In 1960 Greenberg published the most complete articulation of his basis
for aesthetic judgment in an essay titled «Modernist Painting.»
Not exact matches
Certainly, he continues, «at some point
judgment is eclipsed by
aesthetic delight» — revealing that propositions in their simplest and most fundamental form are entertaining and
for entertainment (PR 184f / 281).
Notable, areas in the medial orbitofrontal region and the anterior cingulate cortex, which are relevant
for self - referential appraisal and
aesthetic judgments, were found to be activated during the listening.
It's hard
for me to imagine how the dominant, non-formalist form of film studies, with its systemic handicap of abstaining from value
judgment and not being able to treat the film as an independent
aesthetic object capable of producing an infinite variety of affects, can be terribly instructive
for the enterprise of film criticism, which necessarily calls
for a hierarchy of values on the part of the practitioner and his / her acknowledgement being a sentient, unique subject capable of being transformed by the film.
Criticizing an ethicist
for making moral
judgments would be like taking to task a movie reviewer who makes
aesthetic judgments about the latest films.
We'll need to get more details from Fitbit before making any real
judgments, but at first glance, I really like the
aesthetic Fitbit's going
for here.