The Sims can be thought of as a virtual training ground
for contemporary consumer culture, making explicit capitalist conceptions of happiness.
Not exact matches
The show says much about his taste as a
consumer of
contemporary culture and his vision
for spotting a gallery.
While Meckseper's earlier vitrine works commented on
contemporary consumer culture using the shop window as an example and focus point
for civic unrest and protest in our late capitalist society, her current works allude to the political dimension of early modernist display architecture and design between World War I and II in Weimar Germany.
A monument
for the 21st century, Electric Fountain is a celebration of the spectacle, excess, beauty, and desire of
contemporary culture and a provocative comment on the nature of
consumer society, a theme often present in Noble & Webster's work.
In her collages and sculptures, Nicole Wermer's (born in 1971) abstracts the attractions and surfaces of a
contemporary consumer culture to architectural structures that allow
for echoes of seduction and control.
Andreas Gursky, German photographer known
for his monumental digitally manipulated photographs that examine
consumer culture and the busyness of
contemporary life.
SELECTED GROUP EXHIBITIONS 2009 - 10 Joyous Machines: Jean Tinguely and Michael Landy, Tate Liverpool Projections, Carré d'Art — Nîmes Museum of
Contemporary Art 2004 Bad Behavior, an Arts Council Collection exhibition; Hayward Gallery, London; Longside Gallery - Yorkshire Sculpture Park; Aberystwyth Arts Centre; Swansea - Glynn Vivian Art Gallery; The Hatton Gallery - Univeristy of Newcastle; Carlisle - Tullie House 2003 L'Air du Temps, Bloomberg Space, London Shopping: Art and
Consumer Culture, Kunstverein, Frankfurt; Tate Liverpool Micro / Macro: British Art 1996 - 2002, Mucsarnok Kunsthalle, Budapest
For the Record: Drawing
Contemporary Life, Vancouver Art Gallery, BC
For The Walthamstow Tapestry (2009), a textile work that scrolled 49 feet (15 metres) across a gallery wall, Perry arranged a series of detailed images — decoratively inspired by traditional Sumatran batiks but replete with references to
contemporary consumer culture — into a sweeping narrative of a human life.
These two propositions are inextricably entangled in a
contemporary consumer culture looking
for «more -
for-less» (Richard Susskind).