Sentences with phrase «for contemporary artistic production»

The exhibition presents works that talk about the relation between photography and other media, making possible new meanings and paths for contemporary artistic production.

Here, Sanford's work is part of what he refers to as the «hip - hop ethos,» as well as Afrofuturism as (in this case) a platform for contemporary artistic production and discourse.

Not exact matches

Explore how observation of animal behavior influenced religious belief, artistic production, and daily life from ancient America to contemporary Africa in this three - day workshop for teachers on June 5 - 7.

The Museum of Contemporary African Diasporan Arts (MoCADA) uses the visual arts as a point of departure for exploring new artistic production across a variety of disciplines.

This event considers the function of text, artist's writing and artistic language as departure points to explore the necessity of writing for a wide range of contemporary artists» working today such as Martha Rosler, Hito Steyerl, Jonas Staal, Cai Gu - Qiang, Miguel A. Lopez, Marion von Osten and the many others who emphasize the act of writing as either a significant part, or as the main site of their artistic production.

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin - a laboratory for conceptual, intellectual, and artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around «Western art» and «non-Western art».

More than twenty contemporary artists from home and abroad examine the importance of systems of order such as cartography, archival structures and scientific systematizations for today's artistic production.

Although more than half a century has passed since the era of Inventing Downtown, many of the issues mined in the exhibition still resonate in today's art world — split as it is between the booming commercial market for contemporary art and ever more pluralistic models of artistic production, promotion, and display.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.

Responding to the current climate of art fairs in regard to artistic production and reception, Paris Internationale is a joint initiative from five emerging galleries — Crèvecoeur, High Art, Antoine Levi, Sultana and Gregor Staiger — as a collective attempt to develop an appropriate model for fostering new advanced initiatives in contemporary art.

«This is a space of extreme relevance for the diffusion of contemporary artistic production in our country.»

A contemporary arts residency centre and campus for artistic production, experimentation and learning in South Cambridgeshire

With over 120 studios at four different locations in Frankfurt and changing exhibitions of contemporary artistic positions, the production and exhibition platform basis e.V. provides a lively and inspiring environment for guest artists.

Curated by Steven Bridges for the Hyde Park Art Center and Contemporary Arts Council, Cosmosis investigated how the cosmos and the field of Cosmology continue to inspire artistic production and exert influence on human understanding of the universe — and our place therein.

By enabling artistic production, critical debate and dissemination of contemporary visual art in the three dimensional form, we help to develop the careers and reputation of artists and an understanding of their artistic practice on a local, national and international level, making GSS a vital platform for all who wish to understand, participate in and embrace contemporary three - dimensional artistic practice.

Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

It quickly became a major forum for debate on contemporary art and architecture, and as such filled a gap between institutional representation and artistic production.

Centre for Contemporary Art CCA fosters a wide range of artistic, curatorial, and critical practices through five collaborative and process - driven streams: research and production, exhibition - making, public programmes, publishing, and residencies.

What is left open by Joselit's brief and polemical text is how we might best use this diagnosis of the present possibilities and limitations for artistic production to analyze works of art themselves for, if After Art has a limitation of its own, it is in putting these provocative but abstract ideas in the service of contemporary art, rather than simply having the former represented or narrativized by the latter.

3 pm, Galpão VB >> Launch of Amigos Videobrasil The new membership program offers di erent support options for those wishing to contribute to the continuation of Videobrasil's public programming and venue, aimed at promoting the contemporary artistic production of the global South, expanding access to visual arts, educating audiences, and preserving the Festival's Historical Collection.

Through studio projects, readings, discussions, and case studies, students in this class will engage the immediate context of the University as source material for their artworks as a means to explore the effect that research and knowledge production might have on contemporary artistic practice.

contemporary media art also wants to establish a regular intercourse between international and regional artistic productions, for example by combining local and international artistic production in group - exhibitions.

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin — a laboratory for conceptual, intellectual, artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around the «West» and the «non-West».

The curators are: Sally Tallant, Director, Liverpool Biennial Dominic Willsdon, Curator of Education and Public Practice, San Francisco Museum of Modern Art Francesco Manacorda, Artistic Director, Tate Liverpool Raimundas Malasauskas, curator and writer Joasia Krysa, Head of Research, Liverpool Biennial and Director, Exhibition Research Centre Rosie Cooper, Head of Programmes, Liverpool Biennial Polly Brannan, Education Curator, Liverpool Biennial Francesca Bertolotti - Bailey, Head of Production and International Projects, Liverpool Biennial Ying Tan, Curator, Centre for Chinese Contemporary Art (CFCCA) Sandeep Parmar, Co-Director, Centre for New and International Writing Steven Cairns, Associate Curator of Artists Film and Moving Image, ICA

Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production... + more

The art space will host shows, debates and courses, serving as a space for the production of contemporary art and for artistic discussions.