Sentences with phrase «for anyone in the film»

Not exact matches

It's a nice history lesson for anyone who's interested in Apple, but the second half of the film is where things really start to get interesting.

It's helped me develop a sense of storytelling that is so key for not only composers, but anyone that works in film and TV.

For anyone who cherishes the Scriptures as passionate presentations of God at work in history, this film is dead at its core.

This film is a great choice for anyone looking for something that offers superior privacy in a way that blends seamlessly into their home.

It's one of the most intense moments in the film, and will stir up feelings for anyone who understands what it's like to feel threatened for simply asking for your fair share of respect.

Here, respectfully, Glazer raises more questions about male reactions to sexualised femininity than anyone could be entirely comfortable answering and his film is more potent in its message for this.

[Blu - ray Review] Looking and sounding like a million bucks (or more) and full of exhaustive bonus content new and vintage, the Blu - ray release of «The Jungle Book» is a must - own for anyone who loves animation, the Walt Disney studio, or film in general.

The Cabin in the Woods WOW it was a great film the actors and actresses are great the writers the directors, producers and everyone who was involved, The film has a understanding story im not going to give it away for anyone who has not seen it.

For anyone not familiar with the events in Entebbe, the film is engaging enough as a historical account of a watershed moment in how the world chose to deal with terrorism — the actions of the Israeli Defence Forces prompted governments around the world to reassess the way they responded to acts of hostage taking.

, Australia suffered a case of critic tall - poppy syndrome, in which it seemed the film was doomed for universal criticism before anyone had laid eyes on it.

An unsentimental but emotional film for anyone who suspects in their heart of hearts that suffering really is the only thing that makes anyone worth a damn.

Jeffrey Dean Morgan's government agent Harvey Russell, for example, struts around with a giant belt buckle and a pistol in his holster for the entire film, lest anyone forget that he's the cowboy / maverick type.

The Neon Demon's going to frustrate anyone who goes in looking for a conventional film or a thriller that has any interest in actually scaring you.

He did several suspense films, including Johnny Allegro and Dangerous Profession, but it was his work on The Window that earned Tetzlaff a permanent place in the memories of filmgoers — a dark, chilling, and suspenseful thriller, based on the fable of the boy - who - cried - wolf, this film, about a young boy (Bobby Driscoll) known for telling tall tales, who witnesses a murder in his tenement building and can't get anyone to believe him, was an instant hit.

Closing, resolving, or at least acknowledging all those plot and character threads would appear to be an overwhelming task for anyone in any medium, and it's more than any one film can handle.

For anyone who finds films about affairs boring, We Don't Live Here Anymorecould feel like being stuck in a bad marriage - for all the wrong reasoFor anyone who finds films about affairs boring, We Don't Live Here Anymorecould feel like being stuck in a bad marriage - for all the wrong reasofor all the wrong reasons.

Here's what clout can get you: If anyone other than Robert Zemeckis and Tom Hanks were involved in making a film version of «The Polar Express,» no one would suspect for a minute that it would be any good.

To list exactly what happens to the visitors would spoil it for those who haven't yet seen the film, but it's fair to say that anyone who's expecting sedate chills is in for a shock.

... Okay, so it's kind of lame to forcibly cite this film as nerdy to the point of getting a star with a surname that sounds kind of like «Edison», but the filmmakers had to have some corny joke somewhere in the casting, for it's not like Edison has been earning enough attention from, well, anyone to get a gig even this low in profile.

All in all a highly successful film, and recommended for anyone who wants a well made, smartly written comedic drama.

Even though the comedy might be a little bit subtle in some parts of the movie, I would definitely recommend this film to anyone looking for a nice, heart - warming tale.

Even now, though, it's hard to find anyone who'll really go to bat for the film as anything other than a new nadir in Burton's creative slump.

Originally a music event, its film component is now a launchpad for movies big and small and a gathering place for anyone involved in pop culture.

He had a way of dissecting a film and commenting on it in a way that was easy for anyone to understand.

For her role in the film adaptation of the bestseller The Girl on the Train, Emily Blunt was excited to get her head around a character unlike anyone she's ever played.

Given his method - inspired, Golden Globe - winning (for best actor in a miniseries or television film) effort, it is now impossible to imagine anyone else as Dean apart from the legendary figure himself, in a testament to Franco's pervasive prowess.

Not only does he have some of the best dialogue in the film, but for anyone with a soft spot for a particular Lego minifigure, his transformation will be especially satisfying.

While the film may be an uneven blend of shock therapy and wholesome homespun wisdom, anyone in the mood for a colourful and camp confection with plenty of bawdy humour will find Mental fits the bill.

It relates to a song in Frozen, but I don't want to ruin the joke for anyone that has yet to see the film.

If your kids are old enough to watch a film without constant supervision, you'd probably to well to drop them off and check out another film in the cineplex while its showing, as this is almost completely devoid of interest for anyone who has seen more than five movies in their lifetime.

You might recall the female chimp's appearance in the first film as portrayed by dancer Devyn Dalton, but this time around, Cornelia is due for a significant expansion and Greer's husband is likely more excited than anyone.

As for the rating, anyone who knows anything about The Hunger Games should know that this doesn't lend itself towards light material — this is one of the darker «PG - 13» films to be released in a long time.

For anyone who has read aloud A.A. Milne's sing - song wordplay to sleepy tykes at bedtime, the film's title likely summons visions of a honey - craving bear, a sweet - natured piglet, a sullen donkey and an energetic tiger bouncing alongside their pint - size human pal — inspired by the author's own son — as they share adventures in the 100 Acre Wood.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

In the end, I can recommend this film to anyone who is out for a few cheap gags, but I would just as quickly tell them to avoid it.

For anyone not intimately familiar with the background and names within the upper echelons of The Third Reich, the coming and goings of so many characters in Downfall can be a little confusing at times; yet the film avoids becoming unnecessarily convoluted.

Fans of Jason Statham will no doubt have some fun with Killer Elite and there's one show - stopping moment in the first Statham / Owen brawl that will certainly get a reaction from audiences, but for anyone looking for either an over-the-top action flick or a smart - witted political thriller, the film fails to live up to the sum of its respective parts.

Flawed though Meet John Doe may be by its ending, it is the key film in Capra's filmography, and a must - see for anyone interested in classic cinema.

It paid off handsomely for James and anyone with profit participation in the film series, but less so for audiences, regardless of their dedication or interest to the book series.

Particularly the puppy scene in the beginning and his unselfish bravery in the end, thus making this movie a most see for any self - acclaimed dog lover and anyone who wants to see a good animated film.

Anyone who has seen the lavish stage musical and also loved it (and that two - part distinction is essential) will find much to be thankful for in director Tom Hooper's lavish film adaptation.

I doubt anyone who had no interest in the film to begin with could be persuaded to see it but for those that are even mildly curious, it's well worth the trip.

The film vividly captures the mood of today's economy, as people struggle to survive in a system that seems designed to guarantee failure for anyone who isn't a high - flying banker.

Anyone who was a fan of the «Naked Gun» movies is in for a treat - there are definitely undertones of NG «blundering good cops» about this film.

The film already played at a film festival last year and arrives in theaters this February, for anyone curious about it after checking out the trailer.

City Of God — I avoided seeing this film for a long time, despite it playing my theatres in two separate runs and rave reviews from anyone who saw it.

I probably won't be spoiling the film for anyone by stating that Voldemort does make an appearance late in the film, portrayed eerily by Ralph Fiennes (Maid in Manhattan, Red Dragon).

Memento is highly recommended for anyone who likes to be thrown for a loop while watching a mystery and not have everything wrapped up in a tidy bow by the end of the film, a la Jacob's Lader and its brethren.

Responding to separate tweets both criticizing and thanking the creative team for the scene, Edmondson acknowledged the cameo but explained and later clarifying that anyone thinking Marvel and the creative team were making a «petty statement about the film» are wrong - making it clear he does not sing in the chorus of those lambasting the film.

The most notable example of this occurs early on in the film when Zuri (Forest Whitaker) asks if anyone is willing to challenge T'Challa for the power of Black Panther.