation for the Visual Arts January 22, 2014 Terry Riley: In C, a Performance Installation by The Industry January 16, 2014 Take It or Leave It: Institution, Image, Ideology January 8, 2014 Hammer Projects: Nathaniel Mellors December 16, 2013 Tea and Morphine: Women in Paris, 1880 to 1914 Opens January 26, 2014 December 11, 2013 Opening Soon: JG, a film by Tacita Dean & Kelly Nipper: Black Forest December 9, 2013 A Trip to Japan in Sixteen Minutes, Revisited November 18, 20In C, a Performance Installation by The Industry January 16, 2014 Take It or Leave It: Institution, Image, Ideology January 8, 2014 Hammer Projects: Nathaniel Mellors December 16, 2013 Tea and Morphine: Women in Paris, 1880 to 1914 Opens January 26, 2014 December 11, 2013 Opening Soon: JG, a film by Tacita Dean & Kelly Nipper: Black Forest December 9, 2013 A Trip to Japan in Sixteen Minutes, Revisited November 18, 20in Paris, 1880 to 1914 Opens January 26, 2014 December 11, 2013 Opening Soon: JG, a film by Tacita Dean & Kelly Nipper: Black Forest December 9, 2013 A Trip to Japan in Sixteen Minutes, Revisited November 18, 20in Sixteen Minutes, Revisited November 18, 2013

Selected Group Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art Institute, The University of Louisville, Louisville, KY

[1] Despite what might appear to be great progress for women in the arts, these societal expectations continue into the present.

«Fertility tourism» is the somewhat derisive term for cross-border travel to access artificial reproductive services that are restricted or unavailable in the traveler's home country.123 Such tourism can be a two - way street.124 Canada, for example, imposes severe penalties on anyone who provides compensation to a gestational surrogate.125 The risk of a serious fine and even jail time acts as a deterrent to Canadians who have no access to altruistic surrogates within Canada.126 The restrictions encourage Canadians to access ART services in the United States or other countries.127 On the other hand, Canada can be an attractive destination for intending parents who are not Canadian but who have access to an altruistic Canadian surrogate because the public health system greatly reduces the medical costs for the pregnancy and birth of the baby.128 India has a growing reputation for providing low - cost gestational surrogacy as it allows women to be compensated for providing such services.129 All of these scenarios present potential LRW problems addressing contract interpretation and enforceability.