Sentences with phrase «for abattoirs»

that the overlapping regulations for abattoirs be reviewed and streamlined to support the development of new small - scale abattoirs to better service regional and rural Australia, and include provision for the safe regulation of mobile abattoirs.

Euro Pumps designs, develops and manufactures water - efficient cleaning systems, specifically designed for abattoirs, as well as the horticulture and food processing industries.

If you usually find the genre icky and exploitative, try this one — but only if you've got the stomach for an abattoir's worth of blood in a single movie.

If you usually find the genre icky and exploitative, try this — but only if you've got the stomach for an abattoir's worth of...

If you usually find the genre icky and exploitative, try this — but only if you've got the stomach for an abattoir's worth of blood in one movie.

Momentum Pictures shared with Bloody the official U.S. trailer for Abattoir, which is set to release in theaters, VOD and Digital...

Animals never have it easy in Bong Joon - ho's world: «Barking Dogs Never Bite» paints those that yap as vermin that need terminating, «The Host» mutates a fish into a rampaging abomination and now Okja follows a hybrid fated for the abattoir.

Not exact matches

The post also described RBS» Global Restructuring Group (GRG), which the bank had promoted as a «hospital for sick businesses,» as a «business abattoir.»

Whether you loved him or claimed you'd sooner lick the floor of an abattoir than work for him, Martin Sorrell's impact on the advertising industry is undeniable and inescapable.

But Beijing has since allowed each coastal province to have two processing plants for imported live cattle, which adds up to 20 abattoirs.

The problem for the likes of Mr Chen is that China has built too many quarantine facilities and abattoirs for the available supply of cattle from Australia — the only country approved for live export to China.

«Furthermore, the increase in market share as a result of the proposed acquisition would be relatively small and JBS would continue to be constrained in the market for the acquisition of fat cattle by a number of alternative abattoirs and supermarket chains,» Mr Sims said.

Industry operations begin when live poultry is purchased for processing (usually aged between five and eight weeks) and includes abattoir operation, dressing, frozen poultry manufacturing, poultry meat manufacturing and poultry packing.

For a meat product to be certified organic it must also have been processed at a certified organic abattoirs which keeps cattle in their social groups, provides comfortable holding pens with feed, water and bedding, don't kill animals in the line of sight of other animals and render animals unconscious before they're killed.

There are at least four ports, quarantine facilities and abattoirs along China's east coast that have been constructed especially for the live trade with Australia.

But the Chinese demand for cattle from southern markets will also take supply away from Australian abattoirs.

We began processing in Longreach a few years after we started and also hold organic certification for Longreach Agrcultural College abattoir and certified our secret recipe organic gluten free Lamb and Rosemary sausages.

Animals Australia's Lyn White returned to Kuwait for the 2010 Festival of Sacrifice and visited once again the Kuwaiti livestock market and abattoir that had presented such grave animal welfare concerns in the past.

It is currently playing out in the live animal export sector, where the demise of local processing opened the door for a live export sector, which in turn through its simple business model has compromised livestock welfare and alienated many consumers, reduced employment in Top End towns which once had abattoirs, and added risk to cattle business profitability by providing only one market outlet.

Over a number of days evidence was collected that showed Australian sheep being offered for sale from 26 roadside stalls and markets — in direct contravention of the Exporter Supply Chain Assurance System (ESCAS) which dictates that animals must only go to approved abattoirs.

It comes after shocking revelations that almost 2,500 Australian sheep died from heat stress on board a ship bound for the Middle East last August, and animals being mistreated in a Qatari abattoir.

One of the scheduled destination ports for the vessel is Qatar, despite Qatar's major abattoir being suspended for breaches of Australia's live export regulations.

In other words, even the complete removal of Australian beef would make virtually no difference whatsoever, except for more affluent Indonesians who tend to eat Australian beef and who have the means to purchase and store boxed Australian meat processed by Australian workers in Australian abattoirs.

LIVE exports out of Port Alma would be «unequivocally bad» for Rockhampton, according to local abattoir Teys Australia.

The Australian Meat Industry Council and the Meat Industry Employees» Union have accused the government of subsiding foreign workers who compete directly with Australian meatworkers for jobs with its five - year commitment to an initiative, Managing Abattoir, Training and Exchange of Skills, or MATES.

For a start within 12 months the mothballed abattoirs in Katherine and Innisfail could be refurbished and reopened, the mooted abattoir in Darwin could be well on its way to completion, and thousands of unemployed and underemployed workers could be trained.

For example, after our investigators exposed horrendous treatment of animals in Jordan, Animals Australia's work in collaboration with the Princess Alia Foundation has now been responsible for the uptake of pre-slaughter stunning in Jordanian abattoirs — for both cattle and sheFor example, after our investigators exposed horrendous treatment of animals in Jordan, Animals Australia's work in collaboration with the Princess Alia Foundation has now been responsible for the uptake of pre-slaughter stunning in Jordanian abattoirs — for both cattle and shefor the uptake of pre-slaughter stunning in Jordanian abattoirs — for both cattle and shefor both cattle and sheep.

This exposure of abattoir cruelty, the latest in a string over the past 15 months, further demonstrates the urgent need for constant monitoring by Government veterinary officers and CCTV in all abattoirs.

But most of theses are animals are bred for sport which isn't different from owning an abattoir where we all are happy to patronize, I really doubt animals are happy to be killed in any case, field or slaughterhouse.

Tuol Sleng prison, as headed by the notorious Comrade Duch under the authority of Nuon Chea, was an abattoir for the politically impure.

The response points out that allowing such research would not only overcome some of the problems of low availability of human eggs but also, if animal eggs were sourced from abattoir material, could contribute to a reduction in the number of animals used specifically for research.

Momentum Pictures has debuted a new trailer for the haunted house horror thriller Abattoir, from director Darren Bousman (of Saw II - IV and Repo!

Iâ $ ™ m on the sharp end of a divorce so going into a romantic comedy for me, well itâ $ ™ s like a vegan booking an abattoir weekend.

Materials of animal origin come from abattoirs and animals which have been passed as fit for human consumption by the official veterinary services.

We are proud that the sculpture «Death and the maiden 4» has been selected for the OMNIA VANITAS Exhibition at WCC - BF (World Crafts Council — Belgique francophone) Gallery, in the Anciens Abattoirs in the city of Mons, Belgium.

Recent exhibitions include: Anthropocene Monument, Les Abattoirs, Toulouse (2014); Nothing but remains, Octopus, Gertrude Contemporary Art Spaces, Melbourne, (2014); Weather Permitted (Se o clima for favorável) 9th Bienal do Mercosul, Porto Alegre, Brazil (2013); Mom Am I Barbarian, 13th Istanbul Biennale, Istanbul (2013); Living Amongst the Ruins of the 21st Century; UTS gallery, Sydney (2013); Sinking Islands, Labor Gallery, Mexico City (2012).

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

After two stops in Germany (Kunsthalle Bielefeld and Kunstmuseum Liechtenstein, Vaduz), this family affair is now on view at Toulouse's Les Abattoirs, a former slaughterhouse whose soaring ceilings and brick arcades provide a dramatic setting for Smith senior's monumental sculpture.

Solo Exhibitions 2016 «Drunk Brown House», Serpentine Sackler Gallery, London 2016 «Eucalyptus, Let us in», Greene Naftali, New York 2014 «Orchids, or a hemispherical bottom», Johann König, Berlin 2014 «Parrot Problems», Fridericianum, Kassel 2014 «Oreo St. James», Sadie Coles HQ, London 2013 «No borders in a wok that can't be crossed», CCS Bard, New York 2012 «Plank Salad», Chisenhale Gallery, London 2012 «Evian Disease», Palais de Tokyo, Paris 2012 «Almost the exact shape of Florida», Kunsthalle Zurich, Zurich 2011 «Park Nights», Serpentine Gallery, London 2011 «Fruits, Flowers, and Clouds» (with T293), Museum of Applied Arts, Vienna 2011 «Take a stick and make it sharp», Johann König, Berlin 2010 «I like my heroes marble chested», Carl Kostyál, London 2010 «Wicked patterns», T293, Naples Group exhibitions 2018 «Faithless Pictures», The National Museum of Art, Architecture and Design, Oslo 2018 «The Body Electric», The Walker Art Centre, Minneapolis 2017 «Suspended Animation», Les Abattoirs, Toulose 2017 «made on the table», Sadie Coles HQ, London 2017 EuroVisions: COntemporary ARt from the Goldberg Collection, NAS gallery, Sidney, Australia (touring exhibition in Australia to 2019) 2017 «Second Nature», K11 Art Foundation, Hong Kong 2016 «The Hepworth Prize for Sculpture», The Hepworth Wakefield 2016 «NO MAN»S LAND: Women Artists from the Rubell Family Collection», National Museum of Women in the Arts, Washington 2016 «Turner Prize 2016», Tate Britain, London 2016 «OVERPOP: New Art from Yuz Collection and Beyond», Yuz Museum, Shanghai 2016 «The future is already here — it's just not evenly distributed», 20th Biennale of Sydney 2016 «THE NEW HUMAN: Knock, Knock, is Anyone Home?»

Mostre Personali 2016 «Drunk Brown House», Serpentine Sackler Gallery, Londra 2016 «Eucalyptus, Let us in», Greene Naftali, New York 2014 «Orchids, or a hemispherical bottom», Johann König, Berlino 2014 «Parrot Problems», Fridericianum, Kassel 2014 «Oreo St. James», Sadie Coles HQ, Londra 2013 «No borders in a wok that can't be crossed», CCS Bard, New York 2012 «Plank Salad», Chisenhale Gallery, Londra 2012 «Evian Disease», Palais de Tokyo, Parigi 2012 «Almost the exact shape of Florida», Kunsthalle Zurich, Zurigo 2011 «Park Nights», Serpentine Gallery, Londra 2011 «Fruits, Flowers, and Clouds» (con T293), Museum of Applied Arts, Vienna 2011 «Take a stick and make it sharp», Johann König, Berlino 2010 «I like my heroes marble chested», Carl Kostyál, Londra 2010 «Wicked patterns», T293, Napoli Mostre Collettive 2018 «Faithless Pictures», The National Museum of Art, Architecture and Design, Oslo 2018 «The Body Electric», The Walker Art Centre, Minneapolis 2017 «Suspended Animation», Les Abattoirs, Tolosa 2017 «made on the table», Sadie Coles HQ, Londra 2017 EuroVisions: COntemporary ARt from the Goldberg Collection, NAS gallery, Sidney, Australia (touring exhibition in Australia to 2019) 2017 «Second Nature», K11 Art Foundation, Hong Kong 2016 «The Hepworth Prize for Sculpture», The Hepworth Wakefield 2016 «NO MAN»S LAND: Women Artists from the Rubell Family Collection», National Museum of Women in the Arts, Washington 2016 «Turner Prize 2016», Tate Britain, Londra 2016 «OVERPOP: New Art from Yuz Collection and Beyond», Yuz Museum, Shanghai 2016 «The future is already here — it's just not evenly distributed», 20a Biennale di Sydney 2016 «THE NEW HUMAN: Knock, Knock, is Anyone Home?»

«In the abattoir we use hot water for slaughtering the cattle,» he said.