«In the face of massive marketing
for big studio films, it is the ultimate underdogs who have emerged as critic's darlings and fan favorites,» said Tim Gordon, president of WAFCA.
Not exact matches
Of course, some of the nominated
films are still in theaters, and winning a
big haul at the Academy Awards is known to result in a bump at movie theaters, which is all the more reason
for studios to pull out all the stops in their awards - season marketing efforts.
But
for Paramount, the
studio's success will largely be defined by movie ticket sales as well as the number of
big blockbuster and tentpole
film franchises it can churn out.
Much like the success of last year's Warner Bros.
film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut
for Black Panther could pave the way
for a similar paradigm shift in Hollywood with regard to how
studios approach
big - budget stories about characters of color.
This would be a
big shift in the business model of feature -
film distribution
for both the major
studios and the theater chains.
As it turns out, «'' Amy»» entrepreneur Banky Edwards (Jason Lee) has sold the
film rights
for his «'' Bluntman & Chronic»» comic book — which is loosely based on Jay and Silent Bob — to Miramax, and the
studio greenlit a
big - budget production.Before it even begins, though, the pending «'' Bluntman & Chronic»»
film provides more than enough fodder
for a new wave of hate - mongers who prowl the Internet, namely pimple - faced geeks who slam anything they can type about on a series of movie gossip websites.
Director Ryan Coogler (Fruitvale Station & Creed) enters «the
big leagues» with Marvel's Black Panther, a somewhat monumental feat
for the
studio that has mostly featured
films that skew towards the white male demographic.
That
film was also the year's
biggest box office flop from a major
studio, boasting one of the worst opening weekends in history ($ 306,367)
for a nationwide release.
Just on a technical level, the
film represents such a
big jump forward
for Saulnier that you should expect the
studios to immediately start arguing over which giant soulless franchise should occupy his time in the near - future.
It will be extremely hard
for the
studio to match those figures in 2016, as many of its
biggest franchises are sitting out the year and Universal's planned 21 -
film slate doesn't feature any sure - thing blockbuster hits aside from (maybe) a still - untitled Bourne sequel.
On some of those fronts, the
film wildly misfires, but
for a wide
studio release headlined by one of Hollywood's
biggest stars, Red Sparrow is an admirably bold effort.
Not as
big a moneymaker as Harold's starring features of the 1920s, the RKO
film nonetheless turned a tidy profit
for the
studio.
Seldom making a liveable income in
films, Miller remained an unknown entity so far as the «
big»
studios were concerned — but his teenaged fans were legion, and he was besieged on the streets and in public places
for autographs.
Ant - Man is an old fashioned heist
film with an underlying message about fathers and daughters, and probably the
biggest departure
for the
studio, which is a very, very good thing.
Two of the
biggest studio films of the year in the awards race are both from Paramount, and both will be challenging
for mainstream audiences — Silence and Arrival.
For those who don't know, most studios use the fall film festivals as a kind of launching pad for their big awards contende
For those who don't know, most
studios use the fall
film festivals as a kind of launching pad
for their big awards contende
for their
big awards contenders.
The
studio might easily have ignored Pym altogether: let us not forget that the comic book Thor backstory was radically adapted
for the
big screen, with the Norse god's human alter ego Donald Blake virtually excised from the
film version.
The
film is the
studio's second
big release of the year following the summer's Cars 3, and the new trailer comes just days after Pixar released the new poster
for the upcoming motion picture.
The 2016 Deadpool
film broke data and changed into an astounding essential and industrial luck, particularly
for an R - rated
film, which is why many
studios are actually satisfied R - rated comedian e book
films can paintings on a
big scale.
A leviathan that has temporarily ducked back under the surface after pulverizing multiplexes all summer long, Christopher Nolan's symphonic blockbuster is not only one of the
biggest studio films of the year ($ 523.7 million worldwide
for a historical epic about one of modern history's greatest non-events), it's also one of the best.
In the late 1920s, Fritz Lang was the star director of Germany's Ufa Studios, the
biggest film studio outside of Hollywood, and one of the most celebrated filmmakers in the world
for such ambitious epic visions as Destiny (1921), the Die Nibelungen (1924)
films and especially Metropolis (1927), his allegorical science fiction classic that is still considered one of the great
films of the silent era.
Back when it sounded like Suspiria was dead in the water, Green noted that the reason was mostly because the budget was just too
big for a
film that a
studio was essentially going to be taking a risk on.
Warner Bros, 20th Century Fox, Sony, Universal — all
studios that have major
films this year have decided to eschew the world's
biggest film festival
for whatever reason, giving us a much more esoteric and independent lineup.
Look, we get it: internet movie trailer culture is a problem
for big film studios, since they'd presumably like to maintain at least a little bit of mystery around their high - profile
films.
That's good news
for Warner Bros., because the
studio and author / screenwriter J.K. Rowling have
big plans
for Newt Scamander (Eddie Redmayne), like four more Fantastic Beasts
films.
Director Sarah Gavron is an untested entity
for many, considering this is her
big studio debut since her 2007
film, Brick Lane (which she worked with Morgan on).
It overstates the emotion of each scene, sticks out like a sore thumb where it should be subtle, and often sounds like something from a made -
for - TV movie rather than a
big studio film.
With The Thing, it was the first major
studio film he and Carpenter worked on which was «so full of interesting new things»
for the duo in terms of the types of boundaries they were pushing with the
film on top of having the backing and budget of a
big studio.
I suspect «Fast Times» couldn't be made today and remain intact, at least not in
big -
studio form; a character has an abortion,
for example, and the
film never judges her
for it.
The
studio has been trying to court some of the
biggest names in Hollywood
for their
films as proven with them courting Mel Gibson
for Suicide Squad and having Ridley Scott (The Martian, Alien Covenant) along with Fede Alverez (Don't Breathe) in the wings to hopefully sign on
for The Batman.
«Son Of Rambow» (2007) Arguably the best
film on this section of the list, «Son Of Rambow,» the impossibly charming coming - of - age tale that marked the second
film from music video veteran Garth Jennings, who made his debut with
studio picture «The Hitchiker's Guide To The Galaxy,» was the
big buy at Sundance 2007, selling to Paramount Vantage
for $ 7.5 million.
But then, the
Big studios buy out independent
film and well, independent filmmaking
for shoestring filmmmakers was a fairytale.
and champion the
studio's ability to come up with children's
films that also hold appeal
for adults and tackle
bigger themes than your usual computer - animated monstrosity.
Since 2015, when the hashtag first became a rallying cry
for inclusion, most, if not all, of the
big studios have reinvigorated or created diversity initiatives, agencies have taken a more active role in supporting their clients and
film festivals have continued to be entrees into Hollywood
for traditionally marginalized folks.
While filmmaker Jon Favreau has been dabbling in
big - budget
studio fare
for the past few years, his next
film returns him to his indie roots.
THE DVD by Bill Chambers Sort of inevitable that Warner / Morgan Creek's DVD release of Exorcist: The Beginning doesn't, despite rumours promising the contrary, contain the Paul Schrader incarnation of the
film (which will premiere at the Brussels International Festival of Fantasy
Film (click here
for a link to the trailer)-RRB-, so perhaps the
bigger letdown of this disc is the coyness of its supplementary material, which alludes to Schrader's version only in terms of the unusual duress that replacement director Renny Harlin was under in helming a prequel to one of the
biggest breadwinners in the
studio stable.
The thing cost $ 60 million to make, the
studios likely had their fingers crossed
for it to become the next
big YA
film franchise and then...
«Atomic Blonde» is being distributed by Focus Features, a
studio best known
for their indie, arthouse
films and awards season contenders that don't usually make
big bucks at the box office.
Cheech works
for a
big film studio while his spaced - out unemployed pal, Chong, keeps getting him into trouble.
While «Avengers: Infinity War» has been 10 years in the making, selecting the greatest ensemble of Super Hero characters
for the
film fell squarely into the laps of directors Anthony and Joe Russo, who were tapped by Kevin Feige to helm the
studio's
biggest film to date.
Big Hero 6 is the venerable
studio's first animated Marvel adventure, which means it's the
film we've been waiting
for pretty much since the moment Disney bought Marvel.
Baker protégé Rob Bottin's work on that
film was arguably equal to that of his mentor (who left Bottin in charge of The Howling «s effects after he exited the project
for the
bigger - budget American Werewolf), and yet the Academy couldn't even be bothered to nominate him (or, perhaps more likely, its members simply couldn't bring themselves to watch a low - budget horror movie not put out by a major
studio).
Aside from Manchester and Love & Friendship, none of Amazon's
films has been a
big earner yet, although
films like Chi - Raq, Paterson, and Park Chan - wook's The Handmaiden got the kind of critical acclaim the
studio was looking
for.
Until a year ago, Pixar's
film The Good Dinosaur was planned as the
studio's
big offering
for 2014.
With all parties involved moving on, and with Warner Bros. eager to continue the Batman saga with a likely sunnier reboot within the next few years, «The Dark Knight Rises» is a pivotal
film for those intrigued by the successes and fallacies of
big studio sequential filmmaking.
For this is a Sundance
film gussied up with
studio production values and
big stars.»
On This Week's Show: Kevin and Neil brace themselves
for an onslaught of
films, from the
big studio releases to some independent ones.
He followed it up by jumping to a
big Hollywood production — Blade II, starring Wesley Snipes — and stuck with
studio fare
for his next
film, Hellboy, in 2004.
Overall, it's just the type of well - done sound mix that you'd expect from a new
big - budget
studio film, but not as active as you might expect or hope
for.
The trailer
for Amazon's new Woody Allen
film had me scratching my head: This is meant to be the
studio's
big Best Actress hope, yet the teaser curiously deemphasized Winslet, spending more of its capital on her co-stars Justin Timberlake and Juno Temple.