(Combine it with some extended musings on John Ford's conception of «masculinity» and you've got a full - proof narcoleptic
for cineastes.)
Somewhere in between There Will Be Blood and The Master, the arrival of a new Paul Thomas Anderson movie became an event
for cineastes.
If Track of the Cat is commonly thought of as neglected territory
for cineastes, Westward the Women isn't even on the map.
She's also written
for Cineaste, Fandor, Cinedelica, and Paracinema Magazine and has contributed liner notes for film scores released on Harkit Records.
Not exact matches
More out - there offerings
for the cult
cineaste in us all includes music video director Geremy Jasper's feature debut Patti Cake $; about an aspiring rapper in a triumphant tale of how music can give a nobody a voice.
Many of the interviews have aired on the AMC Network's series of the same name, and now 16 choice chats have been packaged together as a treat
for serious
cineastes.
Film Noir has many faces and that's proven once again with the French noirs, old and new, shown this year at the 21st edition of the COLCOA French Film Festival, April 24 to May 2 at the Directors Guild theaters — which are appropriately named
for three great French
cineastes, Jean Renoir, François Truffaut and Jean - Pierre Melville.
For the occasion, Cineaste's associate editor Martha P. Nochimson ventured to Italy to explore Cinecittà's hallowed halls for an excellent feature that's in the magazine's latest issue and is now available online — an in - depth and evocative portrait of a place that's seen more than its share of turmoil over the past eight decades, including war, censorship, fire, and bankrupt
For the occasion,
Cineaste's associate editor Martha P. Nochimson ventured to Italy to explore Cinecittà's hallowed halls
for an excellent feature that's in the magazine's latest issue and is now available online — an in - depth and evocative portrait of a place that's seen more than its share of turmoil over the past eight decades, including war, censorship, fire, and bankrupt
for an excellent feature that's in the magazine's latest issue and is now available online — an in - depth and evocative portrait of a place that's seen more than its share of turmoil over the past eight decades, including war, censorship, fire, and bankruptcy.
Wes Anderson movies are possibly the closest thing to an event movie
for the... I was going to say something like «indie nerd cinephile set,» but the truth is Anderson's films are beloved by all kinds of audiences — those who love tentpoles,
cineastes, sci - fi aficionados, etc..
After Waiting
for Happiness launched him onto the world stage in 2002 — he won the Foreign
Cineaste of the Year and the Fipresci film critics» prize at Cannes — Sissako turned his lens back to Mali and to his own family courtyard in the country's capital.
For the occasion,
Cineaste's associate editor Martha P. Nochimson ventured to Italy to explore Cinecittà's hallowe...
And in 1968, the restoration of Lola Montès,
for which he said the late and great
cineaste writer Andrew Sarris called it «the greatest film ever made.»
But
cineastes will find Dirigible fascinating
for its director, that old chronicler of can - do, aw - shucks American optimism Frank Capra.
Bergman has always seemed to breed conflict among
cineastes (Phillip Lopate,
for example, has written recently a...
Director Pawel Pawlikowski, is known to
cineastes largely
for his passionate «My Summer of Love,» which charts a meeting between women with opposite predilections; one a tomboy looking
for an alternative to the emptiness of life, the other cynical, spoiled and well - educated.
He has written extensively on the movies
for Criterion, Film Comment,
Cineaste, and the New York Times and is a professor at Columbia University.
Darren Aronofsky is the kind of artiste director whose films tend to play well with the
cineaste crowd and prompt cricket chirps at the cineplex, but he's also got savvy commercial instincts and a gift
for casting (Mickey Rourke, whose career was brought back to life thanks to his star turn in Aronofsky's «The Wrestler,» would surely agree).
José Teodoro has written about film and literature
for Cinema Scope, The Globe and Mail, Film Comment, Brick, The National Post, NOW Magazine, subTerrain, Stop Smiling, Moving Image Source,
Cineaste, and other publications.
He reviews regularly
for Sight and Sound, Little While Lies and Reverse Shot and been published in The Walrus, The Village Voice, Elle Canada, Film Comment and
Cineaste.
But this goes beyond bizarre with its gleefully off - putting content, as if Leigh is putting all the arthouse goodwill he has developed over the years to the test, to determine if critics and
cineastes are ravenous enough
for the unusual to see the value in this.
Developers who craft first - person walker games certainly have intended consumers, a demographic I would imagine as the equivalent of
cineastes that venerate arthouse films — like Gus Van Sant's audience,
for example.