Sentences with phrase «for contemporary drawing»

Pettibon, Raymond, Magazine for Contemporary Drawing, no. 12, 2013 - 2014, pp. 100 — 107 [ill.].

Drawing Room was initiated in 2002 by curators Mary Doyle, Kate Macfarlane and Katharine Stout to provide the major European resource for contemporary drawing.

In 2001, she co-founded the Drawing Room, the major European non-profit organization for contemporary drawing.

Drawing Room is the first dedicated non-profit space in the UK for contemporary drawing and our Outset Study is the only specialist contemporary drawing library and study area is the first of its kind in the UK and Europe.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94

[4][5] Kirsch's drawings were selected for the Contemporary Drawing / New York exhibition at the University of California, Santa Barbara curated by Phyllis Plous.

Not exact matches

He acknowledges that it is a messy business and one for which he has drawn criticism, (Metaxas stridently criticised Trump during the nomination process) but, like so many of his evangelical contemporaries, Metaxas believes that loyalty to his country, and the Christian values it was founded upon, means that compromises have to be made for the greater good.

This type of analysis is a vital precursor to any attempt to measure the social and cultural effects of the extension of the capitalist system, especially in its contemporary neo-liberal phase, but it also permits us to draw up strategies and alliances for resistance.

He drew from this memory a lesson for contemporary Christians, namely to invest in their Sunday observance some of the spirit of the Jewish Sabbath (in whose observance, by the way, Jesus was so scrupulous during his life on earth).

But this task of drawing all men to Himself the divine purpose to «sum up all things in Christ», will not be effected till the end of history; and the fellowship of love which it is the divine plan to establish can not come into being in its completeness within history at all, for it must be more than a fellowship of contemporaries.

A genre distinction is usually drawn between «contemporary Christian music» (ccm for short) and «modern worship music.»

All in all, there is little enthusiasm for a ressourcementthat would draw deeply on the actual contents of our Scripture - based, Sacramental - Liturgical Tradition, and would use these resources to challenge our contemporaries and ourselves to a conversion that would be not only a widening and deepening, but also a change of perspective.

Latigo's combination of fresh urban edge and vintage flair draws inspiration from retro trends and reimagines them with a contemporary twist for a modern street style with roots.

Any attempt to draw on the republican tradition for contemporary political insight needs to be aware, then, of the variety of thinkers who fall within it and the specificity of the problems they were trying to solve.

When creating my own music play list for training and racing, I found that I was really drawn to Contemporary Christian hits for my workout music.

Drawing upon traditional and contemporary cuisines from around the globe, The One Peaceful World Cookbook: Over 150 Vegan, Macrobiotic Recipes for Vibrant Health and Happiness shows you how to prepare delicious, satisfying meals that nourish your body and mind.

For nearly 40 years, MUIH has educated practitioners in health and wellness through transformative and relationship - centered programs that draw from traditional wisdom and contemporary science.

Drawing inspiration from folklore fashion and contemporary styles, kurtis for women display a true depth of design that brings out unique and urban nature.

But despite a talented cast and a literate script, it's a tale that may have difficulty drawing a strong emotional response for a contemporary audience.

Christian Petzold's last film, the masterful Phoenix, drew complex undercurrents of suspicion, psychological unease, and suspense (not to mention one of the greatest endings in contemporary film) out of the noirish story of a disfigured Holocaust survivor who returns to post-war Berlin and is roped into a scheme by the husband who mistakes her for a stranger.

Like his contemporary Andy Warhol, Hockney had a knack for drawing the attention of the press, between his bleached blond hair and his flamboyant wardrobe.

Drawing from a rich musical catalog that rivals only Broadway itself, Home for the Holidays features three of the greatest voices of their generation performing contemporary takes on more than 25 perennial favorites.

Even so, it was her down to earth, low - key goofiness which drew the attention of writer - director Ti West for «The Innkeepers,» a surprisingly scary blend of classic ghost story horror and contemporary indie comedy.

Drawing on the latest knowledge in the areas of research, policy, and practice, the volume provides insight into contemporary challenges, misconceptions, and failed strategies while offering solutions and ideas for policymakers and educators.

The volume also does not draw links to, or follow implications for, contemporary policy debates; nor does the author explain how early compromises and decisions affected subsequent developments.

Gridded drawings from historical African masks, fact sheet to support initial research and an artist annotation planning sheet for the artist Marcos Roman (a contemporary artist influence by African art).

He's spent the last three years writing a book — Contemporary School Playground Strategies for Healthy Students — which draws together research findings from Australia and overseas.

Commenting on the school's contribution to the project, Rye St Antony's Head of Art and Design Jenny White said,» Each of these panels will seek to draw connections between the story of creation in Genesis and the contemporary challenge to overcome hostility and division by caring for the planet.

Roesch and the Talbot 14/45 — Nick Baldwin discusses the importance of this remarkably advanced model and recalls his enjoyment of his own example / Napiers in Australia — A fascinating selection of period photographs of Napiers «down under» has been discovered by Bill Bishop / Derby Bentleys — On their 60th anniversary Martyn Nutland re-assesses the first Rolls - Royce - produced Bentleys / Car badges — In part 2 of his article Michael Worthington - Williams reveals further examples of motor car heraldry / Evolution of the car up to 1904 — Bryan Goodman explains how the design of the earliest cars developed from that of contemporary horse - drawn vehicles / 1931 Morris Minor — The Editor experiences William Morris's somewhat belated but technically advanced answer to the Austin Seven / Acetylene lighting Part 2 — Dr. C. Brooks continues his history of the development of acetylene lighting for vehicles / Hillman light car mystery — Some doubt remains as to the precise age of this beautifully preserved 1919 Hillman.

Cohen's debut has drawn some comparisons to Nora Ephron's work for its witty, edgy portrait of a contemporary young woman who, post-college, is lost, confused and just doing her best in NYC.

Dennis Lehane, best known for his mysteries set in contemporary Boston, draws comparisons to E.L. Doctorow's classic Ragtime with his historical novel, The Given Day.

My favorite, which was released recently is Archaeology, Anthropology and Interstellar Communication and edited by SETI Director of Interstellar Message Composition Douglas Vakoch, the document draws on «issues at the core of contemporary archaeology and anthropology» to prepare us «for contact with an extraterrestrial civilization, should that day ever come.»

While some might assume that the more challenging aspects of Sufism as Islamic mysticism would be the attraction for a contemporary writer, «It's not the controversy that drew me to Ibn «Arabi,» Alwan tells Publishing Perspectives.

Best Western announces new design for the Best Western Plus ® logo which picks up on the brand's traditional use of red, incorporates the signature lettering and draws more emphasis to the word «Plus» using a contemporary tapered line.

Many of these are favorite film locations for current directors, and their restaurants, lounges, pools, and other public spaces draw chic modern crowds and contemporary starlets.

The annual boutique platform for modern and contemporary art is to be held in the UAE World Expo pavilion and drew over two million visitors to Shanghai last year.

The look for Raffles Makati is contemporary, whilst drawing on the timeless quality of Raffles Hotel Singapore — echoing Manila's own blend of old world charm and new world sophistication.

Designed for more intimate occasions, the two Drawing Rooms feature contemporary, harmonious furnishings and an abundance of natural light.

Designed for more intimate occasions, the two Drawing Rooms feature contemporary, harmonious furnishings...

Featuring an all new re-imagined contemporary art style, hand - drawn and presented in 1080p, complete voice over by members of the original Monkey Island ™ franchise cast, a re-mastered musical score using live instruments, plus scene - for scene - hot swap to seamlessly transition between Special Edition and Classic modes at anytime.

Since launching in 2011, the Prize has established itself as a tastemaker for some of the most exciting contemporary artists in painting and drawing, recognising emerging talent ahead of other prizes for recent graduates, such as Catlin and Bloomberg New Contemporaries.

But another major draw is not what's in Beacon but what's near it: the many art - friendly cities dotting the Hudson Valley, including New Windsor, home of the Storm King Art Center (stormking.org), and Peekskill, with its Hudson Valley Center for Contemporary Art (hvcca.org)-- both only a short drive from Beacon.

Pieces for what the company is dubbing Art Basel Cities Week, will be situated in plazas, parks, and empty buildings, drawing connections between contemporary art, urban layouts and spaces, and the city's history.

Margaret Lanzetta is a New York - based artist best known for her abstract culturally inspired work using digitized motifs drawn from Buddhism, 60's pop culture, nature and contemporary industry.

These layered visual elements offered insights into Nelson's working method, combining historical and contemporary content and utilizing drawing, graphics, and film (appropriated or staged for the camera).

In this exhibition, artist Stephen Hannock's recent gift to the Albright - Knox, The Great Falls; for Xu Bing (MassMoca # 180), will be joined by additional historical and contemporary interpretations of the natural wonder drawn from the museum's collection.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackFor The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

On the ride home from Mass Moca, I had a conversation with Mike Weins, one of my senior art students from Castleton State College, over the border in Vermont, about the strangeness of viewing a contemporary art show (the late Sol Lewitt's wall drawings) that was scheduled to last for the next 25 years.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Frankenthaler also looked beyond her contemporaries for inspiration — to the drawings of the old masters.