Sentences with phrase «for cinematic narrative»

The director of the astonishing, gruelling necrophilia opus Aftermath, Cerda is something like a genius whose gift for cinematic narrative is, unfortunately, tied to subject matter far too gruesome for the average moviegoer.

Berg, making her fiction debut, and her director of photography, Rob Hardy, push Every Secret Thing into the overcast dimness that has become a color - palette requirement for cinematic narratives in which loved ones get murdered or go missing.

Not exact matches

And though I'm often reticent to watch movies more than once or twice, Tully is the kind of cinematic treat — a cult classic well in the making — that you'll want to rewatch again the second it's over, not just to help piece together various narrative clues but to revisit the rib - tickling jokes and hang out with these characters for a little longer.

And though that may limit the willingness of some to embark upon Park's vision, those willing to invest in the various threads of his ouroboros narrative and allow themselves to become an author in Park's craning whirligig of Shakespearean tragedy and sardonic sexual exasperation will find the The Handmaiden is filled with sick pleasures many and makes for a rather rewarding cinematic experience.

For now, with Atwell already heading up a new series Conviction and Peggy Carter's cinematic narrative laid to rest, it seems we may have seen the last of our intrepid agent, but with Sharon Carter poised to take a bigger role in the MCU, her legacy is sure to live on.

While never the most conventional screenwriter to begin with («Pulp Fiction» is a sprawling, ambitious jigsaw puzzle, for one), in recent years Tarantino's screenplays have pushed the envelope further, eschewing most cinematic narrative conventions, with his movies becoming more like filmed novels that don't bother with traditional structure.

Unless you've been living in a cave for the better part of 2009, you've already heard the buzz surrounding Inglourious Basterds, an ultimate cinematic package filled with enigmatic performances, ultra-violent imagery, and a revisionist World War II narrative created over the course of a decade by director Quentin Tarantino.

Note that I didn't call The Forbidden Room Maddin's «latest film,» for this isn't so much a film as an encyclopedic compendium of cinematic possibilities, a cauldron bubbling over with highly spiced visual and narrative tropes.

The Tribe / Ukraine (Director and screenwriter: Myroslav Slaboshpytskiy)-- Set at a Ukrainian boarding school for the deaf, the film's narrative unfolds purely through sign language without the need for employing subtitles or voiceover, resulting in a unique, never - before - seen cinematic experience that engages the audience on a new level.

Reichardt deserves props for making films that are so singular in their narrative methodologies as well their cinematic construction.

«It's not surprising that Blue Ruin is winning raves, for Saulnier's second feature has certain cinematic and narrative values that one doesn't often see in American movies, particularly action movies — and it does belong to this category, however distantly removed it is from what the words» action movie» have come to promise (i.e., fireballs, robots, robots throwing fireballs).

That is not to say that the director compromised his style in any way; many will still find his glacial pacing, aversion to traditional narrative and the film's almost total lack of action an agonising ordeal, but for those willing to open themselves up to Hou's cinematic majesty, the results are intoxicating and mesmerising in a way no other film could accomplish in 2015.

A summer movie event that has literally been a decade in the making, Avengers: Infinity War is the new capstone of Marvel Studios» ambitious master plan to bring the majority of their comic book heroes to cinematic life — not in separate, stand - alone films, but rather in an intricate web of interlocking narratives, each of which features various plot points and isolated moments (some buried within or after the closing credits) that have laid the groundwork for the events depicted here.

Movies about journalism are supposed to be the exception to the rule, the only safe cinematic space for people prone to asking pointed questions and puncturing tidy narratives.

That knowledge makes the already graceful cinematic language of Lynne Ramsay's film adaptation (the Scottish director's third feature, and her first in a regrettable period of nine years) all the more remarkable: altering not a jot of narrative detail, Ramsay and co-writer Rory Kinnear have ingeniously hollowed out Shriver's wordy text into a largely tacit, imagistic memory collage that substitutes sound and vision for dialogue as extensively as possible.

Despite not much press yet for the upcoming Marvel sequel - which makes sense given that Marvel Studios is still focused on next month's Black Panther, followed by May's Avengers: Infinity War - the Ant - Man sequel is expected to be very pivotal when it comes to the narrative direction of the Marvel Cinematic Universe moving forward.

«Tokyo Tribe» (October 23): Of the many directors given access to buckets of blood for a single day of shooting, few are as underrated as Sion Sono, a cinematic artist of narrative left - turns and the giddy spectacles of gore.

Christopher Nolan is a singular talent, and although his latest strays far from the epic and character driven narratives he is known for, the director proves once again that he can master almost any coda in the cinematic language.

This is a film of labyrinthine storytelling and cinematic weaves of character and narrative that stretch across countries and time itself, rewinding for elaborate flashbacks that redefine everything we know and understand, and of compassionate insight into human nature and the contradictions that define us.

Chilean - born Ruiz is a director whose love of storytelling and narrative play is often more engaging than the films themselves but with Mysteries of Lisbon, an epic based on a classic Portuguese novel (one yet untranslated into English), his engagement with the characters and their defining stories guides his direction, and his graceful camerawork and unerring eye for images both classical (like paintings in a cinematic frame) and fluid (his camera moves with purpose and grace) are in the service of the trajectories of the characters.

He'd done similar, equally compelling work prior to his breakthrough (2009's About Elly stands as arguably his strongest film), but with an increased eye on Middle Eastern cinema in the wake of Kiarostami's Certified Copy and the jailing of the more radical, uncompromising Jafar Panahi, coupled with the film's heart - tugging narrative, A Separation arrived at an opportune time for his country's rise to international cinematic prominence.

Reflecting on the selection process, Iranian - born independent filmmaker and producer Shahin Yazdani, said: «As jurors we are obviously looking for films which have absorbing narratives, are engaging in their cinematic articulation and unique in their tone, but given the nature of SICFF, we are equally concerned about how artfully a film can convey some strong moral values to our target audience.»

Like a good novel or cinematic experience, these types of games often have a strong narrative thread, appropriate for English Language Arts (ELA) classrooms.

Lucas also serves on the board of The Film Foundation, the USC School of Cinematic Arts Board of Councilors and will build the Lucas Museum of Narrative Art, emphasizing American illustrative, digital, cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 1Cinematic Arts Board of Councilors and will build the Lucas Museum of Narrative Art, emphasizing American illustrative, digital, cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 1cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 150 years.

Even when no one cared about stories in their games, even when the standards for a good narrative in this industry were ridiculously low, the Metal Gear games were doing things with their cinematic cutscenes and their elaborate narratives that very few other games were.

Modern narratives rarely reflect the type of bookish descriptions articulated by human game masters, extending oft - sterile cinematics for exposition.

From a screenwriting prospective the game offers little dramatic structure that could be transferred to a film, compared to a game like Uncharted for example, which offers a very cinematic narrative within the actual game.

This cinematic method of storytelling is a first for the series, with the narrative taking place between Street Fighter IV and Street Fighter III, focusing on M. Bison and Shadaloo.

Construct Studio's interactive narrative VR title, The Price of Freedom, has received various awards and honors including Runners - Up for Best Cinematic VR / Narrative Achievement of Vision Summit (2016), and Nominee for Best VR Experience of BIG Festivanarrative VR title, The Price of Freedom, has received various awards and honors including Runners - Up for Best Cinematic VR / Narrative Achievement of Vision Summit (2016), and Nominee for Best VR Experience of BIG FestivaNarrative Achievement of Vision Summit (2016), and Nominee for Best VR Experience of BIG Festival (2016).

Joe Staten While only credited on Halo as «cinematics director,» Staten was actually the primary driving force behind the series» far - reaching narrative, creating the personality and humor of Master Chief and imbuing each script with the Hollywood - styled drama it became known for.

Young Danielle would've been so transfixed by the opening cinematic (which is famous for being one of the first attempts at film - like narrative presentation in games) that I would have watched it several times in a row, dreaming of my own sweet revenge fantasy.

⦁ Action, Adventure, and Gameplay Activities for All Types of Players: New, Returning, Casual, and Competitive Play Solo or with Friends ⦁ Story Campaign — Narrative of Destiny 2's cinematic story where players can also explore in Adventures, Patrols, Lost Sectors, Quests, and Public Events.

-- «Competitive Rankings and Matchmaking for Our Games» by Nick Gaulin — «Bringing Day of Infamy's Characters to Life» by Gabriel Fronza — «Pushing Our Cinematic and Narrative Capabilities» by Andrew Spearin — «Day of Infamy's Level Design and Multiplayer Game Modes» by Jeroen van Werkhoven — «Day of Infamy's New AI and SP / Coop Modes» by James - Lea Baran — «Improved Menu Design Workflow with Coherent GT» by Stephen Swires — «Voice Over and Writing in Day of Infamy» by Michael Tsarouhas

While this practice came to define much 1980s postmodern art, its legacy for the 1990s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative.

He is best known for vividly coloured yet unsettling images that combine glamour, cinematic narrative, Hollywood lighting and meticulous attention to detail.

They are well known for constructing subjective databases of narrative material and making fragmentary miniature film sets with lights, video cameras, and moving sculptural elements to create live cinematic events.

Anne Ryan was an American abstract expressionist best known for her collages, soft colors and cinematic, narrative feel of her pieces.

His cinematic aesthetic acts as a stage for an untold narrative, inviting the viewer to script their own drama going on behind the walls of these historic homes.

While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative.

The ensemble of scenes make for an undefined cinematic narrative.

For his solo exhibition Murata will debut a cinematic projection of his latest animated video, OM Rider, accompanied by a hologram from the same narrative project.

Her work is informed by histories of narrative cinema and experimental film, but more precisely concerned with digital video, and in particular its contemporary heterogeneity as a medium used for navigation, advertising, knowledge organisation as well as cinematic special effects.

Players complained endlessly about not having enough space for all their gear and weapons, the lack of narrative and cinematic direction, and an almost Kafkaesque progression system.