Sentences with phrase «for camera performance»

Previous Nexus devices were never noted for their camera performance, but that is about to change with the arrival of the Nexus 6P, and the Nexus 5X as well.

As for camera performance, this may be somewhat subjective, but there's definitely a difference in megapixel count with the iPhone 6 coming in with 8 of them and up to 1080p video recording, while the OnePlus 2 features a 13 - megapixel shooter with optical image stabilization and laser auto focus.

As for camera performance, this is somewhat of a mixed bag.

It makes sense for Apple to opt, once again, for a dual - camera setup after the iPhone 7 Plus, which received rave reviews for its camera performance.

It's an afterthought rather than a must - have, but then you probably aren't getting this for its camera performance anyway.

Not exact matches

Waiting to be interviewed for the British channel ITV News, Mr. Coupe, presumably unaware that the cameras were rolling, undercut the official line with an impromptu performance.

On an old disc of line readings for a performance he once auditioned for, however, he discovers that one session became intimate while the camera rolled.

And just when I was savoring that great performance and win, the camera pans around and stops on a banner that said, «Thanks for the Memories Arsene but It Is Time to go», or something like that.

Thankfully the Arsenal staff will look at the complete performance for each individual — both with and without the ball and also when the match day cameras are panning elsewhere and we don't see.

The president was pleased with deputy press secretary Sarah Huckabee Sanders» performance on Friday, when she first filled in for Spicer on camera during the midday briefing.

People say he harboured private doubts about whether he could sustain a performance in front of the TV cameras for an hour, and I shared them.

Because of its amplification, the resonator can improve the performance of cameras looking for tiny wisps of light, such as those used in microscopes.

For each of these events, the team compared the bot's performance both with and without wings, and with its wings flapping or still, all while measuring performance with accelerometers and cameras.

For instance, HTC's One X high - performance 8 - megapixel smartphone camera boasts rapid shot - to - shot action, and its Titan II takes 16 - megapixel shots of solid quality.

Avatar also employed two other amazing bits of technology: Skullcaps worn by the actors had tiny cameras capturing their facial performances, which allowed for more detailed and realistic animation of their characters without the burden of dozens of miniature sensors placed on their faces.

Our professional quality product is renowned across industries for its high performance, high definition, camera - ready appeal.

I spend most of my time traveling and performing with a professional performance / makeup group, and its rare for a camera to be around after i shower it all off and slip into a pair of jeans and t - shirt.

I think the marketing department really got it wrong with this poster, and a lot of people were looking for more action as a result, but what the complainers missed was a strong performance by George Clooney (complemented by actors unknown in North America) and a minimalist approach to music and dialogue that allowed the camera to do the talking.

The 1963 Haunting is still remembered fondly (mostly by critics) for its atmosphere and the performances of its two female leads, but, low - key as director Wise might have been, he, too, was not above a certain amount of excess, relying on distorting camera lenses and the cranking up of volume on music and special effects.

The scene in which defines her amazing performance is one in which she pours out pure emotion whilst sharing a mud bath with her father — one in which the camera stays with her for what seems like three to four minutes, without cutting or moving, and her delivering a multi-page monologue.

Effortlessly vaulting over expectations despite months of hype, Under the Skin is a meditation on the human condition, a psychedelic, surreal sci - fi, a hidden - camera portrait of Glasgow, and showcase for a stunning performance by Scarlett Johansson.

If the camera moves, it's because an actor's blocking or performance calls for it.

If Stealing Beauty is shot with a painterliness by Darius Khondji and possessed of scattered nuggets of actual wisdom, not just the kind you get from leaning on coming - of - age clichés (I'm especially fond of dying writer Jeremy Irons's frantic search for what he considers one of his finest pieces of work («I would think that since I can't find it,» he qualifies)-RRB-, it's also rife with shallow performances (Tyler's is particularly impenetrable, pardon the pun — the camera loves her, but she doesn't love it back), perfunctory soundtrack cues (the use of Nina Simone is as uninspired here as the use of Edith Piaf is at the end of The Dreamers), and fizzling payoffs.

It has to be a challenge to act both physically in front of the camera and also do a voiceover for another character and manage to still convey the same performance.

There are no cameras in the room, but he is putting on a performance to persuade them that he is the right lawyer for their case, even if he isn't entirely sure of that himself.

She had no inkling of how to act for the camera and her performance is predictably stilted and «operatic».

All four actors click really well as a group, but they also deliver some great individual performances — especially Aubrey Plaza, who proves she can do more than spout acerbic one - liners and mug for the camera like on «Parks and Rec» — resulting in one of the funniest, sincerest and most charming movies of the year.

More in the posing of questions than in any kind of resolutions or consequences, the pleasures of The Final Countdown also lie in the performances of Sheen (still doing voice - over work for Apocalypse Now between camera set - ups) and Douglas, as well as the delicious «what if» of a time - travel scenario married to a particular breed of unfettered patriotism and military fetishism.

Not Getting to Hear a Christopher Plummer Acceptance Speech: Absolutely no disrespect to Sam Rockwell and his excellent performance in Three Billboards Outside of Ebbing, Missouri — and that cute moment when Frances McDormand shooed the camera away from her — but after the HFPA nominated Plummer for All the Money in the World, we just assumed that he'd win too.

Released last week, this is definitely one of the best short fan films we have seen, using some great camera angles, what feels like an actual Panaglide camera that Carpenter would die for, slow burn suspense, and a killer performance from leading actress Suzee Dunn playing «Jamie», who is stalked by Myers for no apparent reason (other than it's Halloween).

between character, performance, and camera makes for the most memorable role the filmmaking team has given us.

This is where Baker locates the unlikely encounter of 21 year - old Jane (Dree Hemingway, daughter of Mariel), a girl who struts about in hot pants under the California sun and makes a living selling her youth to the camera, and 85 year - old Sadie (an arresting performance by newcomer Besedka Johnson) who survives her state of invisibility as a senior by being a cantankerous recluse with a taste for bingo.

While Jeremy Renner (not seen in this sequence) is the obvious front man for the movie, giving a performance that is impossible to look away from, Ackroyd is the unsung hero, because his camera never flinches, and only rarely exaggerates.

But much better than his song was his performance of it on the award show, remote from Australia, he kept sidling up to the camera for an extreme close - up of his Cesar Romero mustache.

THE FLORIDA PROJECT: For all I know, director / co-writer Sean Baker strapped an invisible camera to the back of one of a pack of kids running wild on the fringes of society, so unfettered and unadorned are these performances.

Without a single dormant moment, the volatility of the camera is countered by a set of unsettling performances we spent years divorcing the actors from, particularly Ellen Burstyn, now forever huddled behind the couch, watching for that refrigerator.

So it's apples and anvils, and yet there is one movie I could curl up with for a long, long time, in dark sybaritic contentment, and that's Paul Thomas Anderson's «Phantom Thread» — a love story and a power play made with subtle but outrageously generous attention to craft, onscreen and behind the camera, in its performances and in the rich, hermetic world it creates.

Every design flaw, calling attention to the artificiality of the project, could be a feature — another way for Greene to make the point that behavior is performance, at least when there's a camera around to capture it.

For its smart, honest storytelling and strong performances (particularly from Ronan and Metcalf), the film suffers some significant pacing problems with it lurching between acts in an at times ungraceful manner, the aftershock of Gerwig finding her footing behind the camera.

Smooth camera work that never shies away from the more grotesque moments, strong performances, gracefully patient tension building scenes all lay the groundwork for a third act that is a pure, unadulterated maelstrom.

Not only does he effortlessly juggle a wide canvas of characters and storylines, coax fine performances from his entire cast, and employ some bravura camera work, he shows an amazing eye for detail.

The depressing statistics don't take away from the great work those women are doing behind the camera, nor does it subtract from the excellent performances in front of the camera by current Emmy nominees like Viola Davis of How to Get Away with Murder, Taraji P. Henson of Empire, Elisabeth Moss of Mad Men, Amy Poehler of Parks and Recreation, Jessica Lange of American Horror Story or any of the other women who are up for awards tonight.

Crowe certainly has a good eye for the kind of epic storytelling that he's trying to achieve with his first stint behind the camera, but despite some decent visuals and a solid performance from the actor himself, «The Water Diviner» is too easily distracted by its numerous subplots.

The long takes — seamlessly stitched together by editors Douglas Crise and Stephen Mirrione — also inform the film's dialogue between stage and screen acting: while the actors are clearly acting for a camera, the duration of shot gives the performances the sustained intensity of theatre, the best of both worlds.

Gray has a gift for drawing rich, naturalistic performances out of actors (Gwyneth Paltrow, Mark Wahlberg, Eva Mendes, and Vinessa Shaw have all done their best work in James Gray movies) and rendering them vividly with the camera.

So many of the lines and performances are played awkwardly big — usually around the central joke of Leonardo adjusting to a life of little means and tons of work — that it feels more suited to a terrible sitcom with lots of mugging for the camera and canned applause from a laugh track.

It's true that Silver Linings Playbook boasted Robert De Niro's best performance in years, giving the actor a tender comic role that required more than just cracking wise and mugging for the camera.

These are key subjects under considerstion as Charlotte Rampling, sublimely wise at age 55, comments on her approach to performance, career arc and personal evolution, while looking into filmmaker Angelina Maccarone's camera for The Look, an insightful and intimate documentary profile of the revered actress.

All four actors click really well as a group, but they also deliver some great individual performances, especially Aubrey Plaza, who proves that she can do more than spout witty one - liners and mug for the camera.

20th Century Fox's production of «How To Marry A Millionaire» was preceded by Alfred Newman conducting his overture from «Street Scene,» and like «Millionaire,» a certain fear of camera movement dominated the visual angles; for «Port,» the musical performance begins with a «flat» MGM logo in 1.33:1, and the familiar red Fox curtain appears in 2.35:1.