Sentences with phrase «for collective culture»

Therefore, a better system for teacher evaluation and feedback is necessary to support individual behavior change, and it's a tool for collective culture change as well.

Not exact matches

While our culture is one of individuality, it turns out from his research that there's a lot more to be said for happiness as part of a bigger, collective whole of family and your tribe.

[16:00] Pain + reflection = progress [16:30] Creating a meritocracy to draw the best out of everybody [18:30] How to raise your probability of being right [18:50] Why we are conditioned to need to be right [19:30] The neuroscience factor [19:50] The habitual and environmental factor [20:20] How to get to the other side [21:20] Great collective decision - making [21:50] The 5 things you need to be successful [21:55] Create audacious goals [22:15] Why you need problems [22:25] Diagnose the problems to determine the root causes [22:50] Determine the design for what you will do about the root causes [23:00] Decide to work with people who are strong where you are weak [23:15] Push through to results [23:20] The loop of success [24:15] Ray's new instinctual approach to failure [24:40] Tony's ritual after every event [25:30] The review that changed Ray's outlook on leadership [27:30] Creating new policies based on fairness and truth [28:00] What people are missing about Ray's culture [29:30] Creating meaningful work and meaningful relationships [30:15] The importance of radical honesty [30:50] Thoughtful disagreement [32:10] Why it was the relationships that changed Ray's life [33:10] Ray's biggest weakness and how he overcame it [34:30] The jungle metaphor [36:00] The dot collector — deciding what to listen to [40:15] The wanting of meritocratic decision - making [41:40] How to see bubbles and busts [42:40] Productivity [43:00] Where we are in the cycle [43:40] What the Fed will do [44:05] We are late in the long - term debt cycle [44:30] Long - term debt is going to be squeezing us [45:00] We have 2 economies [45:30] This year is very similar to 1937 [46:10] The top tenth of the top 1 % of wealth = bottom 90 % combined [46:25] How this creates populism [47:00] The economy for the bottom 60 % isn't growing [48:20] If you look at averages, the country is in a bind [49:10] What are the overarching principles that bind us together?

While our culture may know little of things epiphanal, it certainly has its collective ears perked up and its eyes open for signs of the times.

Rather, both participate in a culture in which security, independence and financial success for the individual and the institution are more highly prized than the common good — both in its collective aspect and in the emphasis on nonmaterial goods.

For an overview of these trends as well as other forms of postmodernism, see The Postmodern Bible by the Bible and Culture Collective.

At the same time, I did hear a pastor prophesy about a decade ago for churches to start building because we were heading for this time where all our culture has put their collective faith into will fail to fulfil them and they will come banging upon the doors of churches that are alive and vibrant.

Alternate frameworks for collective living in India must be in the business of detecting the elements of distinctiveness (even if through difference) of Dalit and Adivasi culture and religion, which are inscribed into the communicative practices of the community, in order to represent its collective identity to itself as well as to the nation - state.

And as for the general character of thought — patterns peculiar to such groups, a collective or social imagination, or what Castoriadis calls a «social instituting imaginary,» may be needed to explain the differences between cultures and their peculiar destinies (RI 149).

Out of these shared convictions and the culture of building they nourished, the architects and patrons of these cities created urban environments and landscapes that were not only extraordinarily beautiful but that also acted as theaters of memory and hope, places that simultaneously referred to and grounded citizens in their origins, the common destiny for which they longed, and the virtues necessary for success in their individual and collective journeys through life.

Giving things away things for free, letting the audience share and remix and consume things as it sees fit, is a boon to the collective strength of the culture economy.

Fermented milk is the collective name for products such as yoghurt, ymer, kefir, cultured buttermilk, filmjölk (Scandinavian sour milk), cultured cream and koumiss (a product based on mares» milk).

Cue justified horror from Dale, much mocking from many bloggers and the moonbats sent a rambling letter collective response to Baroness Buscombe, self - importantly copied to Ben Bradshaw MP, the Secretary of State for Culture, Media and Sport and John Whittingdale MP, Chairman Culture, Media and Sport Select Committee.

And the stretched twig of collective Cabinet responsibility is literally at melting point this morning (one for The Day Today fans, there), with culture secretary John Whittingdale all - but confirming to The House that he will campaign for Brexit.

By loving fearlessly, and feeling endlessly, we contribute to saving the world in a culture that's becoming a community, separatism becoming oneness, and collective action that's starting to work together, men and women, for a better, cleaner, safer, and more loving, caring world.

Fallon explains that we have a natural craving for live culture sodas: «We offer the theory that the craving for both alcohol and soft drinks stems from an ancient collective memory of the kind of lacto - fermented beverages still found in traditional societies.»

Kacey Mya is a lifestyle blogger for The Drifter Collective — an eclectic lifestyle blog that expresses various forms of style through the influence of culture and the world around us.

Jeans: Margaret M via Stitch Fix (also seen worn here)(option here) T - Shirt: «Create a Culture of Kindness Tee» from The Root Collective (use this link for 10 % off) Necklace and Ring: Emma J. Co. c / o Clutch: Parker Clay via CAUSEBOX (use code «stillbeingmolly» for $ 10 off your first box!)

Austin Film Festival annually recognizes a Distinguished Screenwriter for their collective body of work that has elevated and heavily contributed to the culture of film.

Such distributed leadership, Elmore is quick to point out, does not mean «no one is responsible for the overall performance of the organization» — rather that leaders must create a «common culture of expectations» regarding skills and knowledge, and hold individuals «accountable for their contributions to the collective result.»

According to Becky Smerdon and Kathryn Borman, who led the Gates - sponsored research team that evaluated the initiative, by the late 1990s some consensus had emerged among reformers about what made schools successful: «a shared vision focused on student learning, common strategies for engendering that learning, a culture of professional collaboration and collective responsibility, high - quality curriculum, systematic monitoring of student learning, strong instructional leadership (usually from the principal), and adequate resources.»

The OECD PISA framework defines global competence as: «the capacity to examine local, global, and intercultural issues, to understand and appreciate the perspectives and world views of others, to engage in open, appropriate and effective interactions with people from different cultures, and to act for collective well - being and sustainable development.»

Students insisted that racism is «not a good thing» but denied any individual or collective responsibility for racism by the «white culture».

A growth mindset culture is developing within the school as the school community assumes a collective responsibility for student outcomes.

Skills for Life work alongside Skills for Curriculum (literacy, numeracy, the arts, STEM and other curriculum areas) that are placed within the individual interests, collective culture and communities of the children and their families.

Rashmi Watson says her school found that including all staff in the improvement model built collective efficacy and a positive culture for everyone to thrive.

We found that including all staff in an improvement model builds collective efficacy and a positive culture for all staff to thrive, and students to be the recipients of this positivity.

Skills for Life work alongside Skills for Curriculum (literacy, numeracy, the arts, STEM and other curriculum areas), which are placed within the individual interests, collective culture and communities of the children and their families.

IPS is the second collective bargaining district in which the local teachers union has supported Opportunity Culture roles, but the first to include the roles in its contract for all teachers.

Professional Development School Partnerships: An Instrument for Teacher Leadership: Qualitative study of professional development school partnership between a state university and a K — 5 inner - city school in the southeastern U.S., focusing on professional development opportunities, co-teaching, and collective teacher efficacy, and school culture elements that supported teacher leadership http://files.eric.ed.gov/fulltext/EJ974371.pdf

Partner with families and the community for the general well - being and education of our collective student base while including a culture of inclusiveness and respect for the rich diversity of our community.

All members of the school community are responsible for contributing to the establishment and sustaining of a positive school culture by taking personal responsibility to follow through and hold one another accountable to the collective values and principles that define the community.

TDS provides onsite facilitation or contracted technical assistance to school leaders and teacher teams in creating a culture of high expectations for students as well as staff — one of collective commitment to excellence and shared responsibility for decisions, interventions, and outcomes.

These systemic supports provide reinforcement for an enduring culture where there is collective ownership, starting with school leaders and teachers and cascading to network leaders and staff, over the outcomes of the work and of each student — and it is the most impactful driver of our success as an network of public neighborhood schools.

Research shows that current models of professional development calls for collaboration, active engagement, and collective culture - building during such a transition.

However, facing our shared past and our collective responsibility for crafting a better future requires us to understand race, culture, class, and power.

Both Standards recognise that high - quality school leadership is the practice of positively influencing individual and collective teaching expertise in a professional learning culture to secure a strong rate of progress for all learners.

The authors observed four shared strategies used by the groups in this process: 1) public conversations — open forums for deliberation among a range of stakeholders, leading to problem solving and commitments to action; 2) monitoring programs and policies — gathering and analysis of data to evaluate the effectiveness of improvement efforts; 3) participating in the public arena — building political will through get - out - the - vote campaigns and meetings with elected representatives; and 4) joint ownership and relational culture — developing «public» relationships that lead to collective action.

Teachers and school leaders alike yearn for schools that embody more adaptive responses, a collective press for excellence, open communication, collaborative relationships, and a culture of learning that extends beyond the students to include all stakeholders.

Once the author sets up his book, whatever it «s a physical book, e-book when that is well fit into the Market place, it «s at once taking the shape, the background, the suitable form, main writing themes and axes of projects that are leading and targeting the readers through an atmosphere of his taste for his own culture and collective use.

A travel entrepreneur passionate about storytelling and social good, Kelley Louise runs two sister organizations: The Culture Collective, a creative agency for brands in the travel and impact space, and a nonprofit, Travel + SocialGood, which is aimed at solving like poverty or inequality through business and leisure travel.

I should also add that there is no such thing as a collective dislike / hate / love for something from one specific gender / race / culture.

Lego versions of pop culture movies and TV shows have always had a cool factor about them, hence why their standalone videogames have remained popular for nearly a decade, I honestly can't wait to starting building my minifigs jumping into a collective Lego world where I get to play as the Lego Marty McFly.

Art collective Büro Destruct has released Gravity Lander, a free and addictive game developed for Pro Helvetia's Game Culture program, which is dedicated towards «drawing attention to the social, economic, and aesthetic aspects of computer games and exploring the characteristics of the genre as a new art form».

Jeremy Deller (b. 1966, United Kingdom), an artist known for organizing numerous parades, processions, and other collective actions that bring together contrasting swathes of English culture, presents English Magic (2013), the hypnotic video he created as an integral part of his installation for the British Pavilion at the Venice Biennale in 2013.

Collective Design seeks to foster dialogue on the creative process and the diversity of our material culture to build a growing audience for collectible design and art.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

This is the first in a series of projects that will see her work simultaneously at Modern Art Oxford with another solo exhibition, Invisible Strategies (21 January — 30 April) and her participation to The Place is Here at Nottingham Contemporary (4 February — 30 April), a major exhibition bringing together around 100 works by over 30 artists and collectives exploring the pivotal 1980s decade for British culture and politics.

At the 2017 Whitney Biennial, the group Occupy Museums, a collective that exposes how global capitalism co-opts culture for its own commercial ends, mounted an installation that examines the debts accrued by artists in the pursuit of their work.

In addition to his work at SPACE for more than 13 years, May was a founding member of the Bakery Photo Collective and has served on the board of Creative Portland and the Portland Arts and Culture Alliance.