Sentences with phrase «for action on the screen»

While I realize that, in the context of the film, this might work wonderfully for the action on the screen, I'm still left, as a listener, unsatisfied.

We're talking sweeping scores that change with the action and create a near - perfect sci - fi soundtrack for the action on the screen and even the downtime on your ships bridge.

Not exact matches

Since the «Star Wars» prequels, in which George Lucas was heavily criticized for using too much CGI to create the worlds and characters, many big - budget movies have tried to find that happy medium of practical and visual effects to give the action on screen a more grounded feel.

Nvidia (NVDA) just launched its $ 200 Shield Tablet K1, which Gray says was designed with Tegra K1 chip technology that offers pro gamers a larger high definition screen on which to play and more enhanced visuals to bring the action alive for both spectators and players.

The AiGuru uses Wi - Fi to enable Skype video calls on its 7 - inch screen to anywhere in the world that cost next to nothing (and literally nothing for Skype - on - Skype action).

For example, to get more customers to reload coffee cards online, Starbucks can test the effectiveness of having an ad on its homepage vs. placing a call to action on the coffee card's log - in screen.

Cost savings, combined with what researcher Dr. Jerome Singer documents as the importance of movement and action as an immediate attention - getter, account for much of the pressure for gratuitous violence on the screens in our homes.

They are able to move the ball swiftly to the thirty, but when things look their bleakest for the Cowboys» Faithful, the Eagles dial up a WR Screen / Slant / Read Option / Play Action all on the same play and it results in a loss of yards.

Sun's group is following up on these findings by screening for drugs that could perform similar antiviral actions in humans.

Picture Categorisation for Suggesting Soundtracks, or PICASSO, has learned what makes a good soundtrack by analysing existing films to find the properties that link the music with on - screen action.

They promise to study the views of public and professional interests before deciding whether action by government is needed on delicate issues such as screening for the condition called fragile X syndrome.

Thousands of Latino women are waiting for you on your computer screen, take action today.

You may not be able to remember the specifics of Rogue Nation's plot for more than a few weeks and yet you will remember how much fun you had letting it take you on its ride of high - octane spy action for which there is clearly still a place in today's CGI and green screen - heavy Hollywood.

Harris» feature films for 2004 include the live - action remake Thunderbirds and the thriller Trauma, starring Colin Firth.Though her star was steadily rising in Hollywood, it wasn't until 2006 that Harris would really make a splash on stateside screens; and after supporting roles in Brett Ratner's After the Sunset and Michael Winterbottom's A Cock and Bull Story, Harris took to the high seas for her role as Tia Dalma in the eagerly anticipated summer sequel Pirates of the Caribbean: Dead Man's Chest.

Recalling John Milius» 1982 hit Conan the Barbarian (another film that launched the cinematic action career of a then - little - known athlete named Arnold Schwarzenegger), the sword - and - sandal adventure raked in 36 million dollars on its opening weekend and stayed at the top of the box office in the weeks following its impressive debut.Though he would return to the ring for the remainder of 2002, it didn't take Johnson long to soften on the prospect of a return to the silver screen — and with the following year's The Rundown, he did just that.

Dragon Ball Z Battle of Z will let players form teams with up to four characters to participate in group melee action, take on massive boss battles, or challenge other players around the world for brawls featuring up to eight characters on screen at the same time.

For all the cinematic dreck currently peddling disorienting editing as «action,» no one in good conscience could deride Tarantino for his indulgence in split screens or extreme close ups or smash zooms or any other mode of cinematic gimmickry, when it affords us hauntingly sparse centerpieces such as The Bride's live burial, an aural choir of oppressive dirt, panting whimpers, and futile struggling set to the visual accompaniment of pitch black confinement that stretches on well past any spectator's comfort levFor all the cinematic dreck currently peddling disorienting editing as «action,» no one in good conscience could deride Tarantino for his indulgence in split screens or extreme close ups or smash zooms or any other mode of cinematic gimmickry, when it affords us hauntingly sparse centerpieces such as The Bride's live burial, an aural choir of oppressive dirt, panting whimpers, and futile struggling set to the visual accompaniment of pitch black confinement that stretches on well past any spectator's comfort levfor his indulgence in split screens or extreme close ups or smash zooms or any other mode of cinematic gimmickry, when it affords us hauntingly sparse centerpieces such as The Bride's live burial, an aural choir of oppressive dirt, panting whimpers, and futile struggling set to the visual accompaniment of pitch black confinement that stretches on well past any spectator's comfort level.

When: October 18th Why: Before «The Expendables,» moviegoers had to wait decades for the chance to see action stars Sylvester Stallone and Arnold Schwarzenegger side by side on the big screen, but these days, you can't seem to keep the two apart.

On top of that, Andy Serkis was on hand to introduce a brief video showcasing the live - action human actors filming the performance capture for the Ape roles side by side split screen with the computer animated finished footage of the ApeOn top of that, Andy Serkis was on hand to introduce a brief video showcasing the live - action human actors filming the performance capture for the Ape roles side by side split screen with the computer animated finished footage of the Apeon hand to introduce a brief video showcasing the live - action human actors filming the performance capture for the Ape roles side by side split screen with the computer animated finished footage of the Apes.

It takes a great deal of trickery to make such a farfetched premise fly, so credit director Tony Scott (Spy Game, Enemy of the State) for keeping the action and drama moving at a brisk enough pace to keep out minds engaged more in the events as they unfold on the screen, only realizing that, in the end, it doesn't quite hold up to close analysis.

The future scenes also contain some good action beats that bookend the 1973 section, but because many of the featured mutants (like Bishop, Blink, Warpath and Sunspot) are appearing on screen for the first time with almost no introduction, you don't really care what happens to any of them, especially when the actors only have about three lines of dialogue combined.

There's also an English «audio description track» for the visually impaired (in which a woman delivers pithy descriptions of the on - screen action in a hurried voiceover layered atop a Dolby Digital 5.1 mix), plus a French Dolby Digital 5.1 track.

Not necessarily, it looks like DK Tropical Freeze is not some mere «2D cartoon platformer», but has multiple tiers of action, with level interaction and very large intricate enemies attacking from the foreground and background, a lot of very highly detailed and fluidly animated elements within each level, not to mention who knows how advanced the enemy AI is for each character on the screen possibly acting independently or interdependently of each other, all this requires lots of processor power to pull off let alone maintain a steady 60 fps.

It's important to keep pushing for the types of characters people want to see on screen, and Black Panther has done great work in giving the world a cast of crucial black women whose lives are full and whose actions define the narrative.

The color palette and mis - en - scene composition are fittingly vibrant and epic for a blockbuster film of this scope, and many of the ambitious action sequences are well - executed and impressive, which helps to justify seeing the film on a theater screen.

Other characters are brought on and primed for spin - offs: Tom Holland's Spider - Man, the second big - screen reboot of Spidey this century, impresses in a chattery cameo; Chadwick Boseman's Black Panther (a black character who isn't primarily someone's second best friend) is fluid in action and stiff out of costume in a potentially interesting way.

The effects - heavy action epic from Paramount Pictures and Regency Enterprises took in $ 1.1 million from 730 screens on Thursday in Korea, the highest opening day in 2014 for the territory.

As I slunk into the back of my chair, my eyes peering out through the unnecessary 3D glasses at the hyperactive action unfolding on screen, there was little more I could ask for Christmas than for this exhausting cacophony of noise to end.

I give The Equalizer a 7.5 / 10 for the raw and bone shattering action and another quality performance by Denzel Washington and Chloe Grace Moretz, even with her limited on - screen time.

The difference between «Salt» and most ludicrous trying - too - hard action movies is a matter of grace under pressure: a veteran director with a firm command (and respect for) the integrity of screen space; a stripped - down screenplay that gives you just enough exposition to create suspense and keep you guessing about what's going on (What's she doing?

While the movie does all of its characters the favor of not condescending to them or their perspectives — a Bible Study group that might have been played for snickers is accorded, at the very least, a neutral view — its strategy of withholding both particular characters and information about their actions (the mine supervisor played by Josh Lucas doesn't show up until a half hour or so into the picture), while perhaps looking attractively, insinuatingly oblique on paper, has on the screen the general effect of blunting potential emotional impact.

Having thrived and evolved for eight consecutive decades in the public imagination - in prose and graphics, on the big screen and small, in games and properties of all kinds - Conan's exploits in the Hyborian Age now come alive like never before in a colossal 3D action - adventure film.

John Carter (PG - 13 for violence and intense action sequences) Screen adaptation of «A Princess of Mars,» Edgar Rice Burroughs» sci - fi novel about a Civil War Confederate veteran (Taylor Kitsch) who is magically transported to Mars where he rescues a desperate damsel in distress (Lynn Collins) while on the run from a horde of 12 - foot tall green creatures.

The Hobbit: The Battle of the Five Armies Rated PG - 13 for extended sequences of intense fantasy action violence, and frightening images Available on DVD, Blu - ray and Blu - ray 3D When I first heard Peter Jackson was creating The Hobbit for the big screen, I was elated.

Anis Cheurfa is proficient in French free running discipline Parkour, so much of his physical action on screen was filmed for real.

Characters on the left side of the screen in the forefront are contrasted with an action occurring in the distant background on the right, with the vacuum in the middle providing the groundwork for the thematic use of space in the mid-section.

The Cannes Film Festival has proven a fertile space for the release of the best the country has on offer to Western markets, and following the success of Yeon - Sang - ho's extraordinary zombie film Train to Busan in 2016, Cannes» Midnight Screenings this year featured Jung Byung - gil's high - octane female - centred action movie The Villainess.

And it might be nice to see Whedon return to the action genre — he famously co-wrote (without receiving screen credit) Jan de Bont «s masterful «Speed» and sold a $ 1 million spec script called «Suspension» about a terrorist attack on a bridge (it was never actualized and was, at one point, considered for a sequel to the Sylvester Stallone disaster movie «Daylight «-RRB-.

Also Read: Tesla's Elon Musk Presses for Action on Climate Change at «Racing Extinction» Screening (Video)

From the creators of the hit supernatural saga, Underworld, comes the action thriller I, Frankenstein, written for the screen and directed by Stuart Beattie based on the graphic novel «I, Frankenstein» by Kevin Grevioux, and brought to life by a cast that includes Aaron Eckhart, Bill Nighy, Yvonne Strahovski, Miranda Otto, Jai Courtney, Socratis Otto, Mahesh Jadu, Caitlin Stasey and Aden Young as Victor Frankenstein.

Why you shouldn't miss it: Sylvester Stallone has assembled an amazing cast of action stalwarts, creating the best reason for on - screen explosions ever.

With its abundant action, spectacular desert locales, and emphasis on honor, valor, and redemption, the story's a natural for the big screen, and the 1939 version, starring John Clements and Ralph Richardson, is widely regarded as a classic of the British cinema.

Other features: the Fox special «Mutant Watch», a fairly routine making - of structured around a Kelly hearing; Hugh Jackman's screen test (notable for unused conversation between Logan and Rogue); brief clips of Bryan Singer on «Charlie Rose» (more, please); Animatics (or, X-Men meets «Reboot» — computer - generated storyboards for a couple of action sequences); a very extensive gallery of costume and production designs; two trailers and three TV spots (none of them, disappointingly, the mock - campaign ad that ran on late night cable); a promo for the soundtrack CD; and two easy - to - spot Easter eggs (in one, an outtake, we're made privy to a hilarious, Marvel - centric practical joke) within underimagined animated menus.

Though still less than half the film, they definitely are employed with greater frequency than on the last movie, with many establishing second unit shots and significant action moments going with the screen - filling 16:9 now more commonly used for television than feature films.

I just watched TERMINATOR 2 again - it was for the 3D rerelease, but the 3D is almost nonexistent so it felt just like watching the original again on a big screen, which is great because it's absolutely brilliant action filmmaking and it boggles my mind that people could watch for (just as a for instance) and claim the action filmmaking in any Marvel / post-Nolan DC movie was of similar quality.

The BAFTA, Golden Globe and Emmy - nominated actor, who wowed on stage performing Harold Pinter, wooed on screen with Evita and blew minds open in Brazil, has never been afraid to ham it up for a supporting role in an action franchise (see Pirates of the Caribbean).

This is a must - see for any action fan to be viewed on the largest screen possible surrounded by a million speakers.

He is known for bringing the character Jason Bourne to life on the big screen, starting up a massively successful action franchise.

Between these two series, their collaboration brought to the screen a style of elegant, phantasmagoric action where bodies become endlessly mutable objects, capable of being folded, bent, spindled, and mutilated, where gravity was a matter of opinion and where Chinese history was a frantic, surreal free - for - all, that would go on to influence hundreds of imitators.

For as long as they're on screen, Captain America: Civil War becomes a better movie, and the extended action sequence in which they are both featured is the highlight of the entire experience, in part because it pauses to allow for joking dialogue and an assessment of the situation; the fights have meaning and reflect the characters involvFor as long as they're on screen, Captain America: Civil War becomes a better movie, and the extended action sequence in which they are both featured is the highlight of the entire experience, in part because it pauses to allow for joking dialogue and an assessment of the situation; the fights have meaning and reflect the characters involvfor joking dialogue and an assessment of the situation; the fights have meaning and reflect the characters involved.