While not the travesty that Burlesque or Rock of Ages ended up being, Eastwood's adaptation is just another in a line of hit stage shows being translated to the screen and losing whatever pop made them such a treat
for audiences in the theater.
Not exact matches
The
audience in Manhattan exited the
theater to a throng of network TV cameras and a crowd of people lined up
for the next showing.
To compete, other studios could also merge — giving us essentially a movie version of the NBA's super-team syndrome — or they could amp up efforts to infiltrate streaming, leaving their movie studios as an output
for major blockbusters that
audiences still want to watch
in theaters.
Cat joined Puppet Showplace
Theater in 2012 overseeing behind - the - scenes operations and managing
audience services
for the
theater's patrons, members, and donors.
Theater of War Productions, supported by a generous grant from the Stavros Niarchos Foundation
in collaboration with the United Service Organizations (USO), is partnering with ten prominent
theaters and universities across the United States to present â $ œTheater of Warâ $
for mixed
audiences comprised of military service members and civilians.
With Inside Out opening
in theaters today, other animation studios have released previews
for their upcoming releases, hoping to snag some of the
audience for what looks to be another Pixar hit.
It would seem absurd that anyone
in the
theater audience would root
for the Nixon government, any more than we would root that Gary Cooper's Marshall Will Kane would lose his gun battle and die by Frank Miller's six - shooter.
Their team of comedy actors has some spunk and talent, but the show more closely resembles a commercial
for mystery dinner
theater, complete with testimonials by real
audience members about how fun it all was
in the end.
There is something special about seeing a bawdy spectacle of feigned sex and quivering emotion test the boundaries of Hollywood's rigid traditionalism, and their goofy thrall over
audiences make
for especially fun experiences
in a
theater.
Although Nixon's starring role on the hugely popular series may have brought her to the attention of a new
audience, observers of the New York
theater had been watching the actor on and off Broadway since 1980, where she had performed
in productions that included David Rabe's Hurlyburly, Tom Stoppard's The Real Thing, Angels
in America, and Indiscretions,
for which she earned a Tony nomination.Born
in New York City on April 9, 1966, Nixon made her film debut
in the 1980 movie Little Darlings.
Another standout sequence
in Public Enemies is more effective
for comedy than suspense, and involves Dillinger's reaction
in a movie
theater to an on - screen announcement warning the
audience to be on the lookout
for him, America's «Public Enemy # 1.»
By the time the movie finally arrived
for its single Cannes press screening —
in the Salle Bazin, one of the festival's smaller
theaters — some of us
in the
audience found ourselves torn between tempered excitement and mounting dread.
Still, I suppose Mike has nothing to feel sorry
for when
audiences flock
in droves to endure more of his visual and aural assault on their senses,
in 3D IMAX no less, perhaps the cinematic equivalent of feeling shitfaced after stumbling feebly out of the
theaters once it's all over.
The annual four day event is about «celebrating the movie going experience» with the movie
theaters and the major studios and distributors partnering together
in a continual effort to enhance that experience
for their
audiences.
The Room turned the real Wiseau into a cult icon, as he continues to show up at screenings
for his movie as it still plays
in theaters with a fair amount of
audience participation.
Captain Underpants: The Epic First Movie Rated PG
for mild rude humor throughout Rotten Tomatoes Score: 87 %
In spite of great reviews from both critics and audiences, as well as a large base of fans of their kids graphic novels, this animated superhero flick landed with a relative thud in theater
In spite of great reviews from both critics and
audiences, as well as a large base of fans of their kids graphic novels, this animated superhero flick landed with a relative thud
in theater
in theaters.
The festival controversy dividing
audiences this year was between Netflix (which produced both Okja and The Meyerowitz Stories this year) and the professional association
for movie
theater owners, arguing over Netflix's refusal to open the two films
in theaters as part of their «exclusive content» strategy.
I can't think of a more fitting phrase to start the film with
for any
audience sitting
in a
theater or living room where this overrated, ineptly produced bore is showing.
Along with the trade show floor that featured the latest technological advances, concession goodies, comfort seating and more to enhance the
theater audience movie going experience, each of the movie studios presented a sneak peak of their upcoming films slated
for release
in 2012 and beyond, many which were being seen
for the very first time.
Guess unsuspecting
audience members who seek a new soft core experience
in the
theaters will be duped into playing
for something that's just a relationship drama about a marriage.
Audiences will get to judge
for themselves if Feige and company are starting to make good on their promises when «Doctor Strange,» also starring Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams and Mads Mikkelsen, hits
theaters in the U.S. Friday, November 4.
The film, which was made
for $ 22 million, could stand to make a profit
in weeks to come when older
audiences start heading to the
theaters.
I'm disappointed by some of Shyamalan's choices
in this film, but Split is still worth seeing
in the
theater for James McAvoy's brilliance
in taking on multiple characters (plus thrillers are always more fun with a big
audience anyway).
Green's «Joe» didn't quite get a fair shake
in theaters this year — it seemed to split the difference between the mainstream
audiences who don't care
for Nicolas Cage
in a non-going-big performance and indie
audiences who didn't know what to do with him, but it's an underrated picture, and Wingo and McIlwain can place another feather
in their cap
for this moody and memorable score.
Early on
in the development process
for this year's Logan, Hugh Jackman's swansong as everybody's favorite claw - wielding mutant, a much different version of the movie existed compared to the one
audiences saw
in theaters roughly two months ago.
Opening Mother's Day weekend, Moms» Night Out struggled to find an
audience in a little over 1,000
theaters and never really expanded any further than that, en route to a lackluster $ 10.4 million domestic gross, which probably doesn't bode well
for the film's international prospects.
French auteur Olivier Assayas» newest film Apres mai (re-titled Something
in the Air
for U.S.
audiences), begins its L.A. engagement this week at Laemmle
Theaters.
In theaters now is the latest colorful Disney creation, Oz the Great and Powerful, returning
audiences to same world as Wizard of Oz
for the origin of the great wizard of Oz, played by James Franco.
But while the studio's marketing
for the film must continually remind
audiences that, yes, the movie is due
in theaters in less than two months, they're fast approaching the limit of revealing things too much or too often.
There aren't many films made
for adults these days, let alone one that features some of the best British talent
in the business, so when a good movie does come along,
audiences are going to flock to
theaters to see it.
In focusing on the audience, the fest capitalizes on the fact that we're all here and there's not much else to do than just sit in theaters all day long, arguing about the merits of cinema and drinking beer while waiting for the next screening to star
In focusing on the
audience, the fest capitalizes on the fact that we're all here and there's not much else to do than just sit
in theaters all day long, arguing about the merits of cinema and drinking beer while waiting for the next screening to star
in theaters all day long, arguing about the merits of cinema and drinking beer while waiting
for the next screening to start.
A confused and uninspired rehash of a number of movies (EVENT HORIZON, GRAVITY, LIFE), it reconnects most strongly with its source (and,
for those with longer memories, Paramount's PROPHECY, 1979)
in an absolute groaner of an ending, which would have had
theater audiences heaving with laughter.
The film is done with a high degree of respect
for its
audience with a stellar performance from the 66 - year - old Danish actor Jesper Christensen, whose résumé includes twenty - five years» work
in his country's
theater.
A little background info on lobby cards I like to regularly share
for context: Back
in the days before the Internet, movie lobby cards were a powerful tool used by Hollywood studios to lure
audiences into the darkened
theater.
It's been ten years since Toy Story took to
theaters, wowed
audiences, and ushered
in a new age
for animation.
A new clip and poster have been released
for John Carney's upcoming Sundance darling Sing Street to hold over
audiences until it hits
theaters in a few weeks.
Reactions heard at The Paramount
theater for a headlining film can never be trusted, this crowd will clap
for anything, especially with the filmmakers sitting
in the
audience.
Fo those who missed it
in theaters, the Oscar winner
for Best Animated Feature will surely find a whole new
audience once it's available to stream.
«There's an
audience out there and we want to be
in the business of going to
theaters with films
for people who are interested.»
Worst - case scenario: The
audience will start to feel like they've been trapped
in the
theater for as long as the heroine and her kid have been locked up.
Helen Mirren, who the best actress Oscar
for «The Queen»
in 2007, took top honors Sunday at London's Olivier
theater awards Sunday
for her performance as Queen Elizabeth II
in «The
Audience.»
However, the makers of the movies must be mindful of how much time they take, not only because people will grow restless
in the
audience the longer you go, but also that,
for the studio, the more showings that
theaters can have
in a given day, the more money they can make by striking while the iron is hot when the film opens.
Alas, the wave was but a trickle by Sunday night, and even the hope that the noise of clapping might keep the
audience at home and
in the
theater awake, there was little of that
for anything except the entrance of actors of advance age.
I saw it
in a
theater packed with college students who hooted and hollred during the Transformers sequel — Abrams isn't exactly going
for a high brow
audience.
Most odiously, the movie gave rise to the prolific shit machine of co-screenwriters Jason Friedberg and Aaron Seltzer, which
for many years polluted movie
theaters with its
audience - insulting, pop - culture - reference - as - punchline brand of dispiritingly popular spoofery, as seen
in such abominations as Date Movie, Epic Movie and The Starving Games, whose title, I would imagine, is some manner of humorous allusion to the popular book and movie franchise The Hunger Games.
Some of the recurring jokes, I didn't personally care
for, such as Michael Cera (Scott Pilgrim vs. the World, Year One) playing against public image as a coke - snorting whoremonger
in a performance that seems to be channeling Neal Patrick Harris from the Harold and Kumar movies, or Danny McBride and inability to control his impulses, but there were certainly some
audience members
in the
theater viewing I attended that found these things especially hilarious; comedy truly is
in the funny bone of the beholder.
«We were all
in from the moment we read Oren's stellar script and can't wait
for audiences to experience it coming to life
in theaters this fall.»
«We expect the film to stay alive
in theaters for a while because it's that rare documentary where
audiences feel better leaving the
theater than they do going
in.»
The darkly comedic, obscenity - laden first trailer
for the movie, released Tuesday, makes clear that
audiences should expect a complicated though ultimately redeemable protagonist when I, Tonya hits
theaters in December.
Though quite obscure
for those
in America, where the film spent just one week
in a single
theater in March of 1988, When the Wind Blows appears to be somewhat well - known and appreciated by UK
audiences.