Sentences with phrase «for artistic positions»

Not exact matches

Position away, O ye spinners: The good news for all who are not awards voters is that this newer, shorter World — shorter, anyway, in the category of languid movies over two hours — is that it communicates Malick's luminous artistic vision of innocence and loss, wildness and order, risks taken and chances lost, with more clarity than his first cut.

Rauschenberg describes in his quotes his search for a fitting position in American painting, moreover he presents an impression of his artistic life with art - mates Jasper Johns, Cunningham and composer John Cage.

- Xudong Zhang, author of The Four Books «Liu Zhenyun's work enjoys a unique position within the Chinese world, in that not only does he have many, many fans, his works have a distinctive artistic quality that has fascinated and entranced scholars for decades.

Named after the legendary seven hills... Read more on which Rome was founded, our campsite is located in an ideal position for those who want to spend their holidays in the Roman countryside's green and tranquility, while enjoying the Eternal City's historic and artistic beauty at the same time.

on which Rome was founded, our campsite is located in an ideal position for those who want to spend their holidays in the Roman countryside's green and tranquility, while enjoying the Eternal City's historic and artistic beauty at the same time.

He positions his artistic practice as a tool for reflection on local realities in crisis, as the contemporary place for critical reflection and creation, and between the edges of progress and dystopia.

Therefore we are looking for 3 - 5 distinct artistic positions to present in a 3 - weeks long exhibition at our gallery in July 2018.

On the other hand, however, the dialogue - oriented confrontation allows for the direct comparison of artistic positions and their varying artistic and biographical prerequisites, thereby clearly indicating artistic production in Germany as a stimulating cooperation and interaction of identity and «alterity».

POSITION OVERVIEW: 18th Street Arts Center is accepting applications for Program interns to work under the supervision of the Artistic Director.

Representing no single point of view, and in some cases presenting productively contradictory positions, «Trigger» assembles artists for their singular efforts in considering gender's capacity to represent a more general refusal of stable categorization — a refusal at the heart of today's most compelling artistic practices.

What does it mean to work in the studio now, as it increasingly cedes its privileged position as the exclusive laboratory for contemporary artistic practice to more mobile, itinerant, digital and global networks?

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermFor Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermFor Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermFor One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germfor Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germfor Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

These programs seek to address the needs of vulnerable communities, specifically local students, positioning the museum as not just a place for artistic displays for casual viewing, but as a responsive vehicle for positive community engagement.

EIGEN + ART Lab, project space of Galerie EIGEN + ART, is an innovative field for experimentation of contemporary artistic positions.

Representing no single point of view, and in some cases presenting productively contradictory positions, «Trigger» will assemble artists for their singular efforts in considering gender's capacity to represent a more general refusal of stable categorization — a refusal at the heart of today's most compelling artistic practices.

Recent positions include chief editor of Arta magazine; artistic director of the Soros Centre for Contemporary Arts, Bucharest; artistic director for media platforms at Lost Boys Interactive, Amsterdam, and consultant at the Netherlands Foundation for Visual Arts, Design and Architecture.

Showing Verena Pfisterer's work, for instance, led to an increased attention to her artistic position within the contemporary art context.

The industrial architecture of the building allows for interactions and dialogue between individual artistic positions, as well as for independently staged statements.

The two narratives in the show — his unwavering artistic position and the persecution he faced for it — were a powerful manifestation of this complicated period in Chinese culture.

Boers - Li emphasizes its support for the production of new and experimental work, utilizing its unique position both at home and abroad to open new pathways for artistic development.

VOLTA NY was conceived in 2008 by Artistic Director Amanda Coulson as a tightly - focused, boutique event that is a place for discovery, a showcase for relevant art contemporary positions regardless of the artist's or gallery's age.

Lawler's work offers a model for thinking about artistic practices together ---- their positions in relation to one another, as well as to the spaces where they appear.

With over 120 studios at four different locations in Frankfurt and changing exhibitions of contemporary artistic positions, the production and exhibition platform basis e.V. provides a lively and inspiring environment for guest artists.

For the first time since 2007, the gallery spaces in the Villa Salve Hospes are being filled with a thematic group exhibition: OPEN HOUSE — A Group Show on Hospitality brings together eleven international artistic positions whose works provide commentaries on hospitality as a social, cultural and political phenomenon.

The media exposure, though, did at least mean that contemporary art was, for perhaps the first time, a regular staple on letters pages, editorials and gossip pages, a position which has arguably had an effect on artistic practice itself (see the gradual domination of Banksy).

The Museo Nacional Centro de Arte Reina Sofía enters a new phase to fund its position within the national and international arts, to lead a new concept of the museum for the twenty - first century, and to foster new forms of dialog between the Museum, the artistic community and society.

It confronts the perceptual discrimination that female artists are often unrepresented by arts institutions, as an optimistic proposition of how such female artists need more visibility, for their artistic endeavours and position under patriarchy.

Giacometti becomes recognizable as a pioneer who paved the way for important developments in art after the 1960s and regains certain aspects of his original radical artistic position, whereas Nauman's outstanding importance as a sculptor is made clear and historically comprehensible in a different way.

Her many curatorial positions include the artistic directorship for the 16th Biennale of Sydney Revolutions — Forms that Turn in 2008.

A point of reference for each artistic intervention is the unique exhibition space and its position on the public square.

The artists who have created projects for the Kunsthalle Zürich over the years of its existence represent an impressive group of artistic positions, and their works have made a substantial contribution to decisive moments and events in the history of contemporary art.

The SCHIRN KUNSTHALLE FRANKFURT has presented major surveys dedicated to radical turn - of - the - century Austrian art, to pioneering artistic positions ranging from Expressionism and Dadaism to the Surrealist object art by Dalí and Man Ray, as well as dealt for the first time with female artists of the Impressionist movement.

The Museu Coleção Berardo presents the most significant artistic movements from the twentieth century to the present day, establishing its position as the main museum for modern and contemporary art in Portugal.

By positioning some of the Sculptures with works by Rodin, the exhibition will allow us to see the influence on Rodin's artistic work by directly comparing the Parthenon Sculptures with Rodin's works for the first time.

As the first woman on the position, Tuija Lindström was significant for the introduction of a more artistic and theoretical photography where philosophy and art history were incorporated in the training, and served as a great role model and predecessor for female photographers.

Hans Ulrich Obrist has been announced as senior program adviser, set to work alongside Poots in commissioning new work for the Shed while retaining his position as artistic director of the Serpentine Galleries in London.

By juxtaposing five artistic positions as different proposals for a way forward, the show explores attitudes towards cultural histories and monumentality as well as the constant human condition of entropy and re-awakening.

Loring Randolph, Artistic Director for the Americas, discusses the fair's unique position, highlighting a focus on female practitioners whilst delving into the work of this year's Frieze Artist Award winner, Kapwani Kiwanga (b. 1978).

A series of lectures and special events will address current political questions on themes such as neo-colonialism, the causes for flight and migration, and the new rise in nationalism in Europe, posited from within the context of cultural and artistic positions.

For the artists, the natural and built environments are both a source of haptic pleasures and a playground for exploration and critical dissent in which landscape and architecture function as stage - like objects or ciphers for memory, social and political networks and Romantic artistic positioFor the artists, the natural and built environments are both a source of haptic pleasures and a playground for exploration and critical dissent in which landscape and architecture function as stage - like objects or ciphers for memory, social and political networks and Romantic artistic positiofor exploration and critical dissent in which landscape and architecture function as stage - like objects or ciphers for memory, social and political networks and Romantic artistic positiofor memory, social and political networks and Romantic artistic positions.

Applications should include the following: • One - page cover letter outlining interests and qualifications for the position • Resume / CV • 10 - 20 images of past and current artistic work (10 MB limit, total) • One - page artist statement • Five references, with a brief explanation of professional connection and contact information • Use file name format: last name, first name, file type (e.g., resume, image 1, image 2)

As a field for experimentation it serves as a platform four young artistic positions and curatorial projects.

Artistic or revolutionary demands for personal freedom, along with the development of globalization and new technologies, have helped to reconfigure the workplace from a dull yet stable universe of repetitive tasks into a series of evolving projects where no position is secure.

In 1988 he was appointed Director and Chief Artistic Officer of the Solomon R. Guggenheim Foundation, a position he held for 20 years.

The ideologies of artistic practice may motivate painters and fix their positions in the discourse of art history, but for viewers of the work itself, the painting exists as image and / or object - an image -LSB-...]

Its unique legacy of artistic training and strong financial position make it possible for the League to maintain and build on its heritage — including its commitment to affordable tuition — and meet the needs of a new generation of artists.

As a Singaporean institution for tertiary arts education, positioned at the crossroads of diverse cultures within a multi-ethnic society, LASALLE aims to add a distinctive Singaporean viewpoint to the ongoing debate on repositioning artistic practice in a post-industrialised society.

The ideologies of artistic practice may motivate painters and fix their positions in the discourse of art history, but for viewers of the work itself, the painting exists as image and / or object - an image or object whose relationship to the quotidian world of perception is ambiguous and multivalent.

The traditional focus on yet widely unknown international positions is unregularly extended by artists of an older generation, who turned out to be highly influential for a younger artistic production (such as Jan Bas Ader, John Baldessari, Trisha Brown, André Cadere, John Stezaker or Matt Mullican).

Nancy Spector, the longtime chief curator of the Guggenheim Museum who made an unusual career move last spring to lead the curatorial team at the Brooklyn Museum, has decided to reverse course and go back to the Guggenheim as both chief curator and artistic director, a new and more powerful position created for her.